edition of 300 copies.
Side A:
In summer, dreaming while waiting in line to enter the Kennedy tunnel, I felt inspired. Once in the studio though, it became clear that it's impossible to recreate Riley's Persian Surgery Dervishes with a sequencer. Three days of programming this insight into a Serge & custom modular system resulted in a live recording.
Side B:
Through field recordings & the wonderful world of well sounding voltages, this piece connects two documents which capture my journey in America: playing a pinball machine with sound effects by Suzanne Ciani and a brass ensemble in the New Hampshire woods.
Thanks: Els, Lieven, Steve, Tommy
Dedicated to the films of Hollis Frampton & Paul Sharits