Reissues
L.A.'s Unsung
Nine rare tracks from the Nimbus West archive, a map of Los Angeles underground jazz the world never heard enough of. Horace Tapscott, Nate Morgan, Jesse Sharps, Dadisi Komolafe, Roberto Miranda - the names that built UGMAA and the Pan Afrikan Peoples Arkestra, the movement that kept spiritual jazz alive in South Central for decades while the music industry looked elsewhere.
"Desert Fairy Princess," "U.G.M.A.A Ger," "Prayer Of Happiness," "Mrafu," "Calvary" - titles evoking the Pan-African consc…
Electronic Cottage - The Complete Collection (Book, Hardcover)
Hardcover, 468 pages, 21×27 cm! In the wake of his Cause And Effect cassette label and distribution service, Hal McGee launched Electronic Cottage International Magazine. From 1989 to 1991, its six issues focused on the independent home recording community – artists who had developed their craft in the post-punk DIY era. The contributors were nearly all members of the hometaper community. The magazine featured articles providing helpful tips and highlighted the challenges hometapers faced. It in…
Complete Acousmatic Works — Vol 2 (16CD Box)
Second monumental box set of Denis Dufour's complete acousmatic works: 16 CDs, 17 hours of listening. Direct heir to Pierre Schaeffer at the GRM, Dufour redefined acousmatic art by reintroducing theatricality, voice and narrative into a sonic universe of unprecedented rigor and freedom.
Hexerei Im Zwielicht Der Finsternis
Aghast was a project by Nebelhexe and Nacht, released in 1994. This album was released back then by the legendary Cold Meat Industry. "Hexerei Im Zwielicht Der Finsternis" is the real dark and gloomy ambiance played in a classical dark wave vein. Minimalism in musical content, compensated by spooky and ice-cold vocals that will haunt you. Macabre enchantresses will seduce you and take you to their ghastly realm. Hear gods cry and angels fall. Listen to horror and beauty. Let Aghast bewitch you! …
Scumbag
Bones returns with Scumbag, a stripped-back, lo-fi record that distills his bleak vision into its rawest form. With skeletal beats, muffled samples, and whispered delivery, he crafts a shadowy atmosphere that's equal parts haunting and hypnotic. Known for his prolific output and DIY ethos, Bones sidesteps convention once again - this is not music for the charts, but for the dead of night. Scumbag feels like a confessional mumbled into a tape recorder, full of dread, detachment, and flashes of vu…
Way Down
Originally released as a small run cassette in 1987, only to fall into tape label obscurity, Robert Turmans industrial genre-bending masterpiece album Way Down finally has been excavated for a proper vinyl reissue after twenty-three years in the shadows. This album solidifies Turman as a cut above the rest with respect to his talent and his natural ear for experimental composition. Turman first came onto the industrial scene in the late 70s as the ominous other half of legendary noise outfit NON…
Wild West
The Amsterdam String Trio emerges from Europe's most vibrant improvised music scene: Maurice Horsthuis on viola, Ernst Reijseger on cello, Ernst Glerum on double bass. No violin. An unusual configuration that delivers, as Glerum puts it, "a dark sound, a kind of obscurity, and we like that very much." Three instruments exploring music's lower registers, without the violin's brightness to lead. Recorded live at the Academy of Music of the West in Santa Barbara on December 2, 1988, Wild West captu…
Lingua Franca
Lingua Franca: the language that allows different peoples to understand one another. And what better instrument than the clarinet - voice of klezmer, Alpine folk, New Orleans jazz - to speak across borders? Daniele D'Agaro was born in 1958 in Spilimbergo, Friuli, at the foot of the eastern Alps, where Italy, Austria, and Slovenia merge at a cultural crossroads. In 1979 he debuted with Andrea Centazzo's Mittel Europa Orchestra, then Berlin, then Amsterdam from 1983 - where the Dutch improvised sc…
Tapestry Of Noise
** 2026 Stock ** If Laptop Noise looks forward into the blinding glare of the digital, Tapestry of Noise looks outward and backward, unspooling an expansive grid of analogue and hybrid recordings that show how Merzbow’s classic language was woven together in the first place. Slowdown’s 6CD expansion assembles long, previously scattered or hard‑to‑access works into a single, overwhelming fabric that moves from twitching tape‑loop delirium to fully seared harsh‑noise architectures.
Early discs re…
Laptop Noise
** 2026 Stock ** Laptop Noise zeroes in on the period where Merzbow’s long‑running practice of junk‑metal abuse, feedback and tape saturation is rechannelled through the seemingly modest frame of a computer. Across six discs, this edition amplifies the original’s premise into a deep survey of his fully digital soundworld: long‑form works where full‑spectrum distortion, high‑frequency shrapnel and seething low‑end swarm are carved into towering blocks, then eroded into swarms of microscopic detai…
Tepepa
On Tepepa, Ennio Morricone turns the Mexican Revolution into an operatic fever dream, braiding solemn mariachi‑tinted themes, mystical guitar‑and‑orchestra adagios and defiant song into a score where personal vengeance and collective uprising share the same melodic bloodline.
Lo Squartatore di New York
On Lo squartatore di New York, Francesco De Masi fuses rock‑charged aggression with aching lyricism, setting Lucio Fulci’s urban nightmare to a score where feral action cues collide with the unforgettable tenderness of “New York One More Day” and the bittersweet elegy “Fay.”
Ourang-Outang
In August 1971, the white wizards of South Africa's psychedelic rock underground shared the stage with the black witchdoctors of the Afro-jazz avant-garde. The event was the Tribal Blues concerts at Wits Great Hall, an unprecedented cross-cultural showcase of independent music hosted by the maverick 3rd Ear Music label. Ourang-Outang (2020) presents rehearsals and jams recorded by 3rd Ear director, producer and engineer David Marks in rural KwaZulu-Natal as this unlikely alliance of musical drui…
Fantasy Train
From a southern small town this after school project is hard to describe other than there’s nothing else like it. Teens exploring soul, funk and rock and this album is their interpretation of all three. Catchy tunes, plenty of effects and earnest vocals. Fantasy Train is one of the freshest sounds I’ve heard in many years of digging. – Rich Haupt (Rockadelic)
Fantasy Train is a unique, genre-bending album cooked up in the sweltering Southern heat that impresses me with a special kind of style a…
Quintessence
A remarkable document finally surfaces after nearly 40 years in the NDR archives. John Taylor - the piano master of dense, orchestral voicings and skittish melodic invention - captured here in 1987 with the full NDR Radio Symphony Orchestra conducted by Dieter Glawischnig. All music written and orchestrated by Taylor himself. This is the logical conclusion of everything the man stood for musically - from Azimuth to Johnny Griffin's band to this luxurious symphonic setting. Stan Sulzmann on sopra…
Dreams Deferred
The title comes from Langston Hughes: "What happens to a dream deferred? Does it dry up like a raisin in the sun?" For a pianist who traversed Chicago, Los Angeles, New York and Amsterdam chasing a musical vision few could grasp, the question is anything but rhetorical. Curtis Clark was born in Chicago in 1950, studied at the California Institute of Arts in Valencia, then moved to New York where he crossed paths with David Murray. But it was Europe where he found home - Amsterdam, where American…
Reach, Believe It & Play
Solo piano. The format that separates the genuine article from the pretenders. No rhythm section to hide behind, no horns to share the weight. Just eighty-eight keys and whatever's in your soul. Curtis Clark came to this music through Horace Tapscott - not just as influence but as mentor. Born in Chicago in 1950, raised musically in Los Angeles, Clark became a Tapscott protégé, absorbing that open-ended spiritual approach to the keyboard before striking out for New York and eventually Amsterdam.…
Live In Lotusland
"Trying to play serious music in an area as shallow and fad-driven as Los Angeles were too much for this band to deal with." So reads the liner note epitaph for one of the most potent ensembles to emerge from the UGMAA constellation. One hundred minutes of music. One night in Santa Barbara. July 1987. Then silence. The Nimbus Collective assembled six of the scene's finest: Nate Morgan on piano, Jesse Sharps on reeds, Danny Cortez on trumpet, Rickey Kelly on vibraphone, Joel Ector on bass, and De…
Hassan's Walk
One album. One statement. One of the great mysteries of the Nimbus West catalog. Born Arthur Wells, the alto saxophonist and flautist who became Dadisi Komolafe studied under Horace Tapscott at the Cross Roads Art Academy, the educational arm of UGMAA. He appeared on numerous Nimbus sessions throughout the late seventies and early eighties, a reliable presence in the extended family. But Hassan's Walk, recorded in Los Angeles in October 1983, remains his sole document as leader - and what a docu…
Lighthouse 79, Vol. 2
The second night. October 11, 1979. Same club, same sextet, completely different energy. Where Volume 1 leaned heavily on UGMAA repertoire, this follow-up session finds Horace Tapscott diving deep into the Great American Songbook with results that border on the transcendent.
The personnel remains unchanged from the previous evening: Reggie Bullen on trumpet, Gary Bias on alto, the twin-bass attack of Roberto Miranda and David Bryant, and George Goldsmith holding down the drums. But the setlist t…