Tarek Atoui's exhibition at Mudam Luxembourg – Musée d'Art Moderne Grand-Duc Jean, Waters' Witness, is based on the artist's ongoing project I/E, initiated in 2015, in which Atoui documents the human, ecological, historical and industrial realities of coastal cities such as Athens, Abu Dhabi, Singapore, Beirut or Porto by means of sound recordings. As an accompaniment and an extension of the exhibition, Mudam is publishing Waters' Witness #02, the third volume in a series initiated by the Serralves Museum dedicated to this ambitious and collaborative project, which seeks to explore the different ways in which sound can be experienced.

This publication includes an interview between Tarek Atoui and his long-time collaborator, artist and musician Éric La Casa; a visual contribution by photographer Alexandre Guirkinger; a rich iconography including views of the exhibition at Mudam Luxembourg and an introduction by curators Sarah Beaumont and Joel Valabrega. Published on the occasion of the eponymous exhibition at Mudam Luxembourg in 2022-2023.

Tarek Atoui's (born 1980 in Beirut) work inhabits the intersection of visual and sound arts. Known for his sonic installations and performances, Atoui privileges a sensory approach along with an investigative process that embraces history, anthropology, ethnology and musicology. He considers sound to be a catalyst for human interaction leading him to collaborate with other musicians, as well as researchers and musical instrument makers. His ongoing reflections on the notion of the musical instrument have led him to investigate the history of classical Arab music and to collaborate with a school for the deaf to learn how students hear and perceive sound. By traversing such a wide range of fields, he constantly changes roles, shifting from performer to computer programmer, from researcher to artistic director.