Reissues
Amplified Crystal
A howling vortex of psychedelic whiteout and swirling shimmer by trailblazing Japanese icons C.C.C.C. (Cosmic Coincidence Control Center), featuring the core foursome of Mayuko Hino (electronics, voice, performance), Hiroshi Hasegawa (synthesizer, voice), Fumio Kosakai (electronics, tapes), and Ryuichi Nagakubo (bass). Originally released as a legendary, limited vinyl LP on the group’s own Endorphine Factory label, this seminal release has been painstakingly remastered in 2023 by John Wiese and …
Community Center Cyber Crash / Live In Pittsburgh
A searing document of C.C.C.C.’s indelible live performance at Wilkins School Community Center on October 11, 1992, Community Center Cyber Crash/Live In Pittsburgh voyages into an abyss of scorching sound featuring the lineup of Mayuko Hino (electronics, voice), Hiroshi Hasegawa (synthesizer, voice), and Fumio Kosakai (electronics, tapes). Originally released as a vinyl LP in 1993 that helped cement the ensemble’s legacy and influence, the album has been meticulously remastered in 2023 by John W…
Benigemony Asiniscrepancy
Diehard oxblood red vinyl, limited to 100 copies. Bone-crushing U.S. noisecore avalanche, brand new recordings from this prolific unit terrorizing the masses since 1999! Special line-up consisting of: Isaac Horne (Mankind’s Devastation, Sulfuric Cautery), Charlie Mumma (Sewer System, Knelt Rote), John Wiese (lhd, White Gold). Grindcore From Noise: taking the band’s long-term experience in harsh noise detonation and combining it with the sickest elements of brutalizing grindcore delivered at inhu…
I Malamondo
Restored & Remastered From The Original Master Tapes. Another great Morricone score to the 1964 "mondo film," a type of sensationalist pseudo-documentary (also known as a "shockumentary"). The film, directed by Paolo Cavara, dealt with bizarre activities in Europe, including a cemetery orgy and nudist skiing in the Swiss Alps.
This soundtrack has been restored and remastered from the original master tapes. It features seven unreleased tracks and two tracks released on vinyl for the very first t…
It's So Hard To Tell Who's Going To Love You The Best
Karen Dalton's 1969 debut is finally back in print. 2024 reissue features all-analogue mastering by Kevin Gray at Cohearent Audio, direct from the original analogue tapes. Housed in an expanded gatefold jacket with liner notes by Brian Barr
Baus '93
** 2LP, red velvet vinyl edition** BAUS ‘93 contains the Rallizes storied comeback performance from Baus Theater in Kichijoji, Tokyo, which took place on February 13, 1993 in what was their first live appearance in five years. BAUS ‘93 follows the widely acclaimed worldwide release of Città ‘93, which captured the Rallizes’ fiery gig that took place four days later at Club Citta’ in Kawasaki.
Newly mixed and mastered by Makoto Kubota, BAUS ‘93 features the previously unheard live recording meti…
Gnu High
A vinyl reissue, in Ecm new audiophile Luminessence series, for Kenny Wheeler’s sensational ECM leader debut. Recorded in New York in 1975, and produced by Manfred Eicher, Gnu High brought Canadian trumpeter Wheeler to a new level of international acclaim, for both his impassioned playing and his profoundly lyrical writing. Here Kenny is fronting an extraordinary quartet, with Keith Jarrett, Dave Holland and Jack DeJohnette, all masterful improvisers who had shaped their intuitive collective und…
The New Quartet
As well as being the great vibraphone innovator of the era, Gary Burton is known for his unparalleled intuition as a talent scout. In 1973, The New Quartet introduced Abraham Laboriel: this was the first recording of the bassist who would soon become one of the most in-demand session players across all genres. “It must be emphasised that Laboriel sounds like a major artist in the making with his astonishing bass work,” wrote Melody Maker. Guitarist Mick Goodrick also emerged as a player to watc…
Saudades
Brazilian percussionist Naná Vasconcelos’s Saudades album, recorded in March 1979, was the culmination of a dream for a musician who had long yearned to hear the berimbau in an orchestral context. This ‘concerto’ for an innovative player of a traditional instrument was made possible with the creative input of Egberto Gismonti, here the arranger of the material for strings, as well as co-composer and supporting soloist. The Radio Symphony Orchestra Stuttgart was conducted by Mladen Gutesha (who h…
Old And New Dreams
Hot on the heels of Old Friends, New Friends comes Old And New Dreams, an operation meant as a new flagship for Ornette Coleman, whose lack of enthusiasm for the project left a gap duly filled by Dewey Redman. The result is this delightful excursion into post-bop outlands that sounds as alive as ever. Two Coleman pieces comprise nearly half of its duration—which is saying much, for like many of ECM’s joints of the 70s, this one breezes by in under 50 minutes. The first Coleman piece, “Lonely Wom…
Complete Communion: Live in Stuttgart 1966
The legendary Don Cherry with his great 1966 quintet featuring Gato Barbieri (tenor sax) Karl Berger (piano) Bo Stief (bass) Aldo Romano (drums) which can also be heard on three fine releases on ESP-Disk, and with the New York Total Music Company in 1968. His quintet was on very fine form at this time, it captures a crucial stage of Cherry’s journey from free jazz to yet wilder territories. The recording was made for radio broadcast and is nice and clear: this is the first time it has been is…
Berkeley University Museum - November 7, 1970
Available again! Modern Silence delivers a landmark release in the history of minimalism with a live performance documented from one of the genre's key figures: Steve Reich. Recorded live at Berkeley University in the 1970s (home also to key minimalism figures Terry Riley and La Monte Young), this performance sees Reich deliver some of his now legendary compositions, such as the shifting tape-loop experimentation of "My Name Is", whereby vocals are cut-up, looped, and played at different speeds …
Songs From The Bardo
Songs from the Bardo begins with a bell ringing out once, twice, three times, as a ritualistic chant emerges from the dense silence. The collaborative composition by avant-garde icon Laurie Anderson, Tibetan multi-instrumentalist Tenzin Choegyal, and composer and activist Jesse Paris Smith is a guided journey through the visionary text of the Tibetan Book of the Dead, unfolding in an 80-minute ebb and flow of sound and words. Songs from the Bardo is a transporting experience, meant to draw the l…
Pneuma Monoxyd
Hardcover Book + CD, published by Dortmunder Kunstverein Und Hartware MedienKunstVerein - Thomas Köner's Pneuma Monoxyd uncovers fluctuations and invisible border crossings that constitute any moment. A static gaze of a Balkan market unveils the porous boundaries of the present moment and seems like a window looking out to the beyond.Premonition, memory and splinters of Here and Now become perceptible as part of the fabric of the observed moment.
Gift
Recorded on December 1, 2009 at the Instants Chavirés in Montreuil. Marteau Rouge, legendary band composed of Jean-Marc Foussat (VCS3 synthesizer, toy voices), Jean François Pauvros (guitars, voices) and Makoto Sato (percussions). And the tenor saxophonist and soprano Evan Parker with whom Marteau Rouge had already recorded a CD, “ LIVE”, the year before, released by In Situ in 2009.Hammer Rouge is a trio focused in the tellurical, electric noise with Pauvros’s saturated and electrocuted guitar …
East Meets West
Huge Tip! Ahmed Abdul-Malik was best known to jazz listeners as a bassist with Thelonious Monk, Randy Weston, Coleman Hawkins, and many others. He made a few records as a leader, with this one being his most exotic. The Brooklyn native was of Sudanese descent; in addition to playing bass, he also plays oud, the forerunner to the lute. Originally released in 1960 the album is rich and heady, a multi-layered set of tonal grooves that are wrapped tight beneath the melody lines. The musicians on Ma…
Accidental Music 1987-1991
Accidental Music 1987-1991 by Charles Esposito, a career retrospective of the experimental composer from Martha’s Vineyard, Massachusetts. The cinematic and the sacred swirl around on Accidental Music, which gives new life to intriguing self-released tapes that Esposito put out in the 1980s and 90s. Heard by few on its original release, the music featured on this compilation ranges from Palace of Lights percussive sonics to an almost minimal techno palette, a meeting of pop and twisted electroni…
Half Dead Ganja Music
Platform 23 Records’ meandering, and sporadic journey continues, digging up archival treasures of known and unknown music sonics. The label’s close association with Paris’ based ‘ethno-industrialists’ Vox Populi! continues, here returning to their most heralded and possibly cohesive album, in Half Dead Ganga Music.
The beautifully apt title precedes their most intense trip, pushing the boundaries away from the percussive psychedelic of albums ‘Mystcitismes’ (1985) and Aither’ (1989) to create …
Samling
Originally compiled as a two cassette release by Archivio Diafònico in 2016, now reissued as a double CD for optimum playback at your next MRI scan. Samling documents the earlier, "noisier" years of Arv & Miljö, collecting all compilation appearances from the project's inception in 2010 up to 2015. The project has since moved to a more ambient sound, having recently completed a stunning tetralogy of seasonal themed LPs (Svensk Sommar I Stilla Frid, 2018; Himmelsvind, 2020; Ensam Är Nattens Rymd …
It's Not Quite That Inventive (Sixty Years with Broken Music)
The album, featuring Milan Knížák, Petr Ferenc and Opening Performance Orchestra, includes Knížák's 1973 private recording Broken Music, released as a multiple of forty copies by Armin Hundertmark in 1983 on Edition Hundertmark, and a live version of Broken Rebroken, performed in January 2020 at the Museum of Czech Music in Prague by Milan Knížák, Petr Ferenc (aka Phaerentz) and Opening Performance Orchestra. The album comes with a comprehensive booklet that includes an interview with Milan Kníž…