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This is tenor sax giant Pharoah Sanders caught live in France in summer 1971, when the man was still in full post-Coltrane mood. At the head of a strong quintet featuring: Lonnie Liston Smith - piano, Cecil McBee - bass, Jimmy Hopps - drums, and Lawrence Killian - congas, Pharoah delivers two very intense yet serene versions of his milestone piece "The Creator Has A Master Plan" and "Let Us Go In The House Of The Lord", a traditional gospel hymn arranged by Lonnie Liston Smith. This is deep spir…
Recorded live on tour in Germany in 1986, here we have "Mystery Mr. Ra" leading a quite rare tentet version of the Arkestra featuring the historical reed section of John Gilmore, Marshal Allen, Eloe Omoe, Danny Ray Thomson and James Jackson, plus trombonist Tyron Hill and an electric rhythms section featuring Marvin "Boogaloo" Smith on drums. This is a beautiful document from an era when Ra, in addition to his usual sound explorations and space hymns, began to introduce a good number of jazz sta…
Originally released in 1972, the legendary Soft Rock "Happy End" album is now back on an analog LP!! Written by Hiro Yanagida, Produced by Takashi Matsumoto, Sons Of Sun's first album will be making its return from the label Fuji!! Keyboard Hiro Yanagida Drums Kiyoshi Tanaka E.Guitar Kazuyuki Nagaoka E.Bass Hideaki Takebe Vocal MAO
'Verrückt' was originally a split cassette release with Criminal Party from back in 1987 on the Japanese label Lunatic Propaganda. M.B. better known as Italian power electronics/avant-garde/noise artist Maurizio Bianchi contributed one side of the tape. Original copies are scarce, to say the least, so M.B. himself reissued it as a CDr and now St.An.Da. give it the vinyl treatment. Captivating '80s underground cassette music, bordering on ambient with its bubbling dreamlike soundscapes.
Coloured Deluxe LP + State-of-the-art CD bundle. The discovery of a previously unreleased recording of “Non chiedermi più” – the only duet ever recorded by Piero Ciampi – through the work of Journalist Lucilla Chiodi, has given way to the reissue of this expanded and fully remastered version of the album “Lucia Rango Show”. Recorded by the singer in 1967 with the full involvement and supervision of Ciampi himself in the recording studio, the album was arranged and conducted by Maestro Elvio Mont…
*2023 stock* "I met Joëlle Léandre when she was a visiting professor at Mills college in 2002. This was very exciting, as I had been collecting her albums since I started to play the double bass and she was an important influence on my work. I had a bass lesson scheduled with her the day we lost Maestro Kowald. She was very close to him and it was devastating to her. For me, it meant losing a role model; for her, it was losing a close friend and supporter. We had a long phone conversation and sh…
*2023 stock* The unbelievably prolific Haruomi Hosono is one of the major architects of modern Japanese pop music. With his encyclopedic knowledge of music and boundless curiosity for new sounds, Hosono has put his unmistakable stamp on hundreds of recordings as a session player, producer, and auteur of his own idiosyncratic musical world. Born and raised in central Tokyo, his adolescent obsession with American pop culture informed his early forays into country music, which he would revisit late…
*2023 stock* One of the holy grails of avant-ambient synthesis. Originally released a few months after Haruomi Hosono’s 1978 Paraiso LP — famous for featuring the first trio grouping of the band that would become Yellow Magic Orchestra — Hosono’s Cochin Moon, an album credited to himself and famed graphic artist Tadanori Yokoo, who provides the album’s iconic cover art, actually features Harry in trio with synth wizards Hiroshi Sato and Ryuichi Sakamoto.
Hosno and Tadanori Yokoo had traveled to…
Tip! *50th annyversary deluxe edition* Recorded over a six month period in 1970/71 at Bearsville, In My Own Time was Karen Dalton's only fully planned and realized studio album. The material was carefully selected and crafted for her by producer/musician Harvey Brooks, the Renaissance man of rock-jazz who played bass on Dylan’s Highway 61 Revisited and Miles’ Bitches Brew. It features ten songs that reflected Dalton's incredible ability to break just about anybodys heart – from her spectral evoc…
*2023 stock* The essence of punk rock itself through Ron Asheton’s guitars and the voice of a young but already sanely crazy Iggy Pop. From the amazing title cut opener “My Girl Hates My Heroin” to “Raw Power” or “Open Up and Bleed,” this LP is an invitation into Stooges’ musical stage universe.
This album is an intimate and historical dive into the work of Laurence Vanay. The titles on this album were carefully chosen by her daughter, Marine Thibault, in order to help us rediscover the sensitive repertoire of a little-known artist who was nevertheless at the forefront of her era.
From the great cache of tapes recorded at Seattle's storied Penthouse nightclub comes The Gary McFarland Quintet, recorded live in the summer of 1965. McFarland could usually be found in the recording studios of New York arranging for everyone from Stan Getz to Lena Horne, but his 1964 bossa-jazz classic LP Soft Samba was such an unexpected hit that it afforded McFarland the opportunity to hit the road with fellow Berklee School of Music alumni Gabor Szabo on guitar and Sadao Watanabe on flute a…
Gordon Micky Mfandu was the original leader of “The Clan”, founded as a sixteen-piece band by trombonist Reuben Boy Radise in 1970. This 1973 recording was made following the untimely murder of Mfandu outside his home in Pimville, Soweto. The last track written by Peter Segona and Dimpi Tshabalala is dedicated to Mfandu. Mfandu was also the drummer for the Soul Giants’ “I Remember Nick”, recorded in 1968. According to the band, their music is no carbon copy of somebody’s. ‘We’re trying to be ou…
*300 copies limited edition. Includes CDr and tote bag* "After the "concretistic" beginnings and the synthesis between integral concretism and artificial synthetism, in the autumn. After the "concretistic" beginnings and the synthesis between integral concretism and artificial synthetism, in the autumn of 1980 I arrived at the synthetic court of the purest and most uncompromising electronics and thus the "Computers S. P. A." project was born, consisting of two improvisations on the Korg MS synth…
Shidaiqu literally means "songs of the era", a term used to describe a hybrid musical genre that first began permeating through the cosmopolitan city of Shanghai in the late 1920s. Blending western pop, jazz, blues and Hollywood-inspired film soundtracks with traditional Chinese elements, the shidaiqu represented a musical and cultural merging that would go on to shape a golden age of Chinese popular song & film in the pre-communism interwar period.
Waiting for Your Return brings together a wide…
*In process of stocking* Avant-garde pioneer Eric Dolphy achieved incredible things with the bass clarinet, establishing it as a vehicle for solo improvisation, and was equally adept on alto and flute, gaining kudos from peers such as John Coltrane and Charles Mingus. Outward Bound holds a special place in jazz as Dolphy’s first LP fronting his dynamite quintet, leaving conventions behind from the get-go. With the entire group on tremendous form throughout and Dolphy reaching the heights of his …
Absurd Exposition presents CD reissue of Rusalka's LP Base Waters. Using a theremin as a centerpiece, Kate Rissiek leads us straight into a harsh noise odyssey of oceanic depths. Mastered by Pentti Dassum.
Gerogerigegege's full-volume collection CD, including many unreleased and precious past sound sources, different mixes and uncensored versions taken from their infamous "Tokyo Anal Dynamite". To quote All Music Guide brilliant review "Either 40 minutes of absolutely unlistenable noise, or the greatest rock & roll record recorded -- or both. Tokyo Anal Dynamite is a live recording consisting of a frontman announcing a song (Japanese or Western rock classics), giving a count ("onetwothreefour!"), …
** 12-page booklet reproducing the original liner notes ** Reissue of the groundbreaking LP from 1971 of Phonetical Poetry / Sound Poetry pieces by the most relevant artists of the last century. Curated by Franz Mon.
Including pieces written by the fathers of Russian Futurism Velimir Chlebnikov, Alexej Krutschonych, and Kazimir Malevitc, followed by poems by Raoul Hausmann and Kurt Schwitters, the French school of Francois Dufrene, Henri Chopin, Maurice Lemaitre, to Bob Cobbing, Peter Greenham, …
*In process of stocking* Gilberto Gil’s second album is packed with some of the best songs of his career; jubilant pop extravaganzas like “Domingo No Parque”, “Pega a Voga, Cabeludo”, and “Frevo Rasgado” that were equally inspired by the irresistible, brassy bombast of Carnaval and intelligent rock & roll from America and Britain. Even more than the other Tropicalistas, though, Gil blends his rock and native influences seamlessly, resulting in songs like “Ele Falava Nisso Todo Dia”, which chart …