We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
*2022 stock* "Any resemblance between these pointillistic chamber compositions and Schoenberg is purely coincidental. Delicate as to texture, curiously dispassionate as to mood, these mostly notated woodwind, string, and piano chamber works are motivically atonal, but tend to collapse into tonal cadences just to show you they know where they are. Like Ornette Coleman, Mitchell's playing with the tension between center and periphery, but in a milder, more abstract idiom and from the other directi…
*2023 stock. Blue Transluscent Vinyl* 'Every morning, about an hour before sunrise, the day breaks gradually, with little noticeable fanfare. It’s the best time of day outdoors. The nighttime goblins have gone to their hiding places, loud day creatures have yet to rise, and it’s just us with the cool morning mist and that dim kind of landscape that lets us see only what we want to see.When Water Babies was recorded in 1967 and 1968, Miles Davis had with him one his best working units. His and Wa…
*2022 stock* Jim Sauter & Don Dietrich (saxophones), Donald Miller (electric guitar), Adam Nodelman (bass guitar). The 3rd annual Halloween extravaganza. Recorded October 29, 1986. Reissue of cassette only release Live in Allentown (Lowlife LL02). Includes the entire second set with Scott Legath on electronics, not previously released.
*2022 stock* The work of upstate New York noise-jazz trio Borbetomagus is frequently described in terms of overwhelming power and aggression. In a live context, that's absolutely the dominant impression one is likely to get. On record, though, it's possible to have some control over the volume, and thus to listen closely and carefully and discern real technique at work, not to mention a subtlety that's not really surprising, given that saxophonists Jim Sauter and Don Dietrich, and guitarist Dona…
Noisembryo definitively presented here on cd with bonus disc noise matrix including unreleased material from the same sessions as Noisembryo and counterpart 'hole' and selected recording from the time period. Absolutely can’t be missed for fans of this period of noise deity Merzbow. the bonus disc alone makes this essential for any Merzbow fanatic as well as new listeners. When people ask where to start with Merzbow? This is the answer! The holy grail, not only of Merzbow’s obsessive discography…
Gideon Nxumalo was a key figure during the formative years of South African jazz in the 1950s, helping shape the emerging South African jazz sound as a pianist and composer and contributing to the scene as a radio presenter, music teacher and arranger. His recorded output as bandleader/composer is comprised of three iconic albums from Jazz Fantasia (1962) to Gideon Plays (1968) to Early-Mart (1970). Early-Mart was Gideon Nxumalo's tribute to his friend and musical compatriot, drummer Early Mabuz…
Japanese multi-instrumentalist Masahiro Takahashi's latest album is a meditation on seasons and distance, recorded in isolation at his temporary home studio in Toronto. Following “the coldest winter I have ever experienced,” he began crafting hushed, lush vignettes of color wheel electronics with an array of software synthesizers, granular samplers, plug-in FX, MIDI controllers, and a shruti box. The songs sway, shimmer, and unspool in sparkling arcs, between reverie and lullaby, inspired variou…
Andy Guhl’s career as an improvisational musician went from strength to strength in the 1970s but it wasn’t until 1983 that the Swiss experimenter and architect stopped using any traditional instruments in order to embrace electronic collage, a technique that incorporates the use of modified radios, turntables, transmitters and other objects in a sort of ante-litteram circuit-bending. A similar approach emerged in collaboration with Norbert Möslang as part of Voice Crack, a collective active fro…
**Standalone 3LP set, few copies available** The oeuvre of the internationally renowned Swiss artist Dieter Roth reflects the multiplicity of his talents. He was active not just as a visual artist, writer, graphic artist, jewellery and furniture designer, publisher and musician, but also often united different media in works that one cannot assign definitively to any single field. Besides employing unusual materials such as foodstuffs, Roth also worked early on with the possibility of translatin…
'A lost bit of jazz funk from the 70s! This set is a lot more obscure – issued on the short-lived Encounter imprint, who gave us a handful of albums – all of them great! Sir Edward, we've been told, is really Harold Vick (although we've also heard that it might be Edward "Sonny" Stitt) – although we're not sure, and the album cover never gives a clear picture of Sir Edward's face. It does show the other players, though, like bassist Wilbur Bascomb, vibist Omar Clay, percussionist Jumma Santos, a…
Originally issued by Crammed in 1987, this is one of the most sought-after releases in our legendary Made To Measure series. Known for his numerous albums, soundtracks, and collaborations with an impossibly broad array of artists (from Ryuichi Sakamoto and DJ Towa Tei to Van Dyke Parks, Björk, Manu Dibango and Elvin Jones), composer, saxophonist and producer Yasuaki Shimizu also released several electronic music productions during the '80s, which are currently generating a lot of interest (a.o. …
*200 copies limited edition* In the "Tape Network" universe of the early 1980s where everything seemed possible, Maurizio Bianchi meets Lieutenant Murnau in two obscure but historical postal collaborations, originally released in a strictly limited edition for the British tape label Flowmotion (It Should Be Used Only Once) and for the German Litanic (Techno-Logy). Two of the best known promoters of the Italian experimental scene create two surreal experiments that anticipate the mash-up vogue, h…
Drawn from private collections around the world, this is the first comprehensive collection of the Saturn label’s printed record covers, along with hundreds of the best hand-designed, one-of-a-kind sleeves and disc labels decorated by Sun Ra and members of his Arkestra.
*2022 stock. 300 copies limited edition* Originally C.A.M. had never released any disc with the OST by Bruno Nicolai from the movie "When Women Lost Their Tails," although Ennio Morricone had released an LP for the film "When Women Had Tails" in 1970 (SAG 9032). Finally in 2000 C.A.M. rereleased Morricone’s OST from the first film for the first time on CD (CAM 495375-2), which was combined with six tracks from Maestro Nicolai, inspired by the sequel. We should start by saying that "When Women L…
*2022 stock* In order to celebrate the sixth anniversary of the film "Maschera di Cera-Wax Mask" directed by Sergio Stivaletti from an idea of Lucio Fulci, the Digitmovie produced the special edition of this sinfonica soundtrack of the M° Maurizio Abeni in occasion of the fourth Alternatives Film Festival of Picciano (Pescara). Sound digitally remastered, four extra tracks never publishes before and a deluxe booklet with an exclusive gallery of rarest photos from the Making Of by the famous phot…
Tip! For over 25 years, Keiji Haino has used the Hurdy Gurdy to channel dark dimensions- creating music that bridges the centuries between distant medieval eras and a future awash in densely layered sounds that grind and float in an otherworldly atmosphere. “My Lord Music…” is a suite of nine pieces that reveal the startlingly distinctive and wide range of Haino’s approach to the instrument. The music is at once dissonant and hypnotic, rich with unfurling drones that dynamically ebb and flow - H…
From the depths of Zeuhl, Jazz, Progressive and Canterbury rock, Cos emerges and enchants with a hypnotic and cryptic language that asks to be deciphered, leaving the listener momentarily stranded, somewhere between Boma and Bomma, much like an opium smoker or the hippos on the river Boma, or both… Unique and truly Belgian, with a touch of defiant humour, yet with uncanny finesse, Cos rightfully delivers the word, often with no words at all, through a rich texture of pulsating and elastic bass l…
2CD set. The dark, atmospheric and energetic mix of choirs, strings, various FX-sounds, heavy drums, and tribal sections makes this the seed for the raison d’etre sound trademark that began with the album 'Prospectus I' from 1993. Released in 1992 'Apres Nous Le Deluge' became the first official output from raison d'etre when it went available on the Cold Meat Industry subsidiary label Sound Source. There are three versions of 'Apres Nous Le Deluge' and now they have finally all been joined int…
This release comes in a 2×digipak format in a slipcase with new sleeve notes by Robert Fripp and King Crimson biographer Sid Smith along with rare photos and archive material. Islands is the sixth in a series of audiophile King Crimson vinyl reissues. The album's return to the 12" vinyl format is newly cut from masters approved by Robert Fripp. Manufactured on 200g super-heavyweight vinyl, housed in a reprint of the original sleeve with lyrics insert. The album is a hodge podge of ideas and ther…