Reissues
I.D. Art #2
Los Angeles Free Music Society (LAFMS) formed in the mid-1970s as a loose-knit experimental music collective and multimedia publishing vehicle. Founded by teenage Le Forte Four members Chip Chapman, Joe Potts and Rick Potts and soon joined by Tom Recchion of Doo-Dooettes, LAFMS incorporated free improvisation, modular synthesizers, tape music, sampling, musique concrète, homemade instruments, noise, mail art and avant-rock in permissive and anarchic sessions at the Raymond Building and Poo-Bah R…
Rise Vision Comin
A breathtaking self-conscious free-jazz masterwork, 'Rise Vision Comin'' summarizes more than 30 years of musical and theoretical/political expression from renowned activist/scholar/free-jazz pioneer Haki R. Standing on the verge of spiritual jazz aesthetic, his music remains timeless & unforgettable after it's longstanding creation. The first album by the group Rise Vision Comin was released in 1976, and features among others Wallace Roney on trumpet, Clarence Seay on bass and Agyei Akoto on sa…
Flute, Brass, Vibes And Percussion
In 1959, flutist Herbie Mann put together a very interesting band that was in its brief existence (before Mann's interests shifted elsewhere) one of the top in Afro-Cuban jazz. Utilizing four trumpets (including Doc Cheatham), up to three percussionists and a flute-vibes-bass-drums quartet, Mann performs four standards (including "Dearly Beloved," "I'll Remember April" and "Autumn Leaves") and two originals in a style that was beyond bop and much more African- and Cuban-oriented.
African Suite
Impressive session led jointly by Herbie Mann and John Rae. On side A, the group incessantly shifts from soft vibes-and-flute jazz to percussion-heavy Afro-Cuban rhythms to classic "Blue-Note" hard bop. Side B is the African Suite, a percussive trip across the Sahara.
Gente Distratta (LP)
**45th Anniversary Edition, red vinyl, 500 copies numbered** During the 1970s, Italy was one of the most exciting and fascinating musical contexts in Europe, birthing seminal projects and artists like Franco Battiato, Aktuala, Lino 'Capra ' Vaccina, Giusto Pio, Roberto Cacciapaglia, Futuro Antico, and so many more. Defining the scene was an ethos that rigorously pursued creative freedom and experimentation, with its artists fluidly moving between popular music - rock, prog, jazz, etc. - and more…
Kizaki Ondo
“Kizaki Ondo” is a folk song from Nitta Kizaki town in Gunma, north of Tokyo. Played annually by local performers at the Bon-Odori traditional summer dance festival, it features unabashed lyrics about prostitution along with a rhythmic drive sure to appeal to fans of contemporary electronic genres as well as aficionados of traditional musics. The first track is a wildly echoing vocal version recorded in 1980, redolent of humid summer nights; the second track, recorded in 1981, is an instrumental…
La Stanza del Vescovo
La stanza del vescovo (aka The bishop’s bedroom - La chambre de l’évèque) is a dramatic movie directed in 1977 by Dino Risi and starring Ugo Tognazzi, Ornella Muti and Patrick Dewaere. For this film Armando Trovajoli wrote one of his most intense soundtracks. The romantic, sad and dramatic music and the recurrent use of a moog keyboard perfectly reflect the loneliness of the main characters , all physically close but at the same time so distant from one another. M° Trovajoli arranged the classic…
La Ciociara
*2022 stock* In this 1989 television remake of La ciociara, the curiosity in the soundtrack is all about the composer. Armando Trovajoli, after having composed the music for the original, has also taken it upon himself to write the score for this new version of the film.Obviously, compared to the masterful version made for the original, this second vision of the film is less articulated and interesting, however, Trovajoli's training, which began his career with the violin, pervades the main them…
Amo Non Amo (I Love You I Love You Not)
*2022 stock* This is an official release of the Goblin soundtrack to Amernia Balducci's film Amo Non Amo. The film, staring Jaqueline Bisset and Terrence Stamp, was released in the U.S.A. under the title Together with a soundtrack by Burt Bacharach. For the Italian prog group Goblin, the commission to rescore the Italian version presented a challenge that would produce some of their most unusual work. There was no spine-chilling horror in this human love story, so Goblin penned the title track, …
Squadra Antigangsters (The Original Motion Picture Soundtrack)
*2022 stock* The Squadra Antigangsters soundtrack is one of the most unusual and atypical entries in the Goblin canon. Even the most dedicated fans of the group could be excused for not recognizing this album as a Goblin outing: the brash theatrics and heaviness that dominated the likes of Suspiria and Roller are totally absent, replaced by a slick, often jazzy sound that is overtly disco-influenced. The most disco-oriented of the cuts are "The Whip" and "The Sound of Money," both being vocal nu…
Approdi 1, Avanguardie Musicali a Napoli - Volume I
Approdi is a cultural operation involving thirteen composers and numerous other artists from heterogeneous segments of the Neapolitan visual arts. The guest composers of the first volume are Carlo Vignaturo, Enzo Amato, Max Fuschetto, Girolamo De Simone, Giusto Pappacena, Piero Viti, Vito Ranucci, Gabriele Montagano, Patrizio Marrone, Enrico Iannaccone, Alessandro Petrosino, Carlo Mormile and Gaetano Panariello. The album was then joined by the poet Luca Buonaguidi, with a lyric for the late com…
Canada
*2022 stock* Argonne Thornton (who in the late '40s changed his name to Sadik Hakim) had a particularly unusual boppish style in the '40s, playing dissonant lines, using repetition to build suspense, and certainly standing out from the many Bud Powell impressionists. Later in his career his playing became more conventional. Hakim originally studied music with his grandfather and started performing at local gigs in Minnesota. After a period in Chicago, he was heard by Ben Webster, who hired him t…
Six Seven Eight
*2022 stock* It gives us great honour at 678 records, to present an exclusive choice from this enormous library of 'functional stereo music'. DJ's P-Dog & Zembie (AKA Sander Huibers & Frank Jochemsen) have compiled some of the best tracks, dirtiest breaks, funky compositions, fat bass lines, and especially exuberant keyboard work by Franken. Compositions of Billy Cobham, Weldon Irvine, Michael Naura, Marc Moulin, Gordon Beck, Chick Corea, Herbie Hancock and of course Rob Franken himself.All perf…
Don't Stop
*2022 stock* It gives us great honour at 678 records, to present an exclusive choice from this enormous library of 'functional stereo music'. DJ's P-Dog & Zembie (AKA Sander Huibers & Frank Jochemsen) have compiled some of the best tracks, dirtiest breaks, funky compositions, fat bass lines, and especially exuberant keyboard work by Franken. Compositions of Billy Cobham, Weldon Irvine, Michael Naura, Marc Moulin, Gordon Beck, Chick Corea, Herbie Hancock and of course Rob Franken himself.All perf…
Blue Sky Fingers
*2022 stock* It gives us great honour at 678 records, to present an exclusive choice from this enormous library of 'functional stereo music'. DJ's P-Dog & Zembie (AKA Sander Huibers & Frank Jochemsen) have compiled some of the best tracks, dirtiest breaks, funky compositions, fat bass lines, and especially exuberant keyboard work by Franken. Compositions of Billy Cobham, Weldon Irvine, Michael Naura, Marc Moulin, Gordon Beck, Chick Corea, Herbie Hancock and of course Rob Franken himself.All perf…
Rotomotor / InOut
InOut, a masterpiece for tuning whistle, mouthharps, flutes, toy and party gag instruments, percussion, bells, electric razor, model ship engine with propeller, birdcall whistles, CH-Phon, feedback speaker-microphone, siren, double shawm, falling down spoon, jew’s harp (only two short notes), tearing scotch tape from the spool, ocarina, hair dryer and other noise makers plus occasionally radio tuner was recorded in Zurich between May 17th and May 22nd, 1981, on a Sanyo M7300L stereo radio casset…
Deformation Of Tone
Joe Colley’s skeleton key is an intra-dimensional sense of humor. It exists in a place between and beyond dry, deadpan, and defeatist, and is not actually funny. He has a knack for unlocking the essence of the absurdly uncomplicated, elevating it to a place of near-iconic significance and leaving it there. Hovering in a void. Or mashed in the jowl of an insect getting doused with regurgitated chyme and rumen bacteria. Consistent with his past efforts, Deformation Of Tone contains no sturm und dr…
Musick To Play In The Dark²
After leaving London in 1999 for the sleepy seaside retiree town of Weston-super-Mare, Coil co-founders John Balance and Peter “Sleazy” Christopherson set up shop in a palatial eight-bedroom estate to pursue the outer reaches of the group’s heightening cabalistic chemistry. Among the staggering string of late-era masterpieces they produced is lunar opus Musick To Play In The Dark, widely hailed as an artistic zenith upon its release. The sessions that birthed it were in fact so fruitful that a s…
Historische Aufnahmen - Historical Recordings 2
8 years after the release of the acclaimed first Historical Recordings collection, Gagarin Records proudly presents Volume 2 of the series. Once again Felix Kubin has invested extensive research and time in compiling rare, unusual, and sometimes unsettling recordings of the past. The history of the 10 tracks of this edition spans a period from 1930 to 2002 including both analog and digital recordings ranging from gramophone records to reel-to-reel tapes, audio cassette and Digital Audio Tape (DA…
Wir Bauen Eine Stadt
In 1930 the German composer Paul Hindemith (1895-1963) wrote a series of small pieces for school orchestras. It was described as a “play for children” depicting the construction and survey of a modern city. The unusual thing about it is the age of its inhabitants:“In our city the grown ups have no say (…) Our mayor is seven years old, and all uncles and aunties are children. Even the traffic warden is a child.” We Build A Town comes across as strange in more than one way. Firstly, as a bizarre …