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During the late 1950s, the iconic tenor saxophonist John Coltrane was exploring different milieus with various associates, most notably reconnecting with Miles Davis during a time when the latter was working with pianist Red Garland, bassist Paul Chambers, and drummers Jimmy Cobb and Art Taylor. These players are featured on the 1958 session that would yield Stardust, released by Prestige four years later, and although comprised of four standard cover tunes, Trane’s playing is so supremely emoti…
Sdban Records, the renowned independent groove & jazz label behind Funky Chicken, Hip Holland Hip, and Discophilia Belgica, is thrilled to announce the upcoming release of its latest compilation album, "The Belgian Soundtrack: A Musical Connection of Belgium with Cinema." Packed with the finest soundtracks boasting an unmistakable Belgian connection, this compilation takes listeners on a captivating journey through a collection of cinematic hidden gems from the early sixties to the late seventie…
Moana Pozzi in the late 1980s, following in the footsteps of her illustrious colleague Ilona Staller/Cicciolina, made her official singing debut by recording several songs arranged and produced by Jayhorus, a pseudonym of Carlo Rustichelli's esteemed son: Paolo Rustichelli. The music ended up in several of her films as well as being performed in her hot live shows. Discographically at the time only a few tracks were released on 7" and 12" singles that are now cult collector's items for fetishist…
Quartet Records is proud to present Sounds of Cinecittà, a collection of 6 CDs comprising nine obscure but oft-requested Italian scores from the Silver Age period of the ’60s and ’70s—undoubtedly the most fertile years of a unique cinematographic style that was admired and loved around the world.
Every person we meet, every moment we live through, all the love we feel, and the losses we endure, add another layer to the intricate pattern of our lives. Like multicolored threads, these layers twist together to form a complex, vibrant tapestry - a reflection of our life journey until this point. On his new album Layers, Khalab acknowledges and celebrates the encounters that have shaped his ever-evolving musical vision. The record represents the culmination of a creative journey that began wi…
Erkin Koray and Sublime Frequencies are pleased to present this collection of rare tracks and lesser-heard singles. All tracks were recorded and released in Turkey between 1970 – 1977 and culled from Koray's personal vinyl collection. Includes exclusive photos and remastered audio. What more is there to say about Erkin Koray? An iconic guitar and songwriting genius. A voice of gold – Having founded the country’s first ever rock and roll group in 1957, he is regarded worldwide as the father of T…
2023 restock; originally released in 1965. 2019 reissue. Some of the most exciting jazz albums to listen to are those that try to strike a middle ground between the mainstream and the Avant-garde. One such example is Archie Shepp’s Fire Music: an often-fascinating album, rich in compositional and improvisational prowess. Employing a sextet including drummer Joe Chambers and alto saxophonist Marion Brown, Shepp puts together a record that is both challenging and accessible to most listeners. Fire…
Nervous Gender’s legendary synthpunk LP Music From Hell burbles up from infernal depths to resurface on Dark Entries! Confrontational, unhinged, and unabashedly queer, Music from Hell is an unholy grail for fans of the strangest underbellies of post-punk, minimal synth, and early industrial music, and is presented here newly remastered and on expanded double LP. Nervous Gender (de)formed in LA in 1978 at the hands of Phranc, Gerardo Velaquez, Edward Stapleton, and Michael Ochoa. Phranc, the andr…
Originally released on Dome (Wire's Bruce Gilbert and Graham Lewis's seminal label), this is an often overlooked milestone in freefrom and artistic post-punk. A siginficant piece of the UK musical puzzle when a lot of artists were shrugging off the previous decade and embracing the DIY attitude of the 1980s.
Considered by some to be trumpeter Donald Byrd's last worthwhile jazz recording, Electric Byrd is a high-flying relic from 1970. This album can be understood as Byrd's formidable response to the musical challenges set down by trumpet-rival Miles Davis with his epic Bitches Brew recordings from a year earlier. Clearly Miles is the ghost presence here, with distinct echoes of his sound permeating the vibe of this exploratory set. Byrd demonstrates on his three originals that he, too, was a force t…
*2023 stock* Issued via Reid's own Mustevic Sound imprint in 1977, the album features bassist David Wertman, percussionist Mohammad Abdullah, trumpeter Ahmed Abdullah and Saxophonists Arthur Blythe and Charles Tyler. Reid's music needs no introduction to contemporary audiences; the legendary drummer and band leader was more prominent than ever in the years before his untimely death in 2010, collaborating with Four Tet's Kieran Hebden on a succession of releases as well as being the subject of an…
In the early- to mid-'60s, Gene McDaniels was a successful singing star. He hit the charts with the singles "A Hundred Pounds of Clay," "Tower of Strength," and "Chip Chip". However, McDaniels was a more thoughtful and politically conscious man than his hits would suggest, and after the assassination of Martin Luther King, he left America to live in Europe and focus on songwriting. When he returned to the US in 1970, he was billing himself as Eugene McDaniels the Left Rev. Mc D, and his music to…
Following the 40th anniversary edition of Barbara e altri Carella - the classic and hard to find Funk / AOR masterpiece by Enzo Carella - in September, it's now time for a due re-issue of Sfinge, its follow-up released in 1981 whose original edition usually sells on the second-hand market for prices even crazier than those of Barbara... Carella was an Italian singer-songwriter who is best remembered for his 1979 major hit Barbara, which won second prize at the Sanremo Festival. Once again, all t…
*2023 stock* "...Offene Türen shows a more avant-garde side. The pieces in their brevity are often sketchy, acting as sound miniatures. The instrumentation is minimal with origins in the Selbstportrait series, with sound effects backing the Farfisa organ. There are also songs like 'Allemande,' which sounds a bit like a burlesque folk dance, or 'Abenteuerliche Begegnung' and 'Besucher im Traum' which resemble in their romantic mood more typical Roedelius music." - Jochen Rindfrey
*2023 stock* "When I talk about Boris' Akuma no uta , I always relate it to the sampler platter at Friendly's, or any other restaurant. It gives you a taste of everything. From the Sabbath styled doom, to there Earth crushing drone. You even get a portion of MC5 styled noise attacks. And just like the salty deep fried goodness of the sampler platter, you're bound to like at least one of them. Maybe even all of them.After the almost ten minute guitar drone of Intoro subdues you to your chair, th…
The legendary debut of Jocy De Oliveira - and a landmark classic from the 70s Brazlian Electronic music scene. To quote Keith Fullerton Whitman, this is the "lost Tropicalia / Psych / free-Vocal / Ring-Modulator freakout / jam hybrid that you’ve only dreamt about!"It is difficult to overstate the importance of Jocy De Oliveira. Defined by a body of singular music spanning seven decades, within the histories and continuing legacies of avant-garde practice, she is without equivalent. Her work is a…
Born in Indiana during October 1933, since his arrival in New York City in 1958, Phill Niblock has occupied a central position within the world of avant-garde and experimental practice. Relentlessly active, his work as a visual artist and composer, in addition to his support of others via Experimental Intermedia - the performance venue he has run from his Soho loft since in 1968 - and XI - the label he founded in 1990 - have continuously lit a path for his peers and the generations that have fol…
"Zombie: Fela in his life time was never ‘a good bed-fellow’ of the military institution. As a political activist, he believed the army should operate under the mandate of a civil government. If national interest compels the armed forces to intervene in government, the army is obliged to hand over power to a new civil government elected by the people and enjoying their mandate. To do otherwise is to usurp power particularly since a soldier’s duty is not to seek a political mandate. For emphasis …
*2023 stock* "Teacher Don’t Teach Me Nonsense: Fela explains the role of the teacher in any society with the concept that: all the things we consider as problems, and all the good things we accept from life as good, begin with what we are taught. The individual teaching begins with when we are children – our mother is our teacher. When we come of school age, our teacher is the school-teacher. At the university, the lecturers and professors are our teachers. After university—when we start to work…
*2023 stock* Fela Kuti deplores the fashion among African women for skin-whitening creams, an example of the post-colonial inferiority complex he believed was holding back the country's development. The song addresses the fashion much as 1973’s “Gentleman” berated African men for adopting European suits and ties. Fela explains that if you catch an “original” fever such as jaundice, you will suffer but, with luck, survive, and your symptoms will fade away. But if you catch an “artificial” (self-i…