* Double LP on grey vinyl * This collection of damaged subsonic headmelters was originally released back in 2001 under the CTI moniker, and used Chris Carter's 1970s and '80s Throbbing Gristle rhythm tapes to inspire industrial vignettes that have been used on countless installations, TV ads and Hollywood movie trailers since. Still so far ahead of the game - frozen ambient void soundtrax.  This second collection of ambient reworks takes his pioneering Throbbing Gristle sounds into a sub-aquatic cave of watery textures, rumbling sheet subs and chattering alien echoes. It's not drone material by any means - Carter retains the rhythmic push of his TG beat tapes, but flexes them in dilated time, reminding of Thomas Köner or Kevin Drumm. 

Tracks don't so much play from beginning to end as twist thru the perceived audio field like weightless blunt smoke diving between hi-frequency whirrs and lo-end growls. It's music that can pretty much only be enjoyed on a decent set of speakers or headphones - the original release read "not mono compatible" and "contains sub-sonics and resonant frequencies which lower specified audio apparatus may find difficult to faithfully reproduce".  But if you're in possession of a half-decent setup you're in for a treat. There are few artists who possess Carter's wizardry working in this mode.

As a pioneer he changed the game, but he also rarely repeatshimself. Billed as "ambient remixes", these eerie versions are several steps removed from the cloying ambient music that clogs up playlists and soundtracks. Carter's take on the genre exists in negative space and hinges on dub flavor, hypnotic texture and pure sonic confusion. It's next level shit, from beginning to end.