While the previous Chasm Achanés was based on low and rumbling frequencies, Maggiore and Brasini research is now focused on high pitched waves, through which they create a continuous movement of overtones and resonances. Tiny mechanical cracks are heard through the frequency bliss of the first track, a last resemblance of humanity into this otherwordly atmosphere.
The second track has a continuous click, almost a clock, hidden under the microtones of three different frequencies which create another blissful and luminous drone with an ecstatic feeling. When the track is almost coming to an end, a monstruous bass frequency, who lied in the background forever, finally comes in, changing shapes and colours of the drone.
Headphones listening is recommended.