Reissues
50th Erection I, Collected Works 1968 - 1971
CD version. Pekka Airaksinen is a legend of the European musical underground, and The Sperm was his first outfit. Active from 1967 to 1971, they challenged every possible norm society and the current musical climate had. Ungodly racket to some, psychedelic experience to others, The Sperm’s Shh! album and their EP 3rd Erection have become legendary collector’s items, far ahead of their time in terms of musical experimentation. Svart Records have joined forces with Pekka Airaksinen, whose archives…
Dart Drug
Percussionist Jamie Muir was a member of King Crimson during the recording of Larks’ Tongues In Aspic, in 1973. Staying less than a year with Robert Fripp, the Scot had already cut his teeth with another master guitarist, Derek Bailey, as part of the Music Improvisation Company, along with Evan Parker, Hugh Davies and Christine Jeffrey, whose eponymous 1970 album was one of the first releases on ECM. Muir and Bailey recorded Dart Drug eleven years later, in 1981.There’s no shortage of great perc…
1984/5 Il ladro di anime / Diario segreto
Daniel Bacalov is a composer of music for theater, cinema, and dance who has studied classical guitar and percussion. He composed the music of numerous theatrical performances represented in many international theatre festivals. His first two publications on Lp were Il Ladro Di Anime, presented at the Venice Biennial of 1984, and Diario Segreto. The label Soave proposes these two fundamental documents of the period reprinting them for the first time in a limited edition on double Lp.The composit…
Arctica
Pionneering production from the Düsseldorf mid 80s electronic underground world. Transferred for the first ever time from the original cassette to vinyl and CD. Konrad Kraft (Detlef Funder) is one of the still overlooked producers of Düsseldorfs fertile electronic music scene. Arctica was originally released on Cassette on Funder's imprint SDV Tonträger in 1987 in a handmade edition of about 50 copies only. Reduced to its essential musical elements, Arctica certainly contains some of the most un…
Dreaming In Colors
Emotional Rescue begins the first in a series of reissues looking at the music of guitarist Carl Weingarten and his Multiphase Records label, starting at his highly sought after collaborate album with Walter Whitney, Dreaming In Colors. With an early interest in photography and Super 8 film leading to a degree in cinema production, Weingarten’s other, self-taught, love was the slide guitar. Taking its blues roots and merging them with his visual arts background created a unique “painting in soun…
Terry Riley and Don Cherry Duo
**Last copies. Newly remastered from the original tapes for optimal sound. Limited edition of 500 copies** Another incredible treasure from the vaults of Cologne radio, recorded in February 22/23rd, 1975. Unreleased sessions, carefully remastered, in this duo improvisation Riley's organ intersections just define the geometry of the hyper-dimensional space where Don Cherry's outwordly trumpet lives. Mantric and evocative, we could go on and on listening to the very same track all day long, it cou…
Idiology
**Die cut cover, limited color edition** From their beginnings in 1992, Cologne native Jan St. Werner and Dusseldorfer Andi Toma have consistently challenged electronic music's paradigm in often surprising and always intriguing ways. Idiology is the duo's seventh album and is no exception to this rule, as Mouse on Mars surround themselves with strings, woodwinds, brass and the band's own heavily modified fleet of machines in the St. Martin's Tonstudio. Fans should once again brace themselves for…
African Bass, Solo Concert: Willisau Jazz Festival 1978
Lifeblood of the cultural diaspora of Apartheid, Dyani left South Africa with the Blue Notes in 1964. His amazing discography includes crucial collaborations with Don Cherry, Steve Lacy, Dollar Brand, the Brotherhood Of Breath and Derek Bailey.Here he is performing solo at a jazz festival in Switzerland in 1978, testing the compositions which would comprise his monumental LP African Bass, out two years later. Double bass, gongs, piano and singing. Knockabout, mystical roots — spell-binding and e…
Spontaneous 1971
Edition of 300 copies, newly remastered for optimal sound.The meeting of Masahiko Sato with Albert Mangelsdorff in a recording studio was planned in summer ‘71. Sato, Japan’s leading pianist, had recorded with Wolfgang Dauner, Attila Zoller, Jean-Luc Ponty, Gary Peacock and Charles Mingus. He wanted to play on a record with Albert Mangelsdorff and as both were invited for the Berlin Jazz Festival 1971 there was a good opportunity to record them there. This – first released as an original ENJA pr…
Aa Sschmmettrroossppecctivve
1000 pictures and documents from the work and life of Charlemagne Palestine explode from the pages of the book, superimposed in ‘strumming’ layers, weaving the historical & present, works & performance, private & public into a tightly knit sschmmettrroobookk. Texts by Michel Baudson and Xavier Garcia Bardón.In 1974, the Belgian cartoonist Hergé, a great admirer of American avant-garde art, and Karel Geirlandt, the new director of the Centre for Fine Arts, invited Charlemagne Palestine to perform…
Don't Look Back
For a label that wasn't around long, Strata East achieved the same sort of label recognition that Impulse! or Blue Note managed to build. In other words, you knew what you were getting when you bought a record on the label, even if you didn't know the names on the outside of the cover. "Don't Look Back" is an album led by American saxophonist Harold Vick recorded in 1974 and released in the wake of Harold Vick's recovery from a heart attack, which may partially explain the passion with which he …
Freedom of Speech
2017 release. Most of the musicians who gathered to record this fantastic spiritual jazz record for the Strata-East label on May 24th, 1974 had crossed each other's paths in various musical pairings over the preceding few years. Husband and wife team Dee Dee Bridgewater (vocals) and Cecil Bridgewater (trumpet) had been working together on albums like Frank Foster's "Loud Minority", and Roy Ayers' "Coffy" and "Virgo Red". Ten weeks before the "Freedom Of Speech" session, the couple had been joine…
A Spirit Speaks
One of the most unique albums on the Strata East label – and that's saying a heck of a lot, given the creative energies flowing through that legendary jazz outlet! Descendents Of Mike & Phoebe is a righteous little project put together by Spike Lee's father, Bill Lee, and his brothers and sisters (Cliff Lee, Grace Lee Mims, and Consuela Lee Moorhead) – working here in a group named after their slave ancestors, who are paid tribute in a beautifully flowing batch of tunes! Lee's round, warm bass t…
Kingdom Come
Edition of 500. Swordfish proudly continue its reissue programme of classic vintage Arthur Brown recordings with Kingdom Come. The self-titled second album is the last recording of the original ‘Galactic Zoo Dossier’ line-up and sees the band developing even further the elements of Prog and Psychedelia played on the first album and stretching out into an almost Zappa-esque orbit. It also features two of Arthur’s most poignant recordings in ‘Love is a Spirit that will Never Die’ and ‘The Whirlpoo…
Instant Music
Instant Music is the trio of Bernd Schöll (Bass, Vocals, Rhythm), Mike Hauer (Guitar, Synth, Percussion) and Marion Siekmann (Vocals) from Munich, Germany. They formed in 1980 after meeting through mutual friends attending the local art and graphic design school. The trio were dissatisfied with their surrounding musical environment. Inspired by the Velvet Underground, Kraftwerk, and Giorgio Moroder, they set out to create their own brand of Neue Deutsche Welle fusing Dada, disco and Krautrock.Ov…
A l'Abri Des Micro-Climats
Megaphone and Knock Em' Dead present a reissue of Guigou Chenevier and Sophie Jausserand's A l'Abri Des Micro-Climats, originally released on RecRec Music in 1984. Guigou Chenevier was the drummer of Etron Fou Leloublan, a band that was barely like any other. To describe them in words could only take a mind so far to the reality of what they were like -- Eccentric, absurd, whimsical, and distinct are words that come to mind. Every member was a big part of their distinction. Guigou played extreme…
Pink Flag
These are the definitive re-releases. Each album is presented as an 80-page hardback book -- the size of a 7-inch, but obviously much thicker. After a special introduction by Jon Savage, Graham Duff provides insight into each track. These texts include recording details, brand-new interviews with band members, and lyrics. The original album is presented on its own CD, accompanied by discs that feature relevant extra tracks: singles; B-sides; demos; and many previously unreleased songs. All audio…
154
Presented as an 80-page hardback book -- the size of a 7-inch, but obviously much thicker. 1979's 154 represented the final tableau in Wire's Harvest released '70s tripych and was the first Wire album to be released to a universal set of 5 star reviews from the British Rock Weeklies thus it represented the point when the British 'pop culture establishment' publicly recognised Wire's primacy. "154 makes 95 percent of the competition look feeble" wrote Nick Kent in the NME; "Wire are achieving a l…
Chairs Missing
Presented as an 80-page hardback book -- the size of a 7-inch, but obviously much thicker. If Pink Flag proposed an almost cut and paste approach to deconstructing rock history, the Wire's Chairs Missing proposed something more radical, a definite futurism with much less influence from its antecedents. Chairs Missingwas at once more stark and more lush than its predecessor and has exerted its own influence on the course of cultural history, having laid down one of the earliest (if not the earlie…
Eros In Arabia
This year has been an incredible period for avant-garde, Minimalist, New Age, ambient, and electronic reissues. One after another, many of the most coveted and rare LPs from these movements have emerged from the shadows. While each of these movements had a tendency to avoid easy categorization, the reissue market has largely veered toward those whose location can be easily understood, offering less attention to those members whose work fell into the spaces between. With their fourth release sinc…