Reissues
Return of the Repressed: Destroy All Monsters 1974–1977
**2020 stock** The influential Detroit “anti-rock” group Destroy All Monsters (Mike Kelley, Cary Loren, Niagara, Jim Shaw) made raucous music, irreverent art and legendary zines, performing and disseminating their activities through an elaborate self-mythology. The Destroy All Monsters zines have been reprinted in facsimile editions, but the art objects made by the members have never been examined as independent works. Return of the Repressed: Destroy All Monsters 1974–1977 is the first retrospe…
Methods & Processes
**12 pages, leporello, offset, 27 x 126 cm (unfolded) ** The reprint of the publication pioneer in the artistic experimentations of the 1960s, published by the artist in 1962. incinPerforming and visual artist Ben Patterson (born 1934) was a founding member of Fluxus' participatory, do-it-yourself, anticommercialist avant-garde network. While many Fluxus artists, influenced by John Cage's precedent, employed conceptual techniques borrowed from music (e.g., the event score), Patterson's fusion of…
Tacet #04: The Sounds of Utopia
**2020 stock. 560 pages!** The sound arts and experimental music annual review's 4th issue, on the theme of utopias. Utopia belongs to those concepts that haunt both the history of ideas and the history of artistic practice. In this fourth issue,Tacetsets off to listen to the sounds of utopia emerging from sound art and experimental music, but also from sound design and our everyday use of sound technology. Mixing science-fiction short stories, theoretical analysis and artists' writings, this i…
A-sides – A cosmology of audio editions by Artists
Art & vinyl: an analytic anthology of artist's records in Switzerland. Since the beginning of its existence, the record has always been used by visual artists as a form of distribution for their sound practice. First experimented with by the early avant-garde movements, the role of these sound supports was later redefined in the context of the proliferation and hybridization of forms between sound and language. While recording media such as discs or cassettes were used to document happenings, r…
Common Time
Renowned as both choreographer and dancer, Merce Cunningham (1919–2009) also revolutionized dance through his partnerships with the many artists who created costumes, lighting, films and videos, and décor and sound for his choreographic works. Cunningham, together with partner John Cage, invited those artists to help him rethink what dance could mean, both on the stage and in site-responsive contexts. His notion that movement, sound and visual art could share a “common time” remains one of the m…
Selected Works From 1982 To 2011 (Zine)
Nieves is proud to bring us a much deserved reprint of Raymond Pettibon's anthology of drawings which was first published in 2014. Raymond Pettibon (born 1957 in Tucson, lives and works in Venice Beach) is mostly known for his comic-book-like drawings to which he appends disconcerting and sarcastic texts. His work embraces a wide spectrum of American “high” and “low” culture, from the deviations of marginal youth to art history, literature, sports, religion, politics, and sexuality. Taking their…
Selected Works From 2001 To 2009 (Zine)
**Reprint of the near-mythical book first published in 2014.** This Zine contains a selection of Dash Snow's critical Dada-esque collages, which range from cum-glittered tabloid covers starring Saddam Hussein to straight text pieces to sculptural works composed of items like books and skeletal fragments; and a smattering of the photographs and Polaroids that originally made Snow famous outside of street art culture, where he began writing graffiti. This Zine contains a selection of his critical …
Ultrablack of Music
The ultra-blackness manifesto: a Deleuzian reading of the philosophical and socio-political stakes of the current electronic music scene (publication marking the reactivation of the influential label Mille Plateaux, with texts by an ensemble of international musicians, artists and theorists: Frédéric Neyrat, Achim Szepanski, Holger Schulze, Gerriet K. Sharma, Bernd Herzogenrath, Corry Shores, Marcus Schmickler, Thomas Brinkmann, Thomas Köner...). Ultrablack of Music speculates on the manifold wa…
Revelation
Virus, from the Bielefeld area in Westphalia, were the best and most famous local progressive group there in the early seventies. In 1970, they won the well-known competition in the Recklinghausen Vestlandhalle – still under their old name of Man’s World. The first prize: Recordings for their first own LP, under the direction of sound magician Conny Plank. That LP, “Revelation”, was released in 1971 and is partly reminiscent of the early Pink Floyd, e. g. in the final part of “Endless game”. The…
Sunbirds
**Picture Disc** Jazz Rock ensemble from Munich led by German drummer Klaus Weiss and Austrian pianist Fritz Pauer and found in 1971. When Pauer presented Weiss some new songs, the two of them gathered Belgian guitarist Philip Catherine, Dutch flutist Ferdinand Povel and American drummer Jimmy Woode (R.I.P.) and formed Sunbirds. The recordings of their debut took place at the Union Studios in Munich on 24th August 1971. Weiss had good connections with various labels and the album was eventually…
Essen 1970
Stunning quality, rare live performance recordings of krautrock pioneers Guru Guru, from one of their earliest ever live concerts on Sunday October the 25th 1970. Three long slabs of prime classic psychedelic prog, two from the ‘UFO’ album and one off ‘Hinten’, show the band at their apex, defining a sound that had never been heard before. Sourced from tapes recorded directly from the sound desk at the show, the recording quality is phenomenal for something of this vintage era. The original line…
Circus
Circus were a shining example of the creative explosion at the heart of the early days of Progressive Rock. A tight knit jazz-rock band that crafted high quality musical workouts, Circus mixed the heavier aspects of late 60s rock with the nuances of jazz modulations, folk, pop and even forays into psychedelia. Circus decided to focus less on the sound of the pop psych scene and joined the ranks of the more experimental progressive bands emerging during the 60s such as Soft Machine, Caravan, Colo…
Last Tango in Paris
“Last Tango in Paris” is a 1972 film directed by Bernardo Bertolucci that tells the encounter and the interactions between two perfect strangers who meet by chance in the French capital: a very young Maria Schneider, in a role that made her very famous and that left an indelible mark upon the rest of her career, and the much more mature Marlon Brando, already a world-famous actor at the time. The result was one of the most famous erotic and dramatic films ever, subject of endless censorship and …
Greatest Hits Vol. 1 1975-79
** 180gr. red coloured vinyl edition.** In the ’60s, Ennio Morricone renewed the world of soundtracks in such a radical way that it is still influential today, thanks to his collaboration with film director Sergio Leone. In the following decade, another artistic partnership, the one between Goblin and Dario Argento, made a second revolution in the same field, in particular in the music of thriller and horror films. A full global scale renewal, which has inspired a myriad of artists in the decade…
Godzilla / Escape
Magnetic System were a sort of supergroup founded in the second half of the ’70s, consisting of three of the greatest Italian composers, musicians, arrangers and producers: Vince Tempera, Franco Bixio and Fabio Frizzi. This wasn’t their only artistic collaboration, but under the name of Magnetic System only a 7-inch had been released in 1977, containing the two tracks “Godzilla” and “Escape”. The first track “Godzilla” is very peculiar, taken from the soundtrack of a rare ’77 movie conceived an…
Aphorisms Insane
The only album by Austrian trio Cultural Noise is a an electronic marvel. Band members were Gerhard Lisy, Walter Heinisch and Karl Kronfeld, and instruments used included an ARP Sequencer, an ARP 2600, a VCS 3, an EMS Digital Sequencer, a Mellotron M400, a Micro Moog, a Roland Studiosystem 700, a Roland Analogue Sequenzer and an electric guitar. With these weapons and a strong influence from the Berlin school Cultural Noise created a rich electronic tapestry which expanded through the two piece…
Africa Roja
The story of Klamm started in Martorell, 30km near Barcelona, in 1976. Teenagers Josep Saus "Toto", Antonio K. Puertas and Leo Mariño got together under the influence of bands like Can and King Crimson. The original line up consisted of guitar, bass guitar and drums, and they were barely 16 years old when they began. From there, they evolved and also went though different personnel changes, added new influences, had experimental progressive jazz-rock periods, were touched by the works of bands l…
Etudes From a Starship
Voin Oruwu is a project driven by Ukrainian artist Dmitriy Avksentiev. Etudes From a Starship is his second album and has been inspired by astral themes. The album invites the listener to join a fantasy universe created by the simple power of music. This music is clearly ambient - and cinematic - but also dark and mysterious. The tracks are diversified and sometimes feature surprising passages such as Decay Instability for its furious bass line sequence and Acid Clavi 2110, which sounds as being…
Eleven Minarets
**300 copies** Previously released as part of Arab Quarter by Soleilmoon back in 1996, 11 Minarets, is a focused exploration on one theme which allowed Bryn Jones to push the boundaries of his music deep into new areas. As on his other albums released at around the same time, the volume is pushed to the limit. With this album, Muslimgauze continued to define his own genre, and without a doubt there simply were no imitators, wannabes or pretenders. The artwork for this album contains elements of …
Oksastus
**300 copies** Ukrainian label Kvitnu has the honour of releasing these two musicians’ new album. Oksastus, which is the Finnish word for the process of grafting and cultivating plants, provides potential listeners with an unmistakably Pan Sonic live performance recorded in Kyiv on June 6, 2009. It consists of eight tracks perfectly mastered by C-drík Fermont, which allow listeners to re-taste the greatness of these masters’ gigs and their unique electronic craft, and offer a perfect picture of …