A sweeping composition for instruments, field recordings, and electronics that seems to gather and reflect the forces and creative impulses of the world. Originally realized as a quadraphonic piece, it has been reworked for stereo as a 24-minute study for a piece conceived to be without end. For water, granite, limestone, calcareous soil, tenor saxophone, violin, feedback, decay, distortion.
Chantal Michelle – Field recordings / electronics / feedback
Alina Maldonado – Violin / electronics
Brian Allen Simon – Tenor saxophone