Reissues
Bern · Melbourne · Milan
Killer! 300 copies packaged in a double gatefold ruby recycled cardboard sleeve with silver embossed text on front, including a 32-page booklet. Archival and live recordings from Australia’s premiere prepared acoustic improvising trio. Formed in 2002, Melbourne’s Pateras/Baxter/Brown toured heavily between 2004 and 2008, playing a regular residency at the Empress in North Fitzroy in between extensive European tours. They performed multiple concerts in classical, electronic, jazz, grindcore and a…
Collected Works Vol. II (2005-2018) 5CD Box
A 5-disc overview of exploratory works written between 2005 and 2018, including long-form ensemble pieces, idiosyncratic trio combinations and a collection of 10 solos investigating various po tential in teractions between instrument and tape. Anthony Pateras is an Australian composer, pianist and electronic musician whose current work focuses on electro-acoustic orchestration, temporal hallucination and sound phenomena. Pateras has created over 75 works, receiving performances from the Los Ange…
Here Come The Warm Jets
Temporary reduced price **Pressed on 180gm Vinyl, includes a Download Voucher** Eno's solo debut, Here Come the Warm Jets, is a spirited, experimental collection of unabashed pop songs on which Eno mostly reprises his Roxy Music role as "sound manipulator," taking the lead vocals but leaving much of the instrumental work to various studio cohorts (including ex-Roxy mates Phil Manzanera and Andy Mackay, plus Robert Fripp and others). Eno's compositions are quirky, whimsical, and catchy, his lyric…
Talking About The Weather
Talking About The Weather: Teacher and student. Past and present. Two drummers. Two men. Two fathers. Friends. A conversation. A dialogue of the drums. Following up on a drum/percussion duo Eric Thielemans and Billy Hart did in the Summer of 2016 at the Jazz Middelheim festival, these two drummers decided to dedicate time to continue and deepen their versatile dialogues on and around the drums. The meeting and recording of Talking About The Weather took place on January 7-9, 2018 at "Figure 8 Re…
Just Like a River
Edition of 400 copie, on marbled vinyl. Yannick Franck (Orphan Swords, RAUM) presents his new project: Mt Gemini. A deconstruction of ska, rocksteady, and skinhead reggae from the '50s, '60s, and '70s. Rather a passionate deconstruction of a genre than compositions or remixes per se, this incantatory tribute favors abstraction using loops, distortion, compression, variations of speed and height, and effects (delay, reverb, chorus). Recorded in different states of altered consciousness, Mt Gemini…
Presents: Music for Pussycats
These songs
literally constitute the soundtrack of my life, going back to age 16 or
perhaps earlier. It never ceases to amaze me that when I encounter
aficionados of girl pop, none of them have ever heard of singers like
Robbie Winston, Susan Rafey, Diane Ray, or most of the others on this
comp-all women who I feel have contributed works equal (if not superior)
to the best the genre has to offer. These singers, and the songs
they've recorded, have long occupied a special place in my heart…
Forti
May 1, 1979 – G.X. Jupitter-Larsen introduced The Haters by way of a performance called Alluring at a small gallery in New York City, where Jupitter-Larsen lived at the time. In that performance, “Jupitter-Larsen
smashed up several video cassettes by hitting them repeatedly with a
video camera. The fractured videos still radiated images. Not by
television, but by entropy.” Forty years later, The Haters remains active—the recurring emanation of Jupitter-Larsen’s
polymathic mind. The Haters is…
Afraid of Modern Living: World Imitation & Monitor, 1977-198
Available now is the authorized history of the obscure and influential Los Angeles art and music collective World Imitation Productions (WImP).
Emerging as creators of collaged and photocopied mail art and
publications in the late 1970s, World Imitation is perhaps best known in
its musical incarnation, the band Monitor, which was active
between 1978 and 1982, with live performances as well as two
self-produced 7" singles and one LP. (The LP was reissued by Superior
Viaduct in 2013.) Afraid…
1983-1988
**A true rare pearl of the Italian electronic scene, don't miss this one** Turin, late 1980s. The factory fumes of Italy’s militant industrial city are slowly giving way to a strange disenchantment. Marco Milanesio and Roberta Ongaro, who first as Novostj and then as DsorDNE were central to the city’s underground throughout the decade, take stock of the Zeitgeist in a collection tracing the arc of their early work. Released on HAX in a handful of handmade copies in 1988, the tape described itsel…
Opus Minor
Monster Mélodies presents an unpublished recording of Opus Minor, an underground Parisian group with undeniable musical qualities, who gave numerous concerts during its brief existence from 1970 to 1973 but never had the opportunity to publish its recordings. The record consists of an instrumental track, seven songs sung in French and three more songs in English, in which the band, beyond its influences, creates its own musical universe. In September 69, at the École Normale Supérieure of Cachan…
Satan
Monster Melodies present the legendary album Satan, an absolute must-have in terms of French progressive music, recorded in 1973 and never before released. In 1968, in Le Mans (a town in the west of France in Les pays de la Loire), some young students, planning to become teachers, started a band under the name The New Rainbow. Like many young musicians at the time, they enjoyed English blues and were fans of Pink Floyd, Soft Machine and Led Zeppelin. Quickly, they changed their name to Heaven Ro…
Unlimited
Naphta was born in 1978 but differently from the most of other bands from Bologna (in the same manner of Confusional Quartet) at that time, they came up with a very peculiar jazz-rock formula mixed up with elements from the almost "out of time" progressive genre. The result was unsettling; their music was mostly improvised with no apparent distinctions between rhythm section and soloists, in fact everybody in the group could have taken a solo at any time but in close relation with the others. Al…
The Cheerful Insanity Of...
2019 repress. Originally released in 1968, and selling less than 500 copies -- according to Robert Fripp's royalty statements -- The Cheerful Insanity of Giles, Giles, & Fripp is, of course, the pre-cursor to King Crimson. Drawing its influence from folk, pop, classical, and religious music, the album is a masterpiece on par with the greatest records that the British psychedelic and progressive movements had to offer. Reissued on LP by Cherry Red Phonograph.
Ile De Fievre
One of the most renowned French symphonic Rock bands of the 70's. Even if often compared to King Crimson, Shylock had their own distinctive personality. An intricate mixture of progressive complex structures and dark lyrical atmospheres. The band consisted of four virtuoso players: guitarist Frédéric l'Épée (later with Philarmonie), keyboardist Didier Lustig, bassist Serge Summa and drummer André Fisichella. Produced in 1978 Ile de fievre can be considered their absolute masterpiece.
A.K. Klosowski plays the Kassetteninstrument
Previously unreleased recordings out of the years 1982-84. Long before digital sampling was affordable for everyone, A.K.Klosowski invented his Kassetteninstrument, a custom-made music apparatus consisting of eight Sony-Walkmen combined with a mute/demute mechanism. The outputs of the instrument could be controlled both by hand and by an automatic trigger module. In addition, a drum computer and some effect machines were fed into the circuit. This technique allowed for very intuitive and simulta…
Speed Limit
A mid-'70s French all star band featuring saxophonist Yoch'ko Seffer and bassist Dod Dugrenot from Zao, drummer George Jinda (later with Special EFX) electric pianist Jean Louis Bucchi, guitarist Gerard Courbillion and percussionist Shiroc. A fine combination of Jazz and Rock elements including a hint of Magma. Oblique saxophone lines, angular electric piano chords and a catalogue of wild rhythms were the main ingredients of this often forgotten band from the most creative French music era.
Dogs' Ears Are Stupid
Mental Experience presents a reissue of Care Of The Cow's Dogs' Ears Are Stupid, originally released only on cassette in 1983. The album is a fascinating blend of psychedelic folk, minimal electronics and post-punk weirdness. Acid fuzz guitar, incredible vocal harmonies, drum machines, and analogue synths make it one of Chicago's best kept secrets, with a history that goes back to 1974. A trio formed by Victor Sanders, X Baczewska, and Sher Doruff, they had a very unique and eclectic sound, expe…
Spiralling
Mental Experience present an expanded reissue and the first ever vinyl reissue of The Momes' Spiralling, originally released in 1989 on the Woof label. Featuring Tim Hodgkinson (Henry Cow, The Work) on Hawaiian laptop noisy guitar and keyboards, Mick Hobbs (Family Fodder, The Work, Officer!) on bass, and Andy Wake (Unrest, Work & Play) on drums, The Momes were a unique power trio with an abrasive sound channeling post-punk, psych-prog, and avant-rock. Spiralling is their sole album, recorded at …
Slippery When Wet
Includes download card. Out-Sider present the first ever reissue Hasting's Street Opera's Slippery When Wet, a US private pressing from 1969 unknown until now. Underground, psychedelic, electric jazz-rock/improv sound with mellow folk-rock moves and homemade/basement atmosphere. Mostly instrumental with some cut-up vocal sounds and effects. A mix of self-penned songs and amazing cover versions of classics like "Summertime", "Scarborough Fair", or "A Taste Of Honey" turned into hip, extended jams…
Silicon Ear
Following his compelling comment on the modern-day culture of call centres, Disruptive Muzak -- awarded Album of the Year 2016 by Boomkat -- Sam Kidel turns his analytical artistry towards the ominous gatekeepers of online communication with a rave-inspired rebel spirit to match his scientific methodology. 'Chamber music meets free-party-scene warehouse-invasion' First exhibited at EBM(T) in Tokyo, 'Live @ Google Data Center' trespasses in Google's data center in Council Bluffs, Iowa to perform …