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** Recent repress. Comes in embossed sleeve with printed inner sleeve, pressed on heavyweight vinyl. Includes code for free mp3 download of this album** An uneasy truce had been thrashed out by the warring factions of Can by the time they came to record 'Future Days' in 1972, yet it is the underlying musical tension that makes this album such a thrilling part of their cannon... With Damo Suzuki's ethereal vocals continuously juxtaposed by Michael Karoli's fraught guitars and Holger Czulkay's inv…
The second of Can's three Virgin albums, 1976's Flow Motion, is a divisive record in the group's canon. It was their most commercially successful album (the opening track, "I Want More," was released as a single in the U.K. and actually charted, thanks to its smoothly percolating near-disco groove, which makes it resemble a late-period Roxy Music hit), but many fans dismiss it as the group's feint toward commercial success. That fluke hit aside, the charge doesn't really hold water. There's a ne…
1977's Saw Delight is the German progressive group's farewell. Percussionist Reebop Kwaku Baah and bassist Rosko Gee from a late-era lineup of Traffic to add a sort of Afro-Cuban jazz feel to their sound. Similarly, Rosko Gee's handling of the bass duties (which he performs superbly throughout, adding an almost Mingus-like rhythmic intensity to even the loosest songs) frees Holger Czukay to add electronics and sound effects to the proceedings. The opening "Don't Say No" recalls the controlled fu…
All but unknown to most but the most hardcore Can fanatics, 1978's Out of Reach is one of the group's rarest albums. This is due in large part to the fact that bassist Holger Czukay left the band before the recording sessions, and drummer Jaki Liebezeit has a greatly reduced role, leaving most of the rhythm duties to percussionist-come-lately Reebop Kwaku Baah. As on the group's proper swan song, 1977's Saw Delight, new bassist Rosko Gee largely leads the group, and his jazz-inflected playing is…
Mute brought back more Can than any krautrock fan could possibly handle with the 'Can Vinyl Box', which featured seventeen Can records reissued in one bundle; now each record is stepping out on its own. The self-titled 'Can' is the band's eleventh record, released in 1978 and unfamiliar to most. Like 'Out of Reach', little of the music, if any at all, is attributed to the band's founding member Holger Czukay, who stepped back in the writing and composing department. It would be Can’s last album …
'Rite Time’ was originally released in 1986 and has been evaluated as one of the classic Can albums. "An unexpected reunion from Can (made even more unexpected by the presence of original singer Malcolm Mooney, who left the band in 1969), 1989's Rite Time is in large part a return to form for the group, especially when one considers how weak Can's last few '70s albums were. Wisely, the quintet doesn't try to replicate the sound they created over two decades before on albums like Monster Movie. I…
This unique document is the first time Can's singles have been presented together and shows the breadth of their influential career, from well loved tracks like Halleluwah, Vitamin C and I Want More to more obscure singles such as Silent Night and Turtles Have Short Legs. "Turtles Have Short Legs," was the band's third single released in 1971 and never appeared on a studio album. This was recorded around the time of the Tago Mago sessions with the line up of Holger Czukay, Michael Karoli, J…
Spittle Records present a reissue of Tasaday's second album L'Animale Profondo, originally released by T.A.C.'s Azteco Records in 1986. Here, the sound is, if possible, even more primal and direct than its predecessor; without compromises. Improvisation takes over... free and uncontrollable sounds that tell of an ensemble that was years ahead in European experimental music. Echoes of Einstürzende Neubauten but also of Throbbing Gristle... and beyond, in a deep, almost free jazz universe. Post-in…
In 1985, Andrea Azzali and Simon Balestrazzi remained the only members of Tomografia Assiale Computerizzata (T.A.C.). They decided to reconfigure their work around tape manipulation. The two were recording in a studio in Florence and in an intense week, they realized Symphonie Industrielle. With the emergence of this new formation, however, T.A.C. dedicated itself to new projects and live performances, and the album was actually abandoned. Miraculously, the tapes have been recovered, and the res…
Goodfellas present Buy Or Die! Ralph Records Artworks 1972-2015, the first ever book of its kind on the history of the artwork of The Residents and their label Ralph Records. The life of Ralph Records and The Residents has always been cloaked in obscure mysteries, woven by the anonymous Cryptic Corporation, around which many luminaries have revolved; painters, graphic artists, cartoonists, musicians, film-makers, and writers. All have been channeled together by a powerful creative synergy that h…
Over the past decade or so, there has been a strange, idiosyncratic bubbling from New York - sonic adventures emerging under the banner of Rvng. The imprint was founded quietly during the mid 2000’s, gathering ever increasing note and renown, while never allowing themselves to be easily defined. Genre and association mean little, in the face of the guiding light of discovery, integrity, and surprise. A short while back, we caught wind of a new sub-label, emerging under the banner of RVNG - Fre…
Metqāl Quenāwī, born in 1929 (Luxor, Egypt), also known as Met'qal, Metaqal Kinawi Metaqal, Metaqal Rebab Ensemble, Metkaal Kenawe or Awlad Metqāl, developed an intense artistic career based on rescuing folk traditions from southern Egypt. Recovering the traditions of the Said, the southern region around Luxor, Qena, and Asyut, Metqāl was brought up on the customs of the Fellahin (agricultural laborers who passed on the age-old traditions of Egypt), which were disseminated across the nation by t…
Exact repro reissue of this 1972 album from the "demolisher of classification and master of introspective musical self-expression." Consistently dope from start to finish, but the highlight is the opener, album version of "Dancing Girl," hotly-tipped by Slow To Speak. Terry Callier's What Color Is Love (1973) should belong in anyone's record collection. This record was produced by Charles Stepney, whose work with Cadet / Chess records, Rotary Connection and Earth, Wind & Fire earned him popular …
Exact repro reissue of this Middle Eastern/jazz fusion LP, originally released by RCA in 1959. The late Ahmed Abdul-Malik was best known to jazz listeners as a bassist with Thelonious Monk, Randy Weston, Coleman Hawkins, and many others. He made a few records as a leader, with this one being his most exotic and also the hardest to find. The Brooklyn native was of Sudanese descent; in addition to playing bass on this interesting blend of Middle Eastern instruments with those from the world of jaz…
**2019 stock, reduced price** Big Jim Sullivan was a well-known session musician in his time and was asked by many bands including The Who, The Rolling Stones, The Animals, Lulu, The Kinks to name just a few. Going to a music school must have been a novel idea as Big Jim had been playing guitar on sessions since 1957, resulting in his presence on more UK hits than anyone else. He studied with a famous Indian sitar player who gave Jim the necessary insight to be a creditable player. The result wa…
Searing samba soul from Jorge Ben – one of his best-remembered albums of the 70s, and for good reason too! The album's got a slightly fuller feel than some of Ben's other work of the time – never slick, but with backings balanced nicely against his own raspy vocals and acoustic guitar – sweetening things up with a bit of the strings you'd find on Forca Bruta, but with a hint of the soul to come on Africa Brasil! The balance is great – thanks to arrangers Osmar Milito, Darcy De Paulo, and Hugo Be…
Formed in 1971, Nass El Ghiwane's five members first performed in the avant-garde of Morocco's underground theater scene. Following their debut performance as a band in Rabat at Tayeb Seddiki's Mohammed V Theatre, their songs became the 1970s anthems of Moroccan youth -- nationalist, rebellious, experimental, and bygone all at once. They are Morocco's most enduring musical legacy. They modernized the way music was transmitted to the disenchanted and rebellious youth of their country. Their conce…
...Ethnic Music Classics: 1925-48. Restocked. Outernational Records is pleased to announce the fourth volume of this legendary series, now available on vinyl. This series of archival 78 transfers was originally released in 1995 on CD only. This volume from Central Asia has to be one of the most revelatory volumes yet presented. Concentrating on a singular geographic region, this volume unearths some of the rarest recorded artifacts of music from the Central Asian countries of Mongolia, Uzbekista…
...Ethnic Music Classics: 1925-48. Restocked. Outernational Records is pleased to announce the third volume of this legendary series is now available on the vinyl format. This series of archival 78 transfers was originally released in 1995 on CD only. Now for the first time on vinyl, a deluxe gatefold presentation and limited edition pressing. Reissue produced by Hisham Mayet (Sublime Frequencies) in conjunction with Yazoo Records. Compiled here are many of the greatest performances of world and…
2015 repress. ...Ethnic Music Classics: 1925-48. This series of archival 78 transfers was originally released in 1995 on CD only. Now for the first time on vinyl, a deluxe gatefold presentation and limited edition pressing. Reissue produced by Hisham Mayet (Sublime Frequencies) in conjunction with Yazoo Records. Compiled here are many of the greatest performances of world and ethnic music ever recorded. This volume represents a trip around the world, stopping at each port to sample one of that c…