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“Gli Intoccabili” (The Untouchables) is a particular semi-unknown movie that belongs to a very crowded underground panorama made of international productions realized between the '60's and the '70's. Some few lucky ones immediately became 'instant classics', while many others remained in some dusty closed drawer for years, just to be rediscovered lately and being considered a cult. To this second category belongs this film directed by Giuliano Montaldo in the US and screened for the first time o…
Tip! In 2010, Sublime Frequencies released Saigon Rock and Soul, a compilation of wartime rock ‘n’ roll tracks from Vietnamese groups with distinctly American influences. Included among them was “Đêm Huyền Diệu (Magical Night)”, a slinky, horn-packed song attributed to a young singer known as Phương Tâm, though it later turned out to be artist Connie Kim’s rendition.Magical Nights: Saigon Surf Twist & Soul makes up for this error and then some, putting Tâm’s powerful voice and entire prolific ca…
In the summer of 1981, The Fall embarked on their second American tour, criss-crossing the States over a two-month period. Featuring the dual guitar of Marc Riley and Craig Scanlon and rhythm section of Stephen Hanley and Karl Burns, A Part Of America Therein, 1981 would document this fabled journey with crucial performances that show the band evolve from noisemaking lout cultists into true post-punk legends."From the riot-torn streets of Manchester, England to the scenic sewers of Chicago ..." …
Tristan Disco was an ephemeral Japanese project led by Takayuki Shiraishi (BGM, who released material on the Japanese experimental label Vanity Records, MLD) and focused on making dub-influenced Post-Punk. In 1982 they elaborate a no-wave full of unrehearsed breaks and cavernous vocals. Boundless dark jamming sessions through shades, effects and reverbs always submerged by a tense nervous bassline. On the B side Krikor delivers a hard-hitting Industrial reconstruction of "Social Dance" perfect t…
Tip! “Japanese jazz has been recognized and celebrated by music lovers worldwide for decades. The origins of this trend may be traced back to the rare groove movement that flourished in the 1990s, but its current deep and wide popularity seems to be connected to the fact that Japanese people have been reevaluating their own jazz since the mid-2000s, locally referred to as WaJazz ("Wa" meaning Japan but also the Shōwa emperor period, from 1926 to 1989). Since the beginning of the 2000s, there has…
* Digipack CD edition * Ghédalia Tazartès left us in February 2021 when we had just finalized the editing and the cover art of his new album with him. Unfortunately he will never see the finished object. This record is therefore particularly important for us. He opened his archives to us so that we could select unpublished pieces with him and organize them in two long suites. This work took almost two years (finding the pieces among dozens of sometimes very old CD-Rs, checking that these pieces …
"With their first album, legendary French art-rock band Wapassou found a distinctive musical voice: well-developed melodies, rhythmic organ, prominent droning violin, and guitar doubling-up as a rhythm instrument. They often conjure up what it might have sounded like had John Cale and Stereolab formed a band in 1974, the year this album was released. The five tracks are highly original, varied and inventive, steeped in post-psychedelic rock. Although Wapassou are noted for playing without …
** Edition of 300 ** Born and raised in Paris, Ariel Kalma studied electronics, computer science, music and art in Paris, he performed with several bands, then toured the world and visited Europe, Japan, India, Eastern Canada, and parts of the USA. Apart from rhythm & blues, pop and jazz, he acquired assorted experiences in Middle Age French, electro-acoustic, and modal music. All the travels broadened Ariel's musical horizons tremendously; listening to and playing with different styles, people,…
Tip! If there is a single feature that makes the context of experimental music so exciting, it is arguably the willingness of artists to freely converse and collaborate. This is made all that much more thrilling when it transpires across the generations. The first LP in Black Sweat’s latest batch is one such case - two heavyweights, often occupying very different positions in the musical landscape, with births separated by decades, finding common ground and voice. Neither Sarah Davachi or Ariel …
**Limited edition of 500 numbered copies in a wooden box, including LP-sized 24-page booklet and t-shirt** :Zoviet*France: is an idiosyncratic group of anonymous music makers, gatherers of sound, and fabricators of unknown music. For nearly 40 years, they have explored and reported back from the liminal areas of music and composition, walking the margins where little is easily located and consensus reality melds with the hypnagogic and half-heard. Having wilfully obscured themselves in Newcastl…
One of many Muslimgauzes to finally see the light of day on vinyl, his first meeting with The Rootsman is a fierce session of signature, sawn-off loops and soundsystem noise
300 copies. VOD presents the third chapter in the Collusion series that collects rare tracks previously released on various Zoviet France's compilations. First time on vinyl.Constructed from an array of samples and environmental recordings plus plenty of feedback, Collusion exudes a rare beauty for an album of such varied sounds (each track was originally released on a different compilation). Though the first includes a long passage from a religious-revival preacher (complete with the sample use…
Although you're more likely to find :zoviet*france: soundtracking art installations and performances, 2012 saw the release of the studio album 7.10.12 released as a boxset edition on alt.vinyl. On The Tables Are Turning the duo of Ben Ponton and Mark Warren present a studio version of their live soundtrack to Designer Body, a contemporary dance production by Ballet Lorent. Ballet Lorent's 2009 production featured dancers on revolving plinths. At first fully dressed with hats, scarves and full ma…
This, Zoviet France's first major release in over a decade, originally surfaced last fall as a characteristically cryptic and incredibly limited box set containing rubbings of neolithic Northumbrian stone and a vial of hawthorn berries. Unfortunately, it completely sold-out world-wide on the day it was released, so most of us never got to hear it. VOD has now issued a new version. 7.10.12 offers up roughly an hour of minimal/quasi-ambient loopscapes. While they certainly offer many subtle nod…
* 300 copies * As Glasgow's Tramway building evolved from train station into arts space, Zoviet France were present recording the ambient sounds for use in their commissioned themes for the Scottish Arts Council. Though you'd hardly believe it from the mostly non industrial nature of these very comfortable soundscapes. Five tracks range between five and twelve minutes apiece and the remaining four serve as in-between filler. In "Something Spooked the Horses" a constant warm drone and panning …
** 300 copies ** Quite possibly one of the better live showings from digital era Zoviet France, and in my opinion this matches the dark spiritual energy of Vienna 1990 as well, which is a testament considering that that album is a leviathan of dark ambient. Heavy on the pulsating, bubbly effects, Feedback feels like you are exploring the dark corridors and caverns of an alien moon, where lava flows are the only source of light and the tremors of your own footsteps and the cracking of rock are th…
**300 copies** Digilogue is a set of extremely dark and somewhat convoluted minimalism from :zoviet*france:. The combinations of experimental and conventional sounds create massive clouds of sinister atmospheres. The layered textures increase the tensions of exotic darkness. This music is definitely exotic and definitely erotic -- not pleasantly but disturbingly. The sinister timbres are seductive and jarring. It is a shocking sample of an alternate reality. This CD will appeal to fans of Darkro…
*300 copies* The 90's run of :zoviet*france: is, what I consider to be, a divisive time for long time fans of the group. Gone are the days of wild and experimental sound collages and grating industrial, ritualistic ambient banger's and in its place is a more subdued and droning affair. During this period especially the groups hallmark sound would be twisted and shifted into what amounted to a swill of limp krautrock inspired dark ambient. Their live albums especially, are long and desolate treks…