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Yet another 'out of time' band from the glorious golden season of Italian progressive rock, Il Baricentro - a name that does not coincidentally reveals the musicians' origins (Bari/center, Puglia) - were founded in the mid-'70s by brothers Francesco and Vanni Boccuzzi, out from the ashes of Festa Mobile.The debut "Sconcerto" saw the light in 1976: a beautiful instrumental jazz-rock LP, in which keyboards dominate over every other instrument. Despite the season of punk, new wave and disco music s…
Originally released on CD in 2003. The hour-long performance on this disc was captured live on October 5th, 2002 when Wobbly, People Like Us, and Matmos circled their wagons in the lecture hall of the San Francisco Art Institute. Having mutually agreed upon a country and western theme, Vicki Bennett (People Like Us), Jon Leidecker (Wobbly), and Drew Daniel and M. C. Schmidt (Matmos) pored over their archives of honky tonk classics, chopping and dicing Nashville's finest almost beyond recogniti…
Previously unreleased live and studio sessions from 1969/70. Transeuropean Jazz by Bruno Spoerri`s and Hans Kennel`s sextet and octet “Jazz Rock Experience” from Zurich. Deep brew of electrified Jazz-Funk, spiritual sounds, folk music from Eastern Europe and free improvisation. Original material plus vibrant versions of Leadbelly, James Brown and Eddie Harris, featuring a.o. Spoerri (el-ts and ss), Kennel (tp), Dave Lee (el-pi, clavinet and vibes), Raffael Waeber (g), Jonas Haefeli …
Mule Musiq present a reissue of Fumio Itabashi's Watarase, originally released in 1982. French-born English DJ, record label, owner, and music collector Gilles Peterson once called Watarase the best jazz record from Japan. Tokyo based Mule Music unearth Watabase, the second solo piano album of the Japanese jazz pianist Fumio Itabashi, remastered from the original recordings. While diving deep into the seven compositions on Watarese, any sensible listener finds out, that the instrumental piano pi…
Mule Musiq present the first vinyl reissue of Fumio Itabashi's Nature, originally released in 1979. The legendary Japanese jazz pianist's first solo record ever, Nature was recorded at Nippon Columbia's first studio in Tokyo from March 13-15 in the year of its release. It features Itabashi making feverish love with the piano and he shares the studio with the great bass players Hideaki Mochizuki and Koichi Yamazaki, drummers Kenichi Kameyama and Ryojiro Furusawa, soprano saxophonist Yoshio Oto…
Robbie Basho (1940-86), who died young after a stroke, never got his due in the culture at large, but steel-string guitar enthusiasts have known for decades that he was one of the greats of "American Primitivism". Technically adept and compositionally imaginative, fusing the music of many cultures into a mesmerizing solo style, he has been an inspiration for many; his music has generated a surge of interest in recent years. This 1982 concert was part of a four-show Italian tour. It took place at…
Robert Rental was the stage name of Robert Donnachie (1952–2000), a British pioneer of post-punk, DIY, and industrial music. Originally from Port Glasgow, Scotland, he moved to the south of England with Thomas Leer in the late 1970s where he met Glenn Michael Wallis. Glenn was recording music with the group Heute and leaving to start his solo projects NKVD and Konstruktivists. Both were heavily involved with Throbbing Gristle and the Industrial Records crew.
In the Summer of 1979, Robert invited…
It is with such pleasure that I introduce the first vinyl LP by composer/event-maker Charlie Morrow. Toot! Too culls performance recordings from 1970 to 2014. It focuses on his Wave Music series, which are compositions based around swarms of like-instruments; i.e. sixty clarinets, conch choruses, and an army of drums and bugle horns, etc. A personal favorite is the 1978 piece, “100 Musicians With Lights” which was performed at dusk in Central Park. One hundred players (brass, reeds, percussion…
Lullabies For Insomniacs presents ‘For Leena’, a collection of unreleased pieces composed between 1991 & 1998 by Dino J.A. Deane for the choreography of dance works by Colleen Mulvihill.Dino J. A. Deane began his professional career, at the age of nineteen, as a musical arranger and multi-instrumentalist (trombone, flutes, keyboards, percussion). He worked in funk bands around Los Angeles before moving to San Francisco in the mid 1970’s, where as an improvising artist he became involved in the d…
20120 Restock. The "Making the Third Ear" part of the title refers to the phenomenon that listeners experience when listening to Maryanne Amacher's compositions -- played at the right volume, sounds seem to emit from within the listener's head! Even though these works were written for installations in specific spaces, and not for recording, the "third ear" still happens (but not with headphones). The included pieces range from a rather comforting wash of tones ("Synaptic Island") to boggling, bl…
Lucky restock, totally sold-out at source **First-time vinyl reissue. Limited edition of 500 numbered copies on clear vinyl, one time pressing.** The inter-disciplinary maverick John Duncan emerged in 1970s Los Angeles as a confrontational performance artist and, as the decade progressed, aligned himself with the experimental-music collective Los Angeles Free Music Society. His sound art appeared on various self-released cassettes and alongside artists such as Jim Pomeroy and Yoshi Wada on the L…
Few copies back in stock, sold-out at source **First-time vinyl reissue. Limited edition of 500 numbered copies on clear vinyl, one time pressing.** Considered as the first piece of electronic music to accompany a ballet, Totentanz is the arrestingly abstract and mightily expressive result of Warner Jepson's experiments with tape and Don Buchla's groundbreaking synthesizer, the Buchla 100. Totentanz, originally self-released in 1972, reveals a composer relieved of convention.In the 1950s and 19…
Few copies back in stock, sold-out at source **First-time vinyl reissue. Limited edition of 500 numbered copies on clear vinyl, one time pressing.** New Zealand-born sound artist and composer Annea Lockwood received formal training at various institutions before exploring the sonorous potential of glass in a series of performances in the late 1960s. With plates of wired glass, glass discs, chunks of green cullet glass, glass tubing, sheets of micro-glass, glass jars and other incarnations of the…
Few copies back in stock, sold-out at source **First-time vinyl reissue. Limited edition of 500 numbered copies on clear vinyl, one time pressing.** Gnashing, thrashing and teeming with enchanting microtones – Machine Guitars is the definitive recorded work of Remko Scha, although the late Dutch artist didn't play a single note himself. Rather, Scha arranged a motorized, rotating wire brush and saber saw in front of suspended electric guitars and let these metallic torrents flow.Scha was a lingu…
Comes in digipak with an 8-page booklet and a sheet announcing this CD as part of the ZNR box to be released in 2018. Originally released in 1978. "The second and last release by this most exquisite and eccentric of groups, who hardly touched the world of working bands, and whose existence was tenuous, flickering, mythological -- and yet who managed, to find its way to legendary status -- rather like Marcel Duchamp's fountain, by leaving an indelible trace in recorded form of their verifiab…
Beverly Glenn-Copeland debut is a folky jazz record that stands out for Beverly’s sublime high vocals. The 11 tracks where recorded with an all-star band consisting of Dough Bush, Don Thompson, Terry Clark, Lenny Breau, Jeremy Steig and Doug Riley. The latter also produced the record. Years later he would release ‘Keyboard Fantasies (1986)’ which is a mixture of digital new age and early expirimental Detroit techno. It shows the versatility of his very underrated talent. About this new re…
White vinyl, 200 copies. Pekka Airaksinen is a legend of the European musical underground, and The Sperm was his first outfit. Active from 1967 to 1971, they challenged every possible norm society and the current musical climate had. Ungodly racket to some, psychedelic experience to others, The Sperm’s Shh! album and their EP 3rd Erection have become legendary collector’s items, far ahead of their time in terms of musical experimentation. Svart Records have joined forces with Pekka Airaksinen, w…
Restocked, reduced price. Silence present a five-LP box set featuring International Harvester titled Remains. The box contains their debut album from 1968 Sov Gott Rose-Marie and Hemåt from 1969, along with three full bonus albums with live material dating from 1967-1969. It also includes a poster, lots of pictures, and a long interview with member Thomas Tidholm made by Mats Eriksson Dunér. 180 gram black vinyl; Edition of 1000.International Harvester emanated from Pärson Sound and later became…
LP version. Bureau B present a reissue of Heldon's second album Allez-Teia, originally released on Disjuncta in 1975. Before making his own music in the early '70s, Richard Pinhas was a King Crimson fan. The British group has buzzed in Pinhas's mind for decades, but their greatest impact came early. When he first saw them play, Pinhas was struck by music played during intermission. "When I saw (King Crimson guitarist) Robert Fripp and Brian Eno perform in Paris later, I realized that the intermi…
LP version. Bureau B present a reissue of Tyndall's second album Traumland, originally released in 1981 on Sky Records. The electronic sonic inventors Tyndall pulled out all the stops for their second album. Armed with an impressive array of analog synthesizers, they unleashed the full force of their experimentalist ambitions, weaving synth pop, repetitive bass patterns, laminar sounds, and carefree melodies into a unique amalgam of the Düsseldorf and Berlin Schools. Traumland was released…