eRikm, turntables, electronics, live sampling. Catherine Jauniaux, voice, bird call, cupule, cazoo. In the beginning, there are stories, sometimes dark, told by Catherine Jauniaux. With stunning ease, she invents imaginary conversations where several protagonists spring from deep in her throat, like rabbits out of a hat, like actors from Japanese Noh theatre. eRikm's electronic sounds fuse and infiltrate hers creating an unsettling environment Ð clearing the way or tangling it up in a sound skin. A skillful and fragile performance, tinted with surealism, plumb up and yet close on the edge! Ah! if all the cabarets in the world...'eRikm & Cat herine Jauniaux: the turntables of improvisation Captured. From the first second of their show the public hangs on the Catherine Jauniaux's voice, is hypnotised by the extraordinary antics of eRikm at his turntables. No hold barred, they are in a kind of insatiable creative trance. A pure and very deep-rooted improvisation, a journey into the soul where all states can be experienced. Catherine Jauniaux journies through her extensive vocal range and wends and weaves all feelings with disconcerting ease, eRikm creates a surprise at every turn. Poetic and ardent music, deeply human. The constant pleasure of playing with the musicality of words and the fabulous resources of the body. Erik follows, surrounds, initiates, anticipates or concludes the vocal propositionswith equally inventive virtuosity .Vertiginous!' Anne Montaron.