Continuing the utilisation of recycled sound, Preslav Literary School fades out its opening German monologue to unveil a starry, shimmering reconstruction of a J.S Bach fuge. Chords overlap each other so that a dissonance lingers between them, with haunting organ tones vaguely tracing a melody while ultimately feeling lost in mystical freeform. The section during which a phased fifth-interval drone takes precedence is considerably less interesting than the flowing chord progressions before it, but the broken, stuttering loop that follows it is an instant redeemer. It crumbles and distorts as a weathered outline of its former self, stripped of timbre and emanating as indistinct drones; a bit like one of William Basinski’s Disintegration Loops." ATTN:Magazine