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**Edition of 500** First ever commercial release of the 1962 Maida Vale session on 180gr vinyl. The Joe Harriott Quintet was one of the most forward looking in Britain, but no jazz man works in isolation from the past and the great tradition of jazz is never absent from the work of the Joe Harriott Quintet. "Shepherds Serenade", composed for the Joe Harriott group by Dizzy Reece, one of Britain's many distinguished gifts to the jazz scene in New York. But jazz enthusiasts not only like to know w…
The first official release of the June 1970 Montreux Jazz Festival concert featuring trumpeter Ian Carr’s pioneering Nucleus performing with US vocalist Leon Thomas on a set of Thomas’ repertoire. The collaboration with Thomas is (in Ian Carr's words) a combination of the “rock thing...with the roots of the music”. The set kicks off with "The Creator Has a Master Plan," originally the thirty minute plus opus found on Pharoah Sanders' 1969 album Karma.
This version although only half the length i…
** Second Edition of 200, packaged in a large polybag with a multi-colored screenprinted cover ** Freedom To Spend’s first catalog wide deep dive into an artist’s career focuses on four albums from Rimarimba, beginning with 1983’s Below The Horizon, followed by 1984’s On Dry Land, 1985’s In The Woods, and finally, the once-imagined, now-realized assembly of 1988’s Light Metabolism Number Prague. Somewhere out there around the turn of the 1980s, to the left of the post-punk crew, to the right of …
Akira Sakata is a legendary Japanese jazz musician active since the early 70s (Yosuke Yamashita Trio, Akira Sakata Trio) and also an ocean-biologist. Among others he has toured and recorded with The Thing, Jim O’Rourke, Bill Laswell, Merzbow, Chikamorachi, etc.On this album originally released in 1985 he teamed up with vocalist Akira Emoto to create an incredible record which is rooted in Jazz and explores an entire world of sounds. You got to listen to believe it!
Professor, herbalist and healer, Milford Graves is first and foremost one of the world's great geniuses of the drum. Rarely heard live, even more rarely found in the studio, a new recording by Milford Graves is a special event. Long overdue, this is the CD that free jazz fans and every drummer in the world has been waiting for: his music for solo drums. Intense, shooting off in all directions at once and yet always firmly rooted in the tradition, Tzadik is proud to release this important and his…
"Outro Tempo II: Electronic and Contemporary Music from Brazil, 1984-1996" is the second installment of Music From Memory’s Brazilian series. This volume picks up where the first Outro Tempo left off, shedding light on a new wave of experimentalism that emerged in Brazil in the late 1980s and 1990s. The twenty tracks collected uncover another area of Brazilian music that looked to the future for inspiration. This time it drifts beyond the rainforest and into the pulsating heart of Brazil’s great…
Fantastic high quality Mr Bongo reissue of Japanese Jazz holy grail. Japanese bamboo flute genius Minoru Muroka's holy grail masterpiece -- a unique mixture of traditional Japanese folk and heavy hip-hoppy jazz as played by DJ Shadow and Egon! Combining japanese instruments itaiko, shamishen and koto with conventional drums and synths.
Originally released on Illuminated Records in 1983, "Viral Shedding" is surely one of the most important references for the industrial/funk dance music. Between pure noise and electronic beats, 'Viral Shedding' creates a twisted and percussive rhythmic urge, a funky disco sound permeated by digital industrial beats. Nigel Ayers and Caroline K take their inaccessible best and thrown it into the melting pot with a set of pumping rhythms. The result is the frustrated son of mutant disco, swimming i…
"Songs of Love and Revolution" was a big step forward for Nocturnal Emissions, having a full colour cover and turning their sound further towards electronic pop music. Classics such as "No Sacrifice" and "Never Give Up" have made this an essential album for every fan of electronic music. As Nigel Ayers reminds, they were buying lots of equipment at the time and seemed to have naturally acquired some skill over the years so they thought, ‘Let’s make some pop music.' He continues: "The Miners’ Str…
Second album by Etron Fou Leloublan, the mythic avant-rock / rock-in-opposition incredible trio, that happily destroys all rock structures and performs a delirious music, full of humour and rhythm. Etron Fou Leloublan had definitely moved up a notch with this release and things would actually get even better with the next release! Still, this album, originally published in 1979 is quite a juicy steak that will take quite some time to devour with the end results exceeding beyong the initial anti…
Handily compiled selection of lost Italian soundtrack recordings from the 1970s and '80s. Massive props to Fly By Night Music for doing the groundwork and digging up this selection of impossible to find or verging on priceless gems... Highly recommended for fans of Trunk, Finders Keepers and Soundway
Body Without Organs were a duo from New York City consisting of Richard Behrens (lyrics, vocals, guitar) and Carl Howard (electronics, effects) formed in 1982. The pair brought together skill and ideas from such diverse areas as writing, poetry, ceremonial magic, studio technology, and mass media sounds and images. The name Body Without Organs could mean several things: a body, being an organization, without organs, or hierarchy; a form of anarchy, certainly opposed to the capitalist system, and…
Golden-era, 1977, Brazilian jazz-funk-fusion album from the legendary, Azymuth. Lush Rhodes, soaring synths and fusion guitars from Malheiros and Bertrami combine with the inimitable drum grooves from Ivan “Mamao” Conti that create the signature Azymuth sound.The album moves from mellow soulful moods, into screaming disco-jazz-fusion, samba funk, synth boogie and ends with a tough 160bpm Batucada workout. This is actually the first Azymuth album that we have released on Mr Bongo, which came as a…
The return of the Zanzibara series: a Deep Taarab masterpiece from legendary singer Zuhura Swaleh, recorded in Nairobi in 1981.
Zuhura Swaleh & Party rose to fame on the Mombasa scene in the 1970s
with a new fast-paced taarab style based on local ngoma rhythms and its
melodies. The group sound was lead by an electrically amplified
tashkota (actually a Japanese instrument correctly spelled as
taishokoto), its shape best rendered as being a kind of “typewriter
banjo”—a trio of strings shorted…
Be With Records have raided the KPM archives to reissue another favorite from the KPM 1000 series, Alan Hawkshaw's The Road Forward,
originally released in 1977. A comprehensive collection of descriptive
contemporary scores, the track titles swoon just by their names:
"Strangelands", "A Man Alone", "Sheer Elegance", "Mystique Voyage",
"Cruising". Don't you just want to hear those? The maestro Alan Hawkshaw
really spoils his listeners on this, one of the most sought after KPM
greensleeves. …
Be With Records have raided the KPM archives to reissue another favorites from the KPM 1000 series, John Cameron's Jazzrock,
originally released in 1972. A dramatic suite of themes, montage,
sequences, and generics -- an enormously influential and heavy KPM set
of timeless, killer funk breaks from 1972 by the mighty John Cameron. Jazzrock
is an aggressive, percussion-heavy album with an energy that leaves
jaws on the floor. Breaks and beats for days with electric piano, bass
loops, and po…
Be With Records have raided the KPM archives to reissue another favorite from the KPM 1000 series, Alan Parker and John Cameron's Afro Rock, originally released in 1973. Hard Afro pop featuring large percussive rhythm section and front line. One of the best-loved of all the KPM LPs. Afro Rock was recorded at Morgan Studios by John Cameron and Alan Parker in London in 1973 as a collection of stripped-down African rhythms, virtuoso jazz instrumentation, fuzzed-up wah wah guitars, and spaced-out li…
Be With Records have raided the KPM archives to reissue another favorite from the KPM 1000 series, Alan Hawkshaw and Keith Mansfield's Beat Incidental, originally released in 1969. Underscore moods and links, contemporary beat music idiom -- Includes some of the most sublime, sub-ten second, tracks you're ever likely to hear, alongside more adequately sized library funk heat. The dream team of Alan Hawkshaw and Keith Mansfield are here at the helm of one of the most legendary of the legendary KP…
This stunning compilation includes titles by Etron Fou Leloublan, Les Nouvelles Lectures Cosmopolites, Toupidel Limonade, Sotos, Arthur et Les Robots, Spirits Burning, Pataphonie, Finnegans Wake, Palo Alto, Present, David Vincent, Eskalation and Triple Zero.Rock In Opposition, Progressive rock, chamber music, new musics or avant-garde... There's something for every taste and every age!
An ephemeral trio formed at the very beginning of the '80s, Fall of Saigon take a special place within French rock. A voice (Florence Berthon), an organ (Pascal Comelade) and a guitar (Thierry Den), supported by a foregrounded drumbox, suffice to maintain a minimalist and essential construction, full of class and inventiveness. More conventionally rocky than musics recorded by Comelade in those years, although subtly peculiar, the compositions show influences marked by the New York seal. Thus th…