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In 1974, Hiroshi Tanaka and Yoichi Fuwa, the self-proclaimed heirs of the Beatles, crammed into a 75 square foot room and recorded over 50 songs, all without names. 19 of those songs would be self released on a record titled “Untitled White Album”, of which only 100 copies were pressed.
Their music is like a fairy tale. It’s leisurely and relaxed yet bursting at the seams with melodies and youthful ambition. Its whole attitude is gentle but splendid in evoking tears, anger, sentimentality, infat…
"Schock" was released in 1977 and directed by horror maestro Mario Bava, released while Italian horror cinema was at its peak, following the international success of Dario Argento with Deep Red and Suspiria. While Goblin soundtracked the work of Argento, the choice for the music of Schock fell on Libra, (distant relatives of Goblin , thanks to drummer Walter Martino and guitarist Carlo Pennisi). In ‘77 Libra, after a brief dalliance with legendary soul/funk label Motown, had practically split up…
One of the major statements in the history of Jazz and African American liberation movements. Originally released in 1960 on Candid Records, Max Roach’s Freedom Now Suite consists of five original compositions and performances staging and celebrating different moments and aspects of the African American history and culture. Here is a wonderful cast of musicians reunited around Max Roach – drums and Abbey Lincoln – vocals. Throughout the album you can find great contributions from the likes of Bo…
Enshrined in the Penguin Jazz Guide’s "Core Collection", this quintessential platter of Sun Ra’s late 1950s Chicago ensemble showcases the brilliant tenor sax stylings of John Gilmore, and introduces Arkestra mainstays Marshall Allen, Pat Patrick, and Ronnie Boykins. Recorded and issued in 1959, it marks a coda for the bandleader’s bebop/hard-bop stage, as his interstellar traveler persona began to transform the band (and the music). Many of the early works on these recordings would remain stapl…
11th Street Fire Suite is a post-BAG (Black Artists Group) classic. An emotionally ranging set of blues-drenched duets by alto saxophonist Luther Thomas and flutist Luther C. Petty, it's one of the great documents of the St. Louis creative music diaspora, a wild ride through turbulent and beautiful terrain on a slab of vinyl that's as rare as hen's teeth in its original form. Relocated from their midwestern hometown to New York City, Thomas and Petty entered the studio in 1978 with a fellow musi…
Corbett Vs. Dempsey presents the second release in an ongoing series that will reconstruct the legacy known and the legacy damned of the most overlooked and under-documented American free rock unit, Dredd Foole and the Din.
Tip! Originally released in 1996 as a single-sided tape on Gabriele's Less Than Zero label, and featuring sound sources from Jonathan Canady on one track, the album now comes with a bonus track 'Torture King' sourced from the original master tape, that was previously released in edited form on the 'Retrocuts' compilation.
First released as a cassette in 1995 also on Less Than Zero, and long out of print, this CD reissue sourced from the original master finally makes this classic slice of Italian harsh noise available again.
The Keplar label presents the next instalment in a series of reissues from the catalogue of Sasu Ripatti’s seminal Vladislav Delay project. Originally released on Mille Plateaux, the vinyl edition of »Entain« from 2000 omitted two shorter tracks and included all others in an abridged form. With this reissue, the full album as it was pressed on CD is finally made available on vinyl. Besides a new remaster by Kassian Troyer, it was also given new cover artwork by Marc Hohmann that picks up on that…
Corbett Vs. Dempsey presents the second release in an ongoing series that will reconstruct the legacy known and the legacy damned of the most overlooked and under-documented American free rock unit, Dredd Foole and the Din.
By 1973 Soft Machine already had a long history of playing in Rotterdam, appearing at major festivals such as Hippy Hippy Fair (1967), Kralingen (1970) and AHOY (1971, Phil Howard’s debut), and no less than four times at the city’s most prestigious venue, De Doelen, most recently (in September 1972) on a double bill with Robert Wyatt’s Matching Mole. This time, however, they were booked in a smaller venue, which they filled to capacity at around 400. Part of an arts complex originally known as O…
Dynamite cuts is proud to cross over to the amazing sound and world of Library music. Muisc that can capture a feeling and mode in a single note and groove. This selection is from the German Library series Sound Music Albums, the Original album sells for £150 plus.
4 fantastic musical delight 3 from Klaus Weiss & one from Peter Thomas, Breaks samples and Library vibes a must have collection for all good music lovers. Taken from the rare Library series Sound Muisc albums.
Dynamite Cuts issue the best cuts from Roy Budd's classic 1974 soundtrack ‘The Black Windmill’. Very much on the ‘Stone Cold Killers’ vibe - essential!
2023 stock, very rare All of these Apollo albums have a tendency towards the odd, but this is one of the more eccentric. During 1990 and 1991, Paul Panhuysen "collaborated" with a group of canaries, keeping them in his studio, and featuring them as part of his exhibitions. He experimented with different ways of recording the sounds they made, attaching contact microphones to their cages and exploring the use of different types of effects processing. More intriguingly, he experimented with ways o…
"More unearthed demo recordings by the Japanese psychedelic noise legends Les Rallizes Dénudés. Recorded in Azabu, Tokyo 1985." - Take It Acid Is. Vol. 2 of a two-volume set.
Limited five CD set. First-ever complete anthology of splinter group from the original Procol Harum line-up. Includes all five of the band's albums plus singles, out-takes and alternative versions. Just as 'A Whiter Shade Of Pale' was establishing itself as the definitive summer-of-1967 hit, new kids on the block Procol Harum acrimoniously parted company with guitarist Ray Royer and drummer Bobby Harrison. Royer and Harrison used their Procol pay-off to assemble a new band that they pointedly ch…
*Limited edition of 500 copies.* In 1972, the left-wing intellectual film critic Uwe Nettelbeck suggested to Anthony Moore that he should write some (relatively speaking) straight songs. He took up the challenge, inviting his old school friend Peter Blegvad over to Hamburg to form the band Slapp Happy. They were joined for a session in Wümme by the young singer Dagmar Krause and Faust as their rhythm section; the recording became the album Sort Of. After getting the band back together for reunio…
A celestial journey is just what Sun Ra and his Arkestra have created with Space is the Place. Sun Ra's opus is at its simplest, a trip through outer bound melodies! Planetary bodies, eras in time, crystals, space caravans
"Le Disque De l'Art Gué" highlights in a 10-track compilation the avant-garde and dreamlike work of Fizzè, in between medieval ballad, acoustic industrial and psychedelic world music. It includes original tracks from "Kulu Hatha Mamnua" and "Manoeuvres d'Automne" albums released in 1987 + unreleased materials and remixes by Fizzè.
Compilation, concept and production by Fizzé, Orsett & FischerAnalog mastering by Tim Stollenwerk. Drawings, obi strip and insert layout by Anne-Marie Gratton. The rec…
*2023 stock* This album is more like a collection of Fairouz's greatest hits. But the difference between this one and others like 'Very Best of' is that Ziad Rahbani (Fairouz' son) went through a very long process of re-recording all the songs with all new instruments. That made the simple songs sound orchestral. The album is dedicated to Assy (Ziad's father and Fairouz's husband) who passed away in '86. The booklet of the CD contains some photos, articles and quotes by Ziad, Mansour and Fairouz…