Part two of Sun Ra's 1970 appearance at the Fondation Maeght. An important document for this innovator of jazz. Improvisation, percussion, Afro rhythms, mysticism, and the occult -- all this and more is what the Sun Ra universe is made of. One of the most mysterious and fascinating figures in the history of jazz. Many potential listeners may be initially dismayed at the seeming discord that is inherent in the free and avant-garde subgenres. For them, Nuits de la Fondation Maeght, Vol. 2 might be a good starting place as it offers up a variety of styles from within the open-ended framework. "Friendly Galaxy Number 2" is a brooding and edgy mid-tempo affair, highlighted by the rhythm section's smouldering restraint beneath the alternately plaintive and sinuous wails from Alan Silva (violin). This segues into the entire Arkestra as it joins in on a carefree and buoyant "Spontaneous Simplicity." Once again, Silva shines, albeit this time on electric bass guitar. His syncopated pulsations are viscous enough to ably swaddle the aggressive percussive ensemble. On this piece, Ra's electric piano runs are among his most melodic, as he gently weaves around the well-placed chord progressions. The brass section also reasserts itself for some stellar interaction at the song's conclusion.