* 200 copies limited edition * The first time I heard Wheatie’s music was at a basement show in Philadelphia, and I was entranced. I’ve felt similarly when watching videos of the French singer Barbara as she concentrates on a corner of the room, her eyes big warm coins, singing “La solitude” about a loneliness that “rolls around the hips” and demands that the door is opened. It’s Barbara’s self-possession that haunts me, her willingness to do publicly what I can only find alone. It’s not so much sound but a spirit that Barbara and Wheatie share: Both make music that is as gorgeous as it’s eerie and says a good deal about the workings of their own minds—and by that, I don’t mean that they reveal their psychology—but they take us deep into their peculiarities as musicians.  
 
After Wheatie’s set, I asked where I could get a record, and assumed there must be one—surely, I’m late here—because I wasn’t alone. Everyone at that show was visibly mesmerized. It’s been a few years since then, but I haven’t forgotten it, couldn’t, and have waited for Wheatie’s debut, Old Glow, which captures and renews the hypnotic mystery of her set that night. For Old Glow, Wheatie has collaborated with Stephen Santillan, who plays keyboard and guitar, while she’s on the keyboard and dulcimer, and of course, her distinct vocals.