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** Edition of 300 ** War Extension announces the vinyl re-issue of Rok Y Roll by Vic Serf & The Villains, originally released by It's War Boys on cassette in 1982. Musicians on the album comprised Vic Serf (alias of Jim "Amos" Welton), Cathy Spermwrecker, Rita Chulo, and Larry O'Houlihan, along with guest appearances from Ron Dealo, Lepke B., and Sara Fancy. The recording is situated in a particularly fervent and inventive period of 1980s independent and experimental music-making, in which musi…
In 1994, Klaus Schulze was able to look back on a long, successful and highly influential career, but he was also able to embrace the new.He was in the midst of his 'digital phase', fascinated by sampling technology, and had a clear idea of where he could go with the technology, which resulted in albums like Beyond Recall; the Royal Festival Hall recordings; The Dome Event and even to an extent his opera Totentag.By contrast Peter Kuhlman a.k.a Pete Namlook had just started. In 1992 he had found…
In 1994, Klaus Schulze was able to look back on a long, successful and highly influential career, but he was also able to embrace the new.He was in the midst of his 'digital phase', fascinated by sampling technology, and had a clear idea of where he could go with the technology, which resulted in albums like Beyond Recall; the Royal Festival Hall recordings; The Dome Event and even to an extent his opera Totentag.By contrast Peter Kuhlman a.k.a Pete Namlook had just started. In 1992 he had found…
In 1994, Klaus Schulze was able to look back on a long, successful and highly influential career, but he was also able to embrace the new. He was in the midst of his 'digital phase', fascinated by sampling technology, and had a clear idea of where he could go with the technology, which resulted in albums like Beyond Recall; the Royal Festival Hall recordings; The Dome Event and even to an extent his opera Totentag.By contrast Peter Kuhlman a.k.a Pete Namlook had just started. In 1992 he had foun…
The true gods of the stoner underground music, the Melvins, released their album Stoner Witch in 1994. The album is one of their most successful releases and one where their musical capacities can be felt in the depth, powerful and experimental sounds. It melds the sound of their earlier records with some ambient and hardcore melodies. The monster anthem “Revolve” is a true masterpiece that breathes the southern rock and brings a handful of well-crafted riffs. Another epic track and one of the b…
Changes was the first solo-album of Peter Sjardin, made in the mid/late 70s "He played all instruments by himself: percussion, guitar and keyboard. The recording came from the late seventies, 1978 according to some sources. The title song is based on a Group 1850 song Verandering (change in Dutch) that had been composed in the late sixties, But doesn’t appear until 1975 on the Group 1850 album Live. Changes was never officially released and the reason for it has gone in the mist of time. Could i…
A little while back, with the release of German composer and musician Stephan Mathieu’s sprawling 12 CD box set, Radiance, we predictably touched on the overwhelming ambition of such a thing - especially being as good it was. It was hard to imagine we’d be hearing from him again so soon. But here he is before us, issuing another incredible body of work - 8 CDs in total, under the title Folio, on his own Schwebung imprint in an edition of 250. Our minds are bent. His ambitious heights never seem …
Along with Merzbow and Hijokaidan, Masonna is one of the best (known) Japanese noise projects. A psychedelic touch, cascades of electronic noise and vocal belching mixed together constitute the ingredients of Mademoiselle Anne Sanglante Ou Notre Nymphomanie Auréolé, the double-barrelled named for Masonna .Yamazaki “Maso” Takushi created Masonna in 1987 and he started recordings for his own legendary label Coquette . His plentiful productions were presented in a ultra limited edition, sometime to…
**Limited to 50 hand numbered copies** In 1994 the activity of the Slaughter Productions becomes more and more frantic, releasing countless tapes. In the same year, leaving four important works of Atrax Morgue on cassette, the first of which is “Collection In Formaldeide’’. The tape, limited to only thirty copies, is accompanied by a syringe needle attached with scotch, signifying that this music would be “an injection of death’’. All this is packaged in a transparent box for VHS, containing a p…
** numbered edition of 300 copies, deluxe wooden box** Marco Corbelli’s artistic journey began in the early 90’s. Under the pseudonym of Marco Rotula, he started to release a series of fanzines in A5 format. The first was “The pleasure agony”, followed by “Sick” and “Murders”. The aesthetics of these first fanzines were very sophisticated and the content deals with topics that will follow Marco Corbelli throughout his artistic career: sadism, schizophrenia, insanity, murder, psychosis, necrophil…
Transversales Disques announces the release of Bernard Parmegiani's Mémoire Magnétique, Vol. 1. Spanning 1966-1990, this is a revelatory collection of never-released commercial and secret music by electronic music pioneer Parmegiani. Since the late 50's, Bernard Parmegiani, a major figure of electroacoustic music and a founding member of GRM has created some sixty pieces. From the start, Parmegiani's work was closely linked to the screen, with dozens of documentaries, films, long features, anima…
Transversales Disques present Electrucs !, a new release of never-released music by Francois Bayle. On the occasion of the 60th anniversary of the GRM, composer Bayle introduces some of his unpublished archives; pieces include the title composition, "Electrucs !" (1974) composed on a 1970s Synthi AKS synthesizer like an imaginary soundtrack, "Foliphonie" (1974) inspired by La Grande Polyphonie (1978), and "Marpège" (1995), dedicated to Bernard Parmegiani. Also included is "Cinq Dessins En Rosace…
**Edition of 300** Henning Christiansen's handwritten score for 'Grundtone' [fundamental tone], opus 161 from 1984. Offset printed 1:1 reproduction in two colours. Format: A2 – 420 x 594 mm. Includes download code for Henning Christiansen's own recording of the piece. Released in collaboration with The Museum of Contemporary Art and The Henning Christiansen Archive.The piece 'Grundtone' [fundamental tone] (op. 161) is of central importance in the oeuvre of Henning Christiansen. It marks both his…
**300 copies on black vinyl** A one-hour performance presented in 1990 at the 8th Biennale of Sydney (The Readymade Boomerang: Certain Relations in 20th Century Art) where time is being scanned and animated by matter and where the genius of Henning Christiansen - with fellow artist Bjørn Nørgaard and Ken Unsworth, to whom this performance is dedicated - establish a deep dialogue with the nature (of sound) watching the time, stone on stone, being at the same time actors and audience of its epheme…
**250 copies on black, embossed lettering, 16 page booklet** Comprised of the poets bpNichol, Rafael Barreto-Rivera, Paul Dutton and Steve McCaffery, all of whom are notable for their solo efforts, The Four Horsemen was Canada’s first sound poetry group, active between 1970 and the late 80s - disbanding following the untimely death of founding member, Barrie Phillip Nichol. Nada Canadada, originally issued in 1972, the album reissued before us now, is their debut recorded outing, making its hist…
New edition pressed up on white vinyl in a run of 200 copies. Mono No Aware is the first compilation to be released on PAN, collating unreleased ambient tracks from both new and existing PAN artists. Featuring Jeff Witscher, Helm, TCF, Yves Tumor, M.E.S.H., Pan Daijing, HVAD, Kareem Lotfy, ADR, Mya Gomez, Sky H1, James K, Oli XL, Bill Kouligas, Flora Yin-Wong, Malibu, and AYYA, the compilation moves through more traditional notions of what is called "ambient", to incorporating wider variations t…
**2018 Re-Press. One of the standout albums of the year, available again on vinyl** The enigmatic Tennessee-raised, Turin-based Yves Tumor presents Serpent Music, a poignant album recorded between Miami, Leipzig, Los Angeles and Berlin over three years. Evolved from a diverse and prolific creative history under an expansive plethora of covert aliases via various forward-thinking labels, Yves Tumor emerges as his most personal and matured incarnation to date. With involvement across various artis…
***Expanded CD Edition - includes 5 extra tracks not featured on the vinyl edition of this album. 300 copies only. This is a special non-profit publication for historical, scientific and educational purposes** Not so long ago, Italy’s remarkable movement of musical minimalism remained almost entirely unknown. Stretching from the 1970’s through the late 80’s, it rarely sounded like anything else - taking a remarkable range of cultural influences and ideas into its midst - a body of creative hybri…
This LP features 12 tracks that Lightnin' Hopkins recorded Recorded in Houston, Texas in April 1954. Includes edgy electric guitars, jagged rhythms and a playful rhythm section. Comes in glorious American-style cardboard cover, each copy specially manufactured by hand."The session and two
bottles of gin were finished and Lightnin' just shuffled away counting
his money. We have not seen or heard from him since, but everytime the
phone rings we somehow hope we'll hear his voice sayin', 'Man, I …
* 2020 Stock * Widening their scope from recent grindcore on Nuclear War Now! Productions, Sissy Spacek's Blear explores a much more dynamic and spacious approach to sound--an entropic vortex of full-room tear-up texture. Duo lineup of Charlie Mumma and John Wiese, released in an edition of 300. The group's 8th release on Gilgongo Records.
"I completely loved this tape through and through. I haven’t heard enough of Sissy Spacek’s back catalog to comment if this is what they typically sound like…