"So, we enter Chris’s world of obsolete tape formats, time codes and problematic system synchronisation. A world of analogue technology and artefacts that have disappeared from use - at least in the Western World. A lost world of orthicon halos, chroma and separate red, green and blue images. Three-quarter-inch U Matic tapes and Betacam. With the usual attention to detail, opening track “09:59:59:24” refers to the final frame before the programme starts when working with tapes at 25 frames a second. The track features actual audio time code. “Genlock” references broadcast systems with an analog generator-lock signal consisting of vertical and horizontal synchronizing pulses together in the form of a colourburst. It’s further evidence of Chris being able to find the romance and beauty in the technical and non-theoretical. The results of this academic discourse are not cold and distant, but somehow deeply emotional.

The beautiful artwork is once again provided by long time Concretism collaborator, Richard Littler of Scarfolk and Dick and Stewart infamy. "Even in the sleepiest corners of Chris Sharp’s native Essex, the battle between Betamax and VHS must surely now have been settled. But Teliffusion is an homage to the outmoded TV and video formats of his youth, introducing a fuzzy warmth to Sharp’s trademark dystopian synthscapes. In ‘Luma’, the relentless ticks of a front parlour clock are quickly subsumed by radiophonic sweeps, and ‘Red, Green, Blue’ has plummy samples from some Precambrian BBC training tape. The perfect musical evocation of the vertical hold going haywire once again." - Bob Fischer