Reissues
Inventions For Electric Guitar
Originally released in 1975. Remastered by Manuel Göttsching. Recorded July-August 1974, Inventions for Electric Guitar is Manuel Göttsching's first solo album, however it was released with the subtitle Ash Ra Temple VI technically making it the sixth and final album under the Ash Ra Temple name. Written and performed entirely by Göttsching on electric guitar, with a four-track TEAC A3340, Revox A77 for echoes, wah-wah pedal, volume pedal, Schaller Rotosound, and Hawaiian steel bar.
A seminal mi…
E2-E4
180-gram LP version with embossed chessboard artwork print and printed inner sleeve. In celebration of the 2016 35th anniversary of the December 12, 1981, recording of Manuel Göttsching's legendary E2-E4, one of electronic music's most influential recordings, Göttsching's MG.ART label presents an official reissue, carefully overseen by the master himself. Includes liner notes by Manuel Göttsching, archival photos, and an excerpt of David Elliott's review in Sounds from June 16, 1984.
"As …
Not Two... But Twenty
Limited edition 5-CD wooden box set, in commemoration of the 20th anniversary of Not Two Records. All new recordings, never previously published. Recorded live at the Not Two But Twenty Festival in Wlen, Poland in the Fall of 2018. With Peter Brötzmann, Barry Guy, Zlatko Kaučič, Joëlle Léandre, Steve Swell, Agustí Fernández, Mats Gustafsson, Paal Nilssen-Love, Rafal Mazur and many more
That Time
Unrelease befor recordings dated 1972 and 1980. The London Jazz Composers Orchestra began back in 1970. The idea of a composers' orchestra, a large formation equally defined by the concepts of composition or intervention and by the improvised creative genius of the participating musicians, developed an amazing self-impetus. It was this energy, which proved to be greater than the arithmetic sum of the participants, that encouraged Barry Guy and the orchestra to drive idea and practice even furthe…
Smetak Inventions: The Interfused Realms of Inventor, Sound Artist, and Musician Walter Smetak (1913-84)
Musician and inventor Walter Smetak, who emigrated to Brazil in 1937, is one of the most important protagonists of sound art and experimental improvisation of the Brazilian avant-garde of the 1960s–80s. His work continues to have an impact today. Forming the core of his creative output are more than 100 instruments and sound sculptures that he invented and built himself, his so-called »Plásticas Sonoras«. His work also includes numerous compositions, sound recordings, books, poetry, writings, an…
Sound Stories
"In Sound Stories, American artist and composer Christian Marclay (born 1955) fuses art and technology, using Snapchat videos as raw material. Featuring texts by Max Maxwell, this book documents the collaboration between the artist and Snapchat in an innovative project mixing the sounds and images of everyday life found on the multimedia messaging app, aggregating unattributed stories. Using algorithms created by a team of engineers at Snap Inc., Marclay experiments with millions of publicly pos…
Mechanical Fantasy Box
"Patrick Cowley (1950–82) was one of the most revolutionary and influential figures in electronic dance music. Born in Buffalo, Cowley moved to San Francisco in 1971 to study music at the City College of San Francisco. By the mid '70s, his synthesizer techniques landed him a job composing and producing songs for disco diva Sylvester, including hits such as "You Make Me Feel (Mighty Real)." Cowley created his own brand of peak-time party music known as Hi-NRG, dubbed "the San Francisco Sound." Hi…
The World's Worst - A Guide to the Portsmouth Sinfonia
"Butchering the classics through avant-garde amateurism: the Portsmouth Sinfonia embodied the joyous collectivism of 1970s British counterculture. In 1970, galvanized in part by the musical experiments of avant-garde composers Gavin Bryars, John Cage and Cornelius Cardew, students at Portsmouth College of Art in England formed their own symphony orchestra. Christened the Portsmouth Sinfonia, its primary requirement for membership was that all players, regardless of skill, experience or musicians…
Diary: How to Improve the World (You Will Only Make Matters Worse)
"Over 16 years, beginning in 1965, John Cage compiled anecdotes, observations and koanlike tales, originally typing everything on an IBM Selectric and using chance methods to determine the formatting of texts that twist down each page. The Siglio edition preserves the graphic effects, but, more important, it gives a sense of the company he kept during these years—Marcel Duchamp, R. Buckminster Fuller, D.T. Suzuki—and of his passionate feeling about a world locked in a state of perpetual warfare.…
Intermedia, Fluxus and the Something Else Press
"There are few art-world figures as influential—and as little known—as Dick Higgins (1938-1998), co-founder of Fluxus, “polyartist,” poet, scholar, theorist, composer, performer and, not least, the publisher of the Something Else Press. In 1965 he restored the term “intermedia” to the English language, giving it new dimension to recognize the dissolution of boundaries, the expansion of liminal spaces between traditional modes of art making, and the open field for new forms that cannot be compart…
Changes, Notes on Choreography
"On the occasion of the Merce Cunningham Centennial, we are pleased to offer this special, limited edition reprint of Cunningham’s own unique presentation of his choreographic ideas Changes: Notes on Choreography.Originally published in 1968 by Dick Higgins’ iconoclastic Something Else Press, the book can be viewed as a 170-page print version of an art performance piece. Just as Cunningham spent most of his career approaching choreography and movement in time and space from an original point of …
Sud e Magia
**100 copies transparent green vinyl, also available on standard black vinyl** Maestro Egisto Macchi (Gruppo di Improvvisazione Nuova Consonanza - The Group) recorded this mystical ethnographic trip to the South of Italy imbued with its rites, superstitions, magical symbols and popular mythologies in 1977 for the TV Documentary Sud e Magia.Astoundingly evoking the intensity, magic and psychedelia of its subject with the use of inventive and unconventional techniques (aerophones, crystal glasses,…
Aurora
Souffle Continu Records present a reissue Le Théâtre du Chêne Noir's Aurora, originally released in 1971. In 1972, Steve Lacy recorded Solo, one of the gems in his discography, in the Théâtre du Chêne Noir in Avignon. The previous year (which was also the year in which Aurora appeared), the eponymous group of actors led by Gérard Gelas, took up residence in what was a 12th century chapel. The Théâtre du Chêne Noir is therefore not just the name of a space open to all kinds of artistic audacity, …
Ike Yard
Ike Yard remain a legendary band of early '80s New York City – at once immensely influential, yet obscured by a far-too-brief initial phase. Their debut EP, the dark and absorbing Night After Night, sounds almost like a different group, so rapidly would Ike Yard evolve towards the calmly menacing electro throb of their self-titled LP. Originally released on Factory in 1982, the album put Ike Yard's indelible mark on the synth-driven experimental rock scene then emerging all over the planet. Whi…
W.W.W.
Burnin Red Ivanhoe in their most fertile phase of existing from 1969 till 1972, were one of Danish finest groups from this period. Their innovative and powerful mixture of Psychedelic and Progressive Rock along with mild experimental or Jazz influences gained some international recognition in Germany, UK and the U.S.. Comparisons might be drawn to Traffic, Jethro Tull, Pink Floyd and Colosseum (Dag Erik Asbjornsen).W.W.W. from 1971 was the band's third album with an unchanged line-up. It was the…
Burnin Red Ivanhoe
Burnin Red Ivanhoe in their most fertile phase of existing from 1969 till 1972, were one of Danish finest groups from this period. Their innovative and powerful mixture of Psychedelic and Progressive Rock along with mild experimental or Jazz influences gained some international recognition in Germany, UK and the U.S.. Comparisons might be drawn to Traffic, Jethro Tull, Pink Floyd and Colosseum (Dag Erik Asbjornsen).Their eponymous second album from 1970 was recorded in London with famous DJ John…
Weiss Der Teufel...
Weiss der Teufel (1971), the first Rufus Zuphall album has gradually gained legendary status. All tracks were recorded live in the studio, resulting in a raw and unpolished sound. The side-long title track developed into a very twisted and frenetic flute solo! Some people regard this track as one of the finest moments of German rock. Weiss der Teufel is a great album, typifying the raw-edged, largely instrumental early progressive rock. Here it comes with original album sleeve cover art and inse…
Thoughts
Originally released in 1971 on famous German Pilz Label, Thoughts was the second and last album of a band which is often regarded as one of the most legendary krautrock bands. While 1st album Revelation was full of inventions and surprises within long tracks with extensive guitar workout, swirling organ and lots of improvisations, Thoughts showed a different style to the debut. With two different lead vocalist (Jürgen Schäfer and Werner Vogt) Virus' music was now more song oriented, more hard-ro…
Mémoires
A true fusional object, Béliz moves us to new horizons, both imaginary and poetic.
Mega Wave Orchestra
**500 copies. Lovely crafted tip-on sleeve. Remastered from Master tapes** The music on this compilation was, for the most part, originally released privately in Geneva as a box set containing five LPs by The Mega Wave Orchestra and five prints by the artist Richard Reimann. The Mega Wave Orchestra, the brain-child of musician, mathematician and composer Christian Oestreicher, was conceived as an multi-media electronic music big-band. It was comprised of seven keyboard players Christine Schalle…