For this release Mathieu Ruhlmann uses a lot of sound sources and per track he lists them. We see listed a coffee grinder, ukelin, e-bow, moss, denture cleaner, bubble wrap, dried plant, cactus, speaker and gate (and that's just the opening track!)... The gain is very much alive here, so there is occasionally some feedback leaking through here. That adds a strange component to the highly acoustic music. Ruhlmann plays his stuff with great care. His music is open, spacious, but also intimate. The quiet rumbling of objects, the leak of outside sound events on the recording (as opposed to pre recorded field recordings) reminds me of Jeph Jerman or Kapotte Muziek, although Ruhlmann's plate is a bit more filled with sound than the latter. An excellent release of highly imaginative music... Vital Weekly