Vis-Viva is the  surprise  of  movement, the wonder that leads to imagine new possible configurations of the  present, objects created with materials not yet invented move in aseptic and virtual spaces without respecting the  normal laws of physics. Used for the first description of kinetic energyinelastic collisions the historical term Vis-Viva  titles second OOH-sounds release from Voronoi, a work inspired by post humanism literature, experimental observation and speculative evolutionism where sounds and motion seem to face over the contemporary techno-scientific corpus from a positive angle. In the tracks rhythms are free, unpredictable and all pieces always seem to respect some grammars of club-music but abstracting from its normal timbres and denying its conclusions to face a  digital fantasy.

Vis-Viva’s experiment is completed by an extended 6 minutes re-work track by electronic music producer and multidisciplinary artist Jesse Osborne-Lanthier (of Raster-Noton fame) who reassembles Voronoi’s sonic palette into his unique style. The result is as if everything has traveled outside the lab to be exposed to the outside world.