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*2022 stock* Digitmovies proudly presents on CD the complete OST by Carlo Rustichelli (Carpi, 1916 - Rome, 2004) for “Kapò” directed in 1960 by Gillo Pontecorvo (also collaborator to the music score). For this particular story (Edith, a young jewish girl locked up in a nazi prison camp, after assuming the new identity as Nicole becomes a ”Kapo”, a prisoner’s guard working for the Germans) M°Rustichelli has written a symphonic score based on a classic style adagio for harpsichord (the instrument …
*2022 stock* This CD encloses every musical note recorded in 1968. Just a curiosity: foreign versions of the movie are circulating with alternative music not penned by Ennio Morricone, extracted possibly from pre-existing libraries. Therefore our CD contains only the original music composed by Morricone, conducted perfectly by Bruno Nicolai. Ennio Morricone wrote a monothematic score including several orchestral variations of the main theme, a brilliant and very romantic motif with Lounge flavou…
*2022 stock* Digitmovies travels back in time to the 1970s and presents for the very first time on CD and in full stereo two OST by Guido & Maurizio De Angelis. At that time only two 45 rpm singles had been issued which contained the songs, but not one note from the instrumental scores. "Arrivano Joe e Margherito " (aka " Run, Run Joe! " - "Zwei tolle Hechte auf dem Weg zum Himmel ") was a 1974 movie directed by Giuseppe Colizzi which starred the very famous American actors Keith Carradine (" Em…
In 1973, four Englishmen who loved Jazz, Rock and Groove decided to record an independent album at Zelia Studios in Birmingham. The result was Poliphony, which had few hard copies and became a rarity among Jazz Rock collectors. The core of the jazz rock quartet Poliphony came together in Birmingham around 1971 on the initiative of the young student and pianist Dave Bristow, who invited guitarist Richard Bremmer to join the line-up that also included Bob Boucher. The last musician to join Polipho…
In the mid-60’s London scene, the NJO was one of those unavoidable and big-band groups (originally started as Clive Burrows Orchestra), where almost everyone who was anyone on the scene or almost transited through the group, which was normally the vehicle for composer Neil Ardley. You’ll find in the WR album, among others, stellar names like Ian Carr (of RCQ and Nucleus fame), Barb Thompson, Tony Reeves, John Hiseman (all three of future Colosseum fame), Trevor Watts (future Amalgam) plus a bunc…
Released in 1983 on a miniscule run of 300-self-financed LP’s, Dennis Taylor’s ‘Dayspring’ remains a lost masterwork of transcendental instrumental guitar. An important missing link between the 60’s folkloric experimentalism of John Fahey and Robbie Basho, and the new age atmospherics mined by William Ackerman and Michael Hedges in the early 80’s. Though Taylor’s guitar playing remains crisply unadorned on these 10 tracks, his technique and his compositions stretch beyond the folk roots of the g…
Carl Erdmann’s Bizzarrophytes was recorded in Roswell, New Mexico, during the final years of the 70’s. A desert-fried haze of buzzing sitar raga, shimmering guitar soli, and lonesome instrumental psych. Erdmann had been galvanized several years prior by witnessing an intimate performance by Ravi Shankar at Austin’s University of Texas. Erdmann spent the next several years with a sitar in the back of his pickup truck - teaching himself the instrument between stints working on an oil field as a ge…
Quartet Records, in collaboration with Beat Records, reissues fan-favorite experimental Giuliano Sorgini score for Jordi Grau’s masterpiece The Living Dead at the Manchester Morgue. An early Euro-zombie movie set in England follows the investigation into an attack of the undead feasting on human flesh. As opposed to a virus or other biological phenomena, this story reveals that untested farming equipment is responsible for these inhuman abominations. Best known for its groundbreaking gory effect…
*Limited edition of 500 copies.* Quartet Records, in collaboration with Cinevox Records, reissues classic Stelvio Cipriani score for Umberto Lenzi’s 1980 cult horror plague film Incubo Sulla Citta’ Contaminata (aka Nightmare City, aka La Invasión De Los Zombies Atómicos) Though Lenzi objected to calling this movie a zombie flick, this Spanish-Italian-Mexican co-production tried to ride the wave of Z-flicks with a new twist. Instead of revived dead, these zombies are the result of radiation poiso…
*Limited edition of 500 copies.* Quartet Records, in collaboration with Cinevox Records, presents the premiere release of the soundtrack to Bruno Mattei’s 1980 iconic zombie film Virus (aka Virus, L’inferno Dei Morti Viventi, aka Apocalipsis Caníbal, aka Hell Of The Living Dead), which compiles together both library music and an original score composed by Gianni Dell’Orso.
Virus largely takes place in Papua New Guinea, as a group of mercenaries are sent to resolve an imminent zombie outbreak. Th…
Nate Scheible's "work of gentle genius" – Fairfax – is arriving on vinyl & all digital services in February 2022. Remastered by Lawrence English and featuring brand new artwork, this edition uncovers a completely new side of the "dreamy and dramatic, meditative and somber" album by the American artist.
**200 copies** This selection of music is but a drop taken from the vast digital archive Vítor Rua uploaded to the usual online platforms over the years. Emotional but also its alleged opposite, robotic. Dynamic and physical, as suggested by the misleading title "Dance Music" that designates the last section, but also mesmerizingly repetitive, hypnotic. A perpetual groove re-engineered by the constant sliding in and out of focus of our attention. Headphone listening advised. Rua co-founded the p…
Hotel Paral.lel, originally released by Mego in 1997, marks the full-length debut release from Austrian Christian Fennesz. The album followed the twitching drone as found on the 1995 EP Instrument, also included in this deluxe double-LP reissue. Once launched, Hotel Paral.lel was to instigate a sublime exploration of a wide variety of forms, from formal abstraction to shimmering drone around to ground zero glitch pop. Recorded just before mobile computing devices became omnipresent it was an inv…
* Rare private press CD * By a beautiful day of end of summer, September 20, 2004, my hosts Maria Bella and Miguel, involved me in a hazardous route in the streets of Madrid. The finality was to record sound elements which could be useful to me in the project “Itinerario del Sonido” to which they had invited me to take part. We thus went on, walking by bus by subway and some times, I recognized the singular places which I had already met several years, perhaps 10 years before and it was like vi…
Centered around the mesmerizing voice of Robert Ashley, presented here is early version (released on LP by Lovely Music in 1979) of "The Park" and "The Backyard", a masterpiece in its simplicity of form and in the purity and intensity of its effect on the listener. These two pieces were later to become the opening and closing segments of the seven part opera for television, Perfect Lives. Personnel: Robert Ashley - voice; "Blue" Gene Tyranny - keyboards; Kris - tablas.
This release, Bremen to Bridgewater, contains two albums worth of previously unreleased live recordings made in Germany and England during two very different periods of the band’s career. The German radio recordings were made on June 20th, 1971 at Lila Eule (Lilac Owl), a well known jazz club in Bremen. The English recordings were made at the Bridgewater Arts Center, during two tours that the band made with different lineups in February and November of 1975, and feature some of the very last rec…
Acnalbasac Noom -- meant to be the German-English-American avant-pop group Slapp Happy's second album -- was originally recorded in 1973 but did not see release originally until 1980. Recorded with legendary German art-rock group Faust accompanying the Slapp Happy core of Anthony Moore on keyboards, Peter Blegvad on guitar, and Dagmar Krause on vocals, and with Faust's brilliant producer Uwe Nettelbeck at the helm, Acnalbasac Noom was initially rejected by the group's label Polydor as not being …
The history of the Long hair label starts with the release of recordings of more or less unknown bands from the late sixties/ early seventies, who run a band competition in former German radio station SWR (South West Broadcast) and received with the recordings a wider public. A few of them like My Solid Ground, Kraan, became famous and recorded a lot of albums on well known German Krautrock labels. Others like Coupla Prog, Puppenhaus, Papa Zoot or Jud´s Gallery played and recorded their music at…
Arnold Dreyblatt has been called "the most rock 'n' roll of all the composers to emerge from New York's downtown scene in the 1970s." Arnold Dreyblatt founded the Orchestra Of Excited Strings in 1979, harnessing unusual tuning intervals to an exuberant performance style. Propellers In Love, the Orchestra's second album – originally released in 1986 on the Stasch imprint, in conjunction with the contemporary art space Künstlerhaus Bethanien – develops Dreyblatt's rhythmically exacting exploration…
Wire were born at the dawn of punk, but they became the quintessential art band. In the three closing years of the 1970s, the English quartet had one of the greatest opening runs of any band, shifting to post-punk before punk began to go stale and forging three masterpieces in a creative furnace so hot it burned out by the end of 1980. Those albums-- Pink Flag, Chairs Missing, and 154-- still sound remarkably fresh, and have been re-mastered and reissued with their original vinyl tracklistings, …