Band Of Holy Joy were formed in the summer of 1983 when Johny and Max found a synthesiser in the cellar of the squatted house in New Cross Gate they were living in. They started messing about on this synth and started writing songs on it. The songs however were very messy and the discovery of an old plastic harmonium in a local junk shop only added to the chaos. They brought in Brett Turnbull to bring a sense of order to the noise they were creating. Brett brought along Martine Thoquenne with him and the noise in the cellar started becoming very interesting indeed. A person who is much forgotten but quite instrumental in what went on was George Lovell, just want to throw that in, Hi George. John Jenkins was somebody who was around the house a lot at this time. He was a photographer but was persuaded to trade his camera for a mouth organ, tambourine and various other instruments. The Band Of Holy Joy was now a complete entity and strange sounds and songs began to emerge. Various cultural interests at this time were 8 and 35mm film, Pan pulp paperbacks, Bertol Brecht stage play and  the electronic disco sounds that could be heard and bought uptown.

Subjects that fired their imaginations at this time were media scare stories, prescription medications, institutional living, big cities bad glamour and self-preservation in vulnerable situations. There was an affinity and shared living space with the constructivist outfit Test Dept who took Band Of Holy Joy out on tour with them resulting in very early performances in Manchester, Sheffield and Retford. When they returned to London they entered the studio and began to record and assemble tracks to go along side the porta studio recordings, cut ups, and collages they were creating at home. The studio used was called Recession and existed for a while in Hackney.  Other artists that  maybeused it were Pure, Whitehouse, early Coil.

Other dates followed in various strange locations around London, church cellars, bus stops, wine bars, warehouses etc. They also played with Einsturzende Neubauten around this time. The band were interested in the emerging cassette culture of the day. The first cassette was Favourite Fairytales For Juvenile Delinquents which was released in 1983. More Favourite Fairytales was recorded on a four track portastudio which was released late winter / early spring of 1984. The band would often make and play their own instruments as well as make their own films. It was a mad, up all night, passionately creative time.>
They also contributed to many cassette compilations of the day working towards a record deal with Flim Flam which resulted in a 12 inch single called Had A Mother Who Was Proud and Look At Me Now, which was half industrial noise disco terror and half South London doomed cabaret waltz. We hope this box set properly captures and evokes the spirit of an age as was lived then. A special post punk pre acid house creatively perfect time to be young and full of noise and word and image in London. The Band Of Holy Joy flourished in such a place.