Reissues
Tapes
Hamburg’s Growing Bin go back to the roots of Trance, as in hypnotic electronic rhythms for dancing, with this Baldelli-favoured suite produced in Germany 1983-86. “If you’ve kept a keen ear to the underground, you may have noticed a trance revival creeping into the dance floors and darkrooms of late; a post ironic return to the 64 bar breakdowns and peak time key changes of your serotonin drenched youth. So what’s this then? Has Growing Bin gone from groundbreaker to copycat? Dig a little deepe…
Meta
Fascinating collection of Minimal Sound-Art / Musique Concrète works by the obscure Belgian artist Paul A.R. Timmermans, privately issued in 1983 - with the aid & additional insight of his neighbor & friend Badouin Oosterlynck - in a perfectly minimal edition: a lead slug embedded with the artist's name is clamped onto the top left of an otherwise blank LP sleeve, with only a text-insert in four languages either affixed or inside. Containing four pieces composed between 1980 & 1982 of a very pec…
Cordes-Ci, Cordes-Ça, La Discordatura
1972 split release on Pathé Marconi EMI by the GMEB - Groupe de musique expérimentale de Bourges - founders & wife-and-husband team of Françoise Barrière & Christian Clozier. This is the first issue of Barrière's work & only the second of Clozier's after the Perspectives Musicales "Lettre À Une Demoiselle / Dichotomie / Petite Suite / D'Une Multitude En Fête" split w/ Jacques Lejeune (Creel Pone #073). Barrière's three-part "Cordes-Ci, Cordes-Ça" coats the A-side, electronically warping her Harp…
Abattage
Recorded in 1981 & issued “privately” in 1983 (on Jean Marc Foussat’s own Pyjama imprint) this is a screamer of a record, taking in a decidedly unique approach to minimal musique concrète assemblage (there’s an emphasis on presenting banal, interstitial in-situ sound-events [coughs, footsteps] that reminds of Luc Ferrari one minute ... before a sudden barrage of jackhammer-noise, plunderphonic mangling [is that ... Barbra Streisand !?!], and high-end oscillator scree takes over pushing this clos…
7 Trumps from the Tarot Cards
Yet another follow-up; actually in this case a precursor to a prior Creel Pone, Ruth White’s “7 Trumps from the Tarot Cards • Pinions” (LS 86066) - originally released just eight notches before her “Flowers of Evil” (LS 86058) in the discography of the now-legendary Mercury Limelight series - in between, Pierre Henry’s “Mass for Today • The Green Queen” (LS 86065), the Percussion of Strasborg’s “Signals” (LS 86064) , Fifty Foot Hose’s “Cauldron” (LS 86062), “Response: Electronic Music from Norwa…
The Pulses of Time
Creel Pone of a 1981 LP privately released by the University of East Anglia containing three sparse Musique Concrète pieces composed between 1974 and 1979 at the GRM and UEA studios by New Zealand born/bred composer Denis Smalley. Widely considered to be one the classics of early British electro-acoustic music - alongside Trevor Wishart’s “Journey Into Space” & “Red Bird”, Desmond Leslie’s “Music of the Future”, and Basil Kirchin’s “Worlds Within Worlds”), the three pieces on “Pulses” each wor…
Pythagoron Inc.
Reproduction of a rather odd, late 70s upstate New York “Electronic Music for Healing” lineage LP, credited only to the corporation "Pythagoron Inc. 1977;” about whom we know very little - and maybe it’s best it stays that way. Explaining the music enclosed - encased within, really, without resorting to euphemism is rather hard to do here; so I’ll just give you a rundown of what I hear:The A-side starts out with a surge of White Noise, then suddenly out of nowhere an out of time Echoplexed Dru…
Oeldorf 8
Issued by the Dutch "Nea Mousa Promotion Centre for Contemporary Music", the initial 1976 issue of this music documents the 8th meeting of "The Oeldorf Group" of Composer-Performers Pëter Eótvös (whose "Cricket Music" graces Creelpolation 1), Joachim Krist, Dietrich Frische, Gabriele Schumacher, and Mesias Maiguashca, who met annually at the barn pictured on the cover to workshop & perform each other's pieces from 1971 on. The two-part "Oeldorf 8" suite, composed in 1975, is a thing of wonder; f…
Suomalaista Elektroakustista Musiikkia
Reproduction of this superb 1978 pressing, realized at the Finnivox-studio & issued on their in-house Fennica Nova imprint, covering early- to late-70s work by a coterie of composers working largely in & around various public & private studios in Helsinki, including Yleisradion Kokeilustudio (Finnish Radio's Experimental Studio), Helsingin Yliopiston Musiikkitieteen Laitoksen Studio (The Electronic Music Studio at Helsinki University Music Department), Osmo Lindeman Kotistudio (Osmo Lindeman's p…
Musica Contemporanea Puertorriqueña
A quartet of beguiling Electronic & Tape Music figures from Puerto Rican composer Rafael Aponte Ledée, one of few operating there during the "Golden Era", consisting of pieces completed in the island's first Electro-Acoustic studio between 1974 & 1978. Starting with the ring-modulated & spring reverb-laden "Elvira Gimenez (O Al Otro Lado De Tica...)" things get off to a great start, getting into the same junkyard-sphere as Xenakis' "Bohor" in in its aggregate form of clockwork-innards & shifti…
Aniseikonia, Zeitsplitter, 4 Etüden
Warped, asynchronous, mid-80s FM Synthesis assemblages, captured at the absolute cusp of the Analogue-Digital transition, from Czech-Swiss Composer Jan Beran. Ages dormant on the Creel Pone shortlist, endlessly vetoed by yours truly for breaking the cardinal rules of comprising a total sum of post-1984 activity (pending a rewrite of the foil-stamp copy) and, specifically, explicitly incorporating the "Devil's Xylophone" amongst its tonal palette. But ah, the times, the times. After a few caref…
Novecento
With his score to Bernardo Bertolucci's 1976 historical epic Novecento, Ennio Morricone delivered one of the richest efforts of his legendary career. A sweeping and impressively variegated work, it manages to capture the period detail required to complement Bertoluccio's onscreen narrative, yet boasts a timelessness that's the hallmark of all the composer's masterpieces. Morricone's mastery of mood and texture reaches new zeniths here. Novecento communicates a vast emotional palette that extends…
La Terrificante Notte Del Demonio
**ltd 100 on Red vinyl** Demonic sounds, but surprisingly sweet as well – done with this easy-flowing style that's really wonderful – and much more similar to the seductive sound library work of Alessandro Alessandroni, than to some of the starker, darker horror of the time! There's definitely some spooky passages, but they're almost always warmed up in really nice ways – both with keyboards, and with these wordless vocals from the lovely Giulia De Mutiis, who drifts through the record like some…
Ecologia Del Delitto
**ltd 100 on Red vinyl** One of the coolest 70s soundtracks from the great Stelvio Cipriani – served up here with a huge amount of bonus tracks too! The music here was scored for a Mario Bava horror film, but it often has a quality that's more lean and lovely overall – that current of sex that we always love in Ciprani's best work, and which made him a key force for transforming the Italian bossa and jazz soundtrack style of the 60s into something completely new for the 70s! There's a lo…
Le paradis blanc
**193 unreleased before recordings** Le Paradis Blanc was recorded in 1983, it is also the music of the movie titled Le Paradis Blanc and directed by Etant Donnés the same year. The film and music were part of a three days installation and performance of Etant Donnés in the ELAC (Espace Lyonnais d’Art Contemporain) at the Fifth Symposium of Art Performance in Lyon in 1983 : one day for the construction of the installation, one day with a performance and one day for the destruction. The film…
Stitching in Process: Windmixed Data
**In process of restock** "Pentiments continues its collaboration with the legendarily enigmatic American sound art pioneer Leif Brush, this time with an extensive double LP release representing the most comprehensive collection of his recorded work to date. In plumbing the depths of his archives, weve unearthed and gathered a great breadth of his decades-long sonic research, spanning from his early work as a grad student to various lecture documents from his eventual tenure at UMD, with many cu…
The Lost Arkestra Series Vol 1 & 2
A double 10" set featuring Sun Ra recordings. Initially released on two separate 10"s back in 2010/13. Volume 1 features "Along Came Ra", a previously unissued live track recorded in Paris in 1983. The legendary Disco 3000 concert tapes are on the flip. Volume 2 lifts three fine selections from the Sub-Underground Saturn LPs. "Love Is For Always" and the driving, roots-y "The World Of Africa" come from 1974's Temple U; while the myth-science poetics of "Space Is The Place/We Roam The Cosmos" com…
Electronic Music in Canada, vol.1 & 2
Epic, double-disc edition covering three LPs of formative Electronic Music from Canada; both volumes of the Melbourne-label "Electronic Music By Canadian Composers" series - presenting both cover-variations of each in a metallized variant of the de facto Creel Pone "grid" - then the internal Radio Canada pressing of "Music Canada Vol XIII Electronic Music in Canada." Starting with an amazing, side-length piece by "Sky-Sails" co-author Ann Southam (more about her later in the series) & continuing…
Reidarin Sähköiset Kuvat, Ode To Marilyn
A pair of mid-70s Finnish Experimental Electro-Acoustic gems featuring "Suomalaista Elektroakustista Musiikkia" 's Antero Honkanen, masquerading as 1). a picturesque "Music To Accompany Paintings" affair and 2). a straight-ahead jazz-fusion session. The first disc here covers "Reidarin Sähköiset Kuvat," a wonderful set dovetailing pieces by Honaken & Åke Andersson, composed after paintings by Reidar Särestöniemi at the Experimental Studio of Yleisradio. With a production style owing to the forma…
Ramasses-Miettes, Nouveaux Modes Industriels
Long on the Creel Pone radar has been this pair of LPs by French bandleader Philippe Doray, recorded in conjunction with the aid of his five "Asociaux Associés" & issued in 1977 & 1980, respectively, via Jean-Marc Patrat & José Serré's Gratte-Ciel & Invisible, the house-label of the inimitable Jacques Pasquier's Société Coopérative d'Ouvriers-Producteurs Artistiques. Centered around Doray's Synthi VCS3 playing & sprech-stimme vocal stylings, the selections here run the gamut from puerile, absurd…