We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Japanese edition. 180 gram vinyl, comes with Ob A fantastic electric album from one of the most unique bassists of the 70s – Blow Up is one of the most sough-after titles from the acclaimed Three Blind Mice catalog. Isao Suzuki's Blow-Up is virtuosity and class all rolled up into one. A great combination of upbeat blues and mellow grooves! The album was awarded "Jazz of Japan" Award and the Jazz Disc Award of "Swing Journal" in 1973."This adventurous set finds Suzuki and his band mates (drumme…
*2024 stock* "One can only imagine what the reaction of the average jazz fan was in 1960 when this session was recorded. This is a wonderful document from early in Taylor's career, when he was midway between modernist approaches to standard material and his own radical experiments that would come to full fruition a few years hence... What's extra amazing is how deeply entrenched the blues feel and pulse are in this music, already bound for the further reaches of abstraction. They never left Tayl…
*2024 repress* WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve. Ich möchte ein Eisbär sein…Written by Martin Eicher after a nightmare in which he…
The compilation ‘Les Belgicains – Na Tango Ya Covadia 1964-1970’ (‘Les Belgicains’ during the time of Covadia 1964-1970) tells the remarkable story of the first Congolese student orchestras in Belgium. During that time Congolese referred to countrymen living in Belgium as ‘Les Belgicains’. The Congolese Rumba presented on this compilation blew a new, fresh wind through the musical landscape of Congolese popular music under the supervision of the legendary editor and producer Nikiforos Cavvadias …
The Rome based imprint, Villa Lontana Records, continues their incredible dedication to the work of Walter Maioli, with the first ever reissue of the seminal, experimental Italian composer, sound archeologist and musicologist's 1985 release, “Javakade 8485”, made with his long-time collaborator Fred Gales. A radical gesture of musique concrète that still feels groundbreaking and forward-thinking nearly 40 years after it first appeared, this stunner is issued for the first time on vinyl, as well …
Kluster was a short-lived project of three musicians/artists/performers: Dieter Moebius, Hans-Joachim Roedelius and Konrad ler. They recorded two albums with Conny Plank in 1970, unprecedented in their experimental radicalism. Chaotic, apocalyptic (noise) improvisations (a sound later termed industrial), enriched with recited lyrics in places. The trio split up not long afterwards. Exchanging the K for a C, Roedelius and Moebius continued as a duo under the name of Cluster, whilst Conrad Schnitz…
CD version. Bureau B present a reissue of Heldon's Un Rêve Sans Conséquence Spéciale, originally released in 1976. Heldon's Richard Pinhas has never been shy of pinpointing his influences while, at the same time, making music that is noticeably distinct from any of his designated sources. He has, for instance, made it clear that a significant font of inspiration was Robert Fripp's guitar style and melding of rock music with cutting-edge electronics (especially in collaboration with Brian Eno). I…
CD version. Bureau B present a reissue of Heldon's 6 - Interface, originally released in 1977. A brilliant moment occurs right at the end of Heldon's sixth album, Interface. The album's final song, its side-long title track, builds up slowly into a roaring tornado of fiercely mutating drum patterns, effervescent synth work, and guitar licks that wail into the atmosphere like an abandoned astronaut. Then, after nearly 19 minutes of highly futuristic avant-garde space rock, this ultramodern music …
Bureau B present a reissue of Heldon's debut album Electronique Guerilla, originally released on Disjuncta in 1974. In 1973, 22-year old Richard Pinhas was well on his way to becoming a full-time philosopher. He had almost finished his PhD and begun teaching at the University of Paris. But he also had a hobby: writing music and recording it himself. When he submitted a few tracks to British label E.G. (home of King Crimson and Roxy Music), the imprint was interested, but Pinhas was frustrate…
* 2CD. Includes audio download code.* Mute and Spoon Records present the next instalment of the curated Can live concert series, Live in Paris 1973—the first in the series to feature Damo Suzuki's vocals. The series was overseen by founding member Irmin Schmidt and producer/engineer René Tinner, who delicately worked on restoring the archival recordings to the best quality for current modern technology. This record captures the band’s 1973 performance in Paris and features Irmin Schmidt on keyb…
An A-Z guide to rare and collectable Krautrock records. 448 pages of essential Krautrock collecting data covering label numbers, current Mint values and additional information on virtually every well-known, less-known and totally obscure records. A total of more than 2.500 brilliant coloured pictures of original Kraut LP`s, Singles, Labels and memorabilia will give you an in-depth impression of this fascinating cosmos. The book comes in a firm hard-cover, fibre binding, and high-quality enamelle…
*300 copies limited edition* "40 years after six students from the prestigious university of Tübingen were latecomers to the German new wave (...), it is once again the turn for Familie Hesselbach, who have always been called "The German Talking Heads", something we could agree with, if we add to their sound the rhythm schemes of A Certain Ratio, the groovy bass of Bush Tetras, the skronky disco-esque of James White, and turns Byrne's voice to a more spastic and cons ice one. Berlin´s play loud!…
*200 copies limited edition* "What remains so remarkable about the band's album is that... the performances retain an energy, but also a naivety, that somehow evokes both the Jefferson Airplane and the Velvet Underground — often within the same song." —Shindig! Magazine
In 1968, the Plastic Cloud released one of the greatest underground psychedelic albums ever made: a swirl of gossamer vocals and Tolkien references swathed in the some of the most relentless fuzz guitar you will ever hear. It is …
Following on from the release of Jaroslav Kořán’s “Zahrada” and Richter Band’s “Smetana”, Infinite Expanse returns once more to the early 90s Czech alternative music scene with another set of transcendental acoustic new-age recordings. It comes in the form of “Bohemian Blue”, an album by a short-lived trio formed by Jaroslav Kořán in 1990 following his departure from Richter Band and tracing his next musical steps. At the same time, Jaroslav Kořán, a fiddlerophone and percussion player, left the…
Big Tip! CD digipack ‘Reet’ is a lost treasure of late 1960s folk/psych-folk. The only album she ever put to tape, with clear pure voice and guitar. luckily recorded by Andres Raudsepp in 1969. Reet will be loved in the same breath as Sibylle Baier, Vashti Bunyan, Molly Drake & Bridget st John. Reet Hendrikson deserves wider listening and we hope this reissue will help .
Reet Hendrikson was born in Estonia only months before the “great escape” into exile in 1944. Brought up and educated in Swed…
Selected cassette tape and vinyl artwork from experimental electronic music of the 1980s. Touching on industrial, noise, new wave, minimal, drone, sound art, ambient and more. A visual archive of the xerox scanned imagery, disorderly type and hand illustration used to present the decade's boundary-pushing music and abstract compositions.
Born out of a union of club bands on the burgeoning Austin bohemian scene and a pronounced taste for hallucinogens, the 13th Floor Elevators were formed in late 1965 when lyricist Tommy Hall asked a local singer named Roky Erickson to join up with his new rock outfit. Four years, three official albums, and countless acid trips later, it was over: the Elevators’ pioneering first run ended in a dizzying jumble of professional mismanagement, internal arguments, drug busts, and forced psychiatric im…
2024 Stock. Full title: "Caught in the dilemma of being made to choose" This makes the modesty which should never been closed off itself Continue to ask itself: "Ready or not?" The renowned trio of Keiji Haino, Jim O'Rourke, and Oren Ambarchi return to Black Truffle with their 11th release. Demonstrating once again their commitment to continual experimentation in instrumentation and approach, the record begins with a long-distance collaboration made in response to a commission from New York's Is…
An absolute gem from the vaults of '80s Ambient music and the Dutch underground, Dead Minds’ reissue of Enno Velthuys’ astounding 1984 album, "Glimpse of Light", is a crucial missing link, one of the greatest unheard albums of its era, and one of the most beautiful records any of us is likely to encounter all year.
* 200 copies, green vinyl. * About 10 years ago I tried to contact Dutch artist and scientist Felix Hess, when he was still alive, but never got a reply. Years later, in 2022, I was talking to Frans de Waard, who told me he was administering the sound archive of the late Hess together with Mark Poysden. Together we started working on an album to celebrate his life and many accomplishments. It includes selections from all the highly collectible Frogs releases from the 80's and 90's, while the art…