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Recorded in London's Queen Elizabeth Hall on July 10, 1968 this impressive 2-hour live concert presents the Washingtonian prodigy folk singer at his best. Tim Buckley was only 21 years old when he had this incredible chance to show the world his talent which would carry him through a short but prolific career -- 9 albums released between 1966 and his death in 1975. Accompanied by Lee Underwood, David Friedman and Pentangle's bass player Danny Thompson, Buckley caressed his 12 string acoustic gui…
**Double-CD version includes 20-page booklet. Sold out at source** An Anthology of Greek Experimental Electronic Music 1966-2016 aspires to map the heterogenous landscape of Greek experimental electronic music in all its contextual, sociopolitical, geographical and aesthetic disparity. With a single exception: it zeroes in on post-80s music. It comprises works of very different kinds by composers of all sorts of backgrounds that, still, can be thought of, as both "Greeks" and "experimentalists".…
**Housed in top-lifting boxes with gold foil, poster and booklet** Robbie Basho (1940-1986) is widely regarded as one of the progenitors of what’s commonly known today as American Primitive guitar. Growing up in Maryland alongside neo-traditional guitar explorers John Fahey and Max Ochs, Basho’s path would take a decidedly different turn, bringing Hindi, Indian, Japanese and Native American musical traditions into his work. His albums for Takoma and Vanguard have left an indelible trail of influ…
I have to admit that I'm biased in favor of Charles Tolliver. He plays with a combination of strength and sweetness that goes beyond mere language. The fact that he is self taught is more miraculous. This particular recording has the best sound quality I've ever heard. The clarity is stunning and all the music is magnificent. The recording is so good, one can hear the sound of a musician's fingertips accidentally brushing across the bass strings, for example. Alvin Queen is always brilliant on t…
In 1978 Pharoah Sanders went into the studio with pianist, Ed Kelly, who was an important figure in the local San Francisco and Oakland jazz scene. The two of them recorded six tracks which ranged from covers of standards, through soul jazz through to two real gems. The album was originally released as Ed Kelly and Friend due to Pharoah being contracted to Arista Records at the time. Indeed, as you can see, the cover shows Kelly playing next to Pharoah’s hat, shoes and Selmer tenor saxophone.
Ra…
* 2021 Repress. Remastered. 180 gram LP * It seems that every major jazz artist has a one-off sort of record in their discography, be it with strings, voices, spoken word or - as in this case - a foray into the funkier side of jazz. Charlie Rouse (going here as Charles Rouse) gets his chance on Two Is One, a funky soul jazz excursion on Strata-East, the artist-run label where creativity and pushing boundaries was at the forefront. Playing mostly with a group of session musicians, Rouse put toget…
* 2021 Repress. Remastered. 180 gram LP * A passionate and personal album, more or less a piano only instrumental work that will attract all kinds of music lovers from jazz, classical music, avantgarde and progressive rock. Excellent performance with a great flow in the composition and breathtaking improvisations. Some kind of jazz version of Keith Emerson.
Stanley Cowell, born in 1941, is a living legend as jazz pianist and his skills can be witnessed on his 1974 solo effort “Musa: Ancestral st…
* 2021 Repress. Remastered. 180 gram LP * One of the rarest albums on the infamous Jazz label Strata-East from 1977 and it’s a spiritual soul jazz masterpiece. Sonelius Smith’s free piano comes together with Shamek Farrah’s heartfelt saxophone for a totally unforgettable journey into the meaning of sacred jazz. Fresh and imaginative, but not too improvisational. Rhapsodic but never over-indulgent and with a raucous, bold groove that’s in the real classic Strata East mold.Playful and wild but bea…
* 2020 Repress * Bruce Haack's The Electric Lucifer is rightly considered one of the masterworks of 20th century electronic music. Originally recorded in 1968-69 (released in 1970), it's an eminently listenable work where pop-psychedelia and Moog/musique concrete sounds coalesce. Acclaimed upon its original release (one of Rolling Stone's favorite albums of 1970) yet unavailable for over three decades, The Electric Lucifer is presented here for the first time on LP. Remastered and restored from …
* First ever vinyl reissue of this French free jazz nugget from Sahib Shihab & Jef Gilson Unit Remastered from the master tapes * Paris, February 1972. A few months after having released Le Massacre du Printemps, Jef Gilson was back behind his keyboards for a completely different experience. Heading up his Unit, he was joined by Sahib Shihab, ex- partner to Gillespie, Monk and Coltrane, for a brief stroll in the desert. For three-quarters of an hour, the caravan passes by, evoking, one after the…
* First ever vinyl reissue of highly sought after French experimental jazz from the legendary Jef Gilson Remastered from the master tapes. * In 1971, the day after the death of Igor Stravinsky, Jef Gilson and his Unit (Pierre Moret and Jean-Claude Pourtier) made this curious homage to classical music. It is jazz, contemporary and electroacoustic music that the trio interrogate through a wild ‘noise’ session evoking as much John Cage as Pierre Henry, John Coltrane as the Percussions de Strasbourg…
* Edition of 500 Splatter LP. 2020 repress. Available for the first time since being originally pressed in 2011 as part of the ongoing Finders Keepers' 15th anniversary retrospective. Remastered with updated liner notes including rare photos with full cooperation of Barrandov Studios in Prague. * The original orchestral/electronic score from Karel Kachyna's 1976 Czech film adaptation of Hans Christian Andersen's The Little Mermaid, composed by Zdenek Liska (The Cremator/Fruits of Paradise) featu…
**2020 small repress** Dagored present Ennio Morricone's famous soundtrack composed for the 1971 Franco Rubartelli documentary Veruschka, Poesia Di Una Donna. The documentary was about the legendary Veruschka, the world's first supermodel and '60s/'70s icon, who appeared in several cult movies including Blow Up (1966), Salome (1972) and Couleur Chair (1978). In Rubartelli's movie, the viewer follows the beautiful model in a shockingly surreal journey through the rural countryside of Italy on a d…
300 copies. NoBusiness presents Irvin's Comet, a new set of solo bass recordings by Barry Guy, recorded 29th October, 2019 during Improdimensija (Improdimension) concert series dedicated to improvised music, located at MAMAstudios, Vilnius, Lithuania. Sound Engineer - Arūnas Zujus. Mixed and mastered by Arūnas Zujus at MAMAstudios. Original artwork - Albert Irvin, Comet, 1988 / Screenprint with woodblock, edition of 75, Advanced Graphics, London. Design by Oskaras Anosovas.
Bristling with tension and remarkable restrained interplay, encountering both players at the top of their game, No Business’ latest CD, Live at FarOut, Atsugi 1987, a never before issued duo between Bailey and the Japanese saxophonist, Mototeru Takagi, is easily among the best documents of free improvisation we’ve heard all year.
Braids by the Sam Rivers Quartet was recorded May 15, 1979, in Hamburg, Germany and re-mastered for this release by Arūnas Zujus at MAMAstudios. Personnel includes: Sam Rivers - tenor and soprano saxophones, flute, piano; Joe Daley - tuba, euphonium; Dave Holland - bass, cello; Thurman Barker - drums.
NoBusiness presents Live at Jazz inn Lovely 1990, a new set of recordings by Masayuki JoJo Takayanagi, Nobuyoshi Ino and Masabumi PUU Kikuchi Recorded live by Sony TC-DM at jazz inn Lovely, Nagoya, Japan, October 9th, 1990.
Track 1,4 & 5 improvised and composed by Masayuki JoJo Takayanagi, Nobuyoshi Ino and Masabumi PUU Kikuchi. Track 2 & 3 improvised and composed by Masayuki JoJo Takayanagi and Nobuyoshi Ino. Gigs produced by Katsuhiko Kawai 河合勝彦. Tapes provided by Koujiro Tanaka 田中康次郎. Mastere…
NoBusiness presents Hokusai, a new set of recordings by Sabu Toyozumi and Mats Gustafsson, recorded live on 11th and 12th June, 2018 at Jazz Spot Candy, Chiba, Japan by Kunimitsu Tsuburai / 粒来国充. Concert produced by Miyoko Hayashi / 林美葉子Jazz Spot Candy. Mastered by Arūnas Zujus at MAMAstudios.
Sabu Toyozumi 豊住芳三郎 - drumsMats Gustafsson - baritone saxophone, fluteophone, flute
**Edition of 285 silk-screened wooden slipcase with inserts and a 6 postcards set. Liner notes by Michel Henritzi. An'archives presents three documents, three vinyl records carved by the illuminations of Masayoshi Urabe, six performances engraved like epitaphs in the stone that covers the Living World. These are recordings made in small suburban venues in Japan where Urabe would play in front of a meagre audience: the Bitches Brew in Yokohama, the Groove in Okinawa and the Gari Gari in Tokyo. …
A stunning immersion into the world of Merzbow during one of the project's most engrossing and important period's, Urashima’s latest, the first ever vinyl reissue of the project's legendary 1990 release, 'Rainbow Electronics', is a truly historic event. A monumental work of few parallels, even 30 years after its initial release, it still challenges the fundamental notions of what music is perceived to be.