Here's the cd reissue of a 2009 cassette from the emissary of British dronemusik, Andrew Chalk. That cassette, like this cd version, had been released by the Japanese imprint Siren Records, although it seems that Chalk himself did all of the printing as with all of his Faraway Press productions. So, it certainly looks as lovely as it sounds. The album opens with a 22 minute abstraction of piano tones, smeared, stretched, and warbled by a process that seems more attuned to tape decay techniques than the placid smooth surfaces that have come from Chalk's recordings as of late. This has the sound more of the misty psychedelic ambient tapestries from Natural Snow Buildings or the hauntological loops of Indignant Senility. There's something very prescient about this track, as if Chalk were responding to many of the divergent streams of drone-based constructions that are happening throughout the world right now. The rest of the album is definitely a detour for Chalk, as he presents a series of sad, sodden snippets composed on guitar, koto, synth, piano, and field recordings. Unlike so many who attempts an album of gossamer, minimalist sounds, Chalk seeks the same chromatic hues through his sources. It's the same melancholy which runs through his impressionist drones that can be found in an ellipsis for untreated acoustic guitar or a melody upon cosmic-minded synth or an atypical strum upon his koto. That makes for quite a remarkable album for Mr. Chalk, once again (Aquarius)