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Recorded July 2nd and 3rd, 2017 by Øyvind Gundersen at Studio Paradiso, Oslo Mixed October 2017, by Andreas Werliin at Repeat Until Death, Stockholm Mastered by Lupo at Calyx mastering, Berlin Liner notes by Brian Morto. Mats Gustafsson (saxes), Ingebrigt Håker Flaten (b) and Paal Nilssen-Love (dr) have followed an interesting concept with The Thing. They take the power of blues and heavy rock and mix it with the freedom of improvised music using the riff as the foundation of their pieces.Mats G…
LP version. Live at Molde International Jazz Festival 2015. All music by James Blood Ulmer. Viking jazz band The Thing team up with one of the legendary men of jazz and blues. Guitarist and singer Ulmer combines (free) jazz, blues, funk, and rock -- always on the edge, melting it to some kind of free funk... In 1980, Ulmer recorded the genre milestone No Wave with John Zorn and Pharoah Sanders. Personnel: James Blood Ulmer - guitar; Mats Gustafsson - tenor and baritone saxophones; Ingebrigt H…
long out of print, few copies spotted of this late 70's dreamy folk album...Veronique Chalot was born in Normandy in the north of France, but it was in Paris that she first became interested in traditional French folk music. In 1974 she landed in Rome where she soon earned a small, but dedicated following. In 1979 she recorded her first studio effort, J'ai vu le loup, for the Italian Materiali Sonori label. Over the past 30+ years she has given hundreds of concerts, presenting her repertoire of …
“Fetén” brings together a selection of recordings made in Spain between 1961 and 1974. The tracks selected were originally released on records that have become impossible to find, and which, in most cases, have never been reissued. These are unique recordings spanning modal jazz, hard bop and even avant-garde jazz by Spanish musicians such as Mantequilla, Juan Carlos Calderón, Ricard Roda and Vlady Bas, as well as by international jazzmen like Dusko Goykovich, Lou Bennett and Tino Contreras. Th…
In the early sixties, "Mantequilla" had the chance to lead his own combo, Mantequilla y su conjunto, with which he was to record the three splendid EPs that are compiled on the present album. All these 7" have become elusive collector pieces in the record market, with sellers demanding from 200 to as much as 950 euros per copy. In 1961 "Mantequilla" was at his best moment, his gigs at the Jamboree Jazz Cava had brought him back to the first line of Barcelona's jazzmen after he had been working a…
This splendid catalan Jazz LP was originally released on Edigsa in 1968 and sees its first ever vinyl reissue here. Barcelona has always had a boiling jazz scene, and since the 1960s a strong focal point of the city jazzmen has been the Jamboree Club, in the centric Plaça Reial. The Jamboree was a regular point for al American artists doing the European jazz circuit, as it was for all European acts and, of course for the local talent. Among these, a young quartet formed by alto sax & flute playe…
**original warehouse find** In Course Of Time, his third LP was originally issued in Canada in 1982 and in France in 1983, although it contains works that he had began working in 1979. The material was originally shelved due to legal matters, although he continued to add some changes even after that. The Canadian edition came out in Les Disques Solaris, a recently created label that wanted to specialise in "cosmic" music. Zanov used the same equipment he had used on Moebius 256 301, albeit this …
Again under the influence of both first and second generation of Berlin school musicians the LP will appeal to fans of Klaus Schulze or Tangerine Dream, but they will also find a big deal of Zanov's own personal sound on it, since as the musician himself reckons he had little contact with other peers of his generation, so besides a general love for the electronic gear used and the sounds you could make out of them the creative ideas behind his works were all his own. On his second album a richer…
Under the alias of Zanov we find the works of French electronic pioneer Pierre Salkazanov, who had started playing guitar in the 1960s in a Shadows styled band, Les Ambassadors. Instrumental rock was not enough for Salkazanov, he was always looking for evolution, so when a meeting with French synth player Serge Ramses (of "Secret" fame) got him into the world of synthesizers he just dived deep into the bourgeoning world of electronic music. He got himself his first syths and started producing wo…
**Very last copies** Composer, musician, visual artist, and performer, Charlemagne Palestine is a legendary figure in the New York underground scene. At the piano or on his electronic oscillators, this outsider of skillful music experiments with the principles of resonance and repetition in a quest for the "golden sound": the ultimate harmonic vibration. Based in Brussels for 20 years now, his iconic work consisting of teddy bears, divinities, and other enchanting encounters is exhibited in Boza…
LP version. Dennis Young is best known as the percussionist of the New York band Liquid Liquid, which is known for their piece "Cavern" from 1983, which in turn became very well-known because Grandmaster Flash sampled it and used it as the basis for their hit "White Lines". But Young was more than just a member of the band, he produced plenty of his own music, much of it reflecting his passion for analog electronics. He was fascinated by the pioneers of the genre. In 2016 Bureau B released Wa…
Sote aims to devise an idealized fusion of the musical heritage and tradition of Iran with the forward-thinking vision which has propelled his storied career producing techno, hardcore, and computer music for labels like Warp, Ge-stell, Morphine, and Repitch. Now living in Tehran, his music has frequently grappled with the strict cultural restrictions imposed in his country over the past few decades, finding a space and setting to nurture new developments in experimental sound and perform…
Unofficial release. Few copies available. Terry Riley's incredible early tape manipulation works from the 1960s, “Bird of Paradise” and “You’re No Good. Incredible audio quality
Unofficial release. Few copies available. A collection of the best Alice Coltrane ashram tape recordings not included on the ‘Ecstatic Music’ comp, culled from all four original releases 1982-95 leaning heavily (as the Luaka record itself does) on 1987’s ‘Divine Songs. Incredible audio quality
**In Stock** Through a remarkable and singular body of work, over the course of the last decade, like storm beginning as whisper on the horizon, the composer and percussionist Sarah Hennies has slowly emerged as one of the definitive voices of her generation. Initially coming to focus as a member of Austin’s experimental music scene during the early 2000’s, before relocating to upstate New York, with a delicate, clattering grace, she has continuously offered vision, conceptual armature, crucial …
**warehouse find, still sealed original copies** Percussions De Barcelona is the only spanish formation devoted to perform contemporany percussion pieces (think Les Percussions D'Strasboug or other similar ensembles). Here they play three amazing pieces: Concert Equinoccial for percussion soloist, four percussions and magnetic tape, Tocatina for anissette bottles ensemble and Tinell for five percussionists distributed in space and quadraphonic magnetic tape. All tapes recorded at the Laborator…
**warehouse find, still sealed original copies**More early 80's action from the Hemisferio label, this time centered on contemporany percussion pieces. Secuencia I for percussion and magnetic tape, was comissioned by Josef Anton Riedl for the Munich Olympic Games (1972) and was originally previewed on that event by Michael Ranta. Cover is a painting by E.Fontecilla.
**Warehouse find, still sealed original copies 1987 edition** Gong action suported by catalan fussion percussionist Santi Arisa. Main attraction here is the percussions and electronics piece Secuencia I.
**warehouse find, still sealed original copies**Early 80’s issue on nice laminated cover from Lewin-Richter’s mid to late 70’s pieces, many of them written specially for sorprano Anna Ricci. From pure electronic sounds, to deeply treated vocal bits via tape collage and sound poetry. Covert artwork is a painting by Ernesto Fontecilla.Incorporating a wide range of source materials (aside from Ricci’s operatic & at times psychedelic splendor, we’re treated to the sounds of the baschet instruments…
**warehouse find, still sealed original copies**Early 80’s issue, also on nice laminated cover, focusing on two decades of Lewin-Richter’s electro-acustic compositions. From the Columbia-Princeton days of Estudio I & II to his own personal tribute to the Baschet brothers sound-sculptures (Baschetiada) via his 70's collaborations with painter Ernesto Fontecilla (Fontecilla Mix II). Cover by Ernesto Fontecilla.
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Born in 1937 in Miranda, Spain, Andrés Lewin-Richter studied engineering at Barcelon…