Reissues
Space Songs
The first ever vinyl reissue of an extraordinarily-unique space-age educational LP. Includes the oft-covered “A Shooting Star Is Not A Star” and “Why Does The Sun Shine?” Featuring Leo Leonni cover art and taken from the original atomic-era 1959 master tapes. Written by Hy Zaret and sung by Tom Glazer & Dottie Evans. Zaret (co-author of “Unchained Melody”) turned his attention to educational children’s music in the late 1950s, collaborating with Lou Singer on a six-album series called “Ballads f…
Elektronski Studio Radio Beograda
1975 collection, the first to offer pieces from the Serbian electronic music studio “Elektronski Studio Radio Beograda,” with work from Paul Pignon (his “Hardware Performance” trilogy, split across two sides - supreme, distant analogian bleep of the highest order), Vladan Radovanovic (high-spec mutating bell-klang orbits & chopped-up ghost-vocal rituals), Natko Devcic (aleatoric clusterings of scattered stereo-field bleep), and Josip Kalcic (dark, filtered-out buzz, culminating into a dense bed …
Electronic Music, University of Melbourne
Remarkably consistent collection of pieces composed / executed between 1973 and 1979 by students at the University of Melbourne on the megabeast of modulars: the EMS Synthi 100 - now residing, unplugged and finally at peace, at the Percy Grainger museum. Why is the Synthi 100 so impressive? Simply put, volume; I can only imagine the amount of headaches and brain-stem rot that went on went on whilst Uni students tried to get their heads around the twin patch-matrices.The 6 composers on this disc …
Electronic Music, Experimental Studios In Prague, Bratislava, Mu
Welcome back everyone! Hope you enjoyed those few weeks off from the natural Creel Pone "Cycle." We continue, as promised by Mr. P.C. C.P., "Unabated throughout the end of the summer." First up, "Electronic Music - Experimental Studios in Prague, Bratislava, Munich, University of Illinois, Warsaw, Paris" - this is just a great compilation, assembled by one Vladimir Lébl and released on the Czech Supraphon label in 1968 - on glorious, crackly Eastern-European wafer-thin vinyl no less - featuring …
Electronic Music by Caron, Perron, and Dawson
Reproduction of this 1981 collection, issued by McGill University (making it the other covetable French-Canadian collegiate-issue Electro-Acoustic side ... along with the Bengt Hambraeus “Concrète & Synthesizer Music” set) covering the work of three Québécois composers :: Claude Caron, Serge Perron, and Ted Dawson.Caron’s side-length “Japa” is a gorgeous (extended) stretch of post-Philip Glass modal fury, replete with churning arpeggiated analogue synths & a nice, light, wafting tonality. On the…
Musiques Électroacoustiques
Creel Pone treatment of two issues of Chilean Composer Edgardo N. Canton’s Early Electro-Acoustic music, entirely composed & executed during a residency at the GRM that started in 1959 & ended in 1965 - although he stayed on as an adjunct composer until 1973 - inlcuding a hen’s-teeth rare 1984 Moshe-Naim label collection, then two variants of his score to Serge Roullet's film of Sartre's "Le Mur" on Disques Ades.As the central & southern-american territories have been fairly under-documented - a…
Still Life in Concrete
After a fruitful think-tank session (during which a selection of the european faction of the C.P. cognoscenti met in one of Berlin’s seedier bars to brainstorm new “candidates” for inclusion in the series, now in its 8th year) a couple of great titles were unearthed, the first of which is this fine outing, originally issued by the Columbia, MO -based Garuda label in the mid-80s consisting of a selection of “Imaginary Electroacoustics” by the composer Ed Herrmann, primarily composed utilizing the…
Avant Garde
Trucking right along, here’s the 1974 second entrant from British library Studio G’s “Avant Garde” series, featuring a trilogy of pieces composed by none other than “Acezantez” head Dubravko Detoni - only his second LP release following the storied “Graphie I.II.III / Phonomorphia 1.2.3” LP for Philips’ Prospective 21e Siècle series from a few short years prior.Laid out with familiar Library-lexicon panache - the three pieces are described as “Acoustics for Piano Effects and Cello,” “Piano Effec…
Neu Konservatiw
The official release of the semi-official, legendary 1000 only vinyl from 1985, now a highly sought-after collectors piece. This album finds LAIBACH at their most powerful, orchestral and anthemic! Cold Spring released the CD version (2003, repressed 2006) and are now proud to release this gem on a stunning picture disc with new artwork, based on the traditional German ehrenscheibe style.
Ltd x 1000 copies on full colour picture disc.
Entropical Paradise
Hope you all had a fine summer off. As something of an “Autumn Welcome” here’s a treat - Mr. P.C. C.P.’s reproduction of Douglas Leedy’s groundbreaking 1972 Seraphim-label triple-LP boxed set “Entropical Paradise” - in my mind, the lodestone of all Moogsplotation LPs in that it consists solely of side-length pieces not played by human hands on keyboards - or in fact any other gestural, real-time interface - but in fact produced “Automatically” using Control Voltages assigned to the various funct…
Herbstpathetique, Bildnis
Issued by the mythical “Musikalische Jugend Österreichs” (the same who bestowed Anestis Logothetis’ “Hör!-Spiel / Nekrologlog 1961 / Fantasmata 1960” LP onto a confused, irradiated public a few years later) in 1972, this, frankly, batshit outing of Sound-Poetry lineage vocal gymnastics (courtesy of the composer’s wife - noted actress Gunda König) & analogue blat ℅ Dieter Kaufmann hits an ardent stride during the A-side’s Rilke adaptation before launching into the stratosphere via the B-side’s ex…
April Orchestra Vol.5
Impeccable short-stab collection of bizarrely prescient rhythmic synthesizer metallics from Amedeo “Di Jarrell” Tommasi (rumor has it that Di Jarrell is his wife’s maiden) - an Italian jazz pianist that, from the mid-70s on, dabbled in crushing analogue devastation(s) and assorted proto-industrial moves across a series of libraries for Cenacolo, Orly, Costanza, and CBS Disques France’s “April Orchestra” series.Each side here presents three more “lyrical” numbers (still quite well produced & arra…
Musique Numérique
Creel Pone treatment of this Private-Press LP of late-70s spectral computer music by Daniel Arfib. Aside from Conrad Cummings’ review of the LP in the fall 1981 issue of Computer Music Journal, I’ve seen nary a mention of Mssr. Arfib’s early Digital Synthesis work, which seems something of a glaring omission in the historical annals given the particularly misted nature of these pieces, often utilizing an upgraded spec of Stockhausen’s rhythm-to-pitch methodologies & sharing something in common w…
Aphorisms Insane, 00 Time
A pair of albums at the absolute extreme edge of what can rightfully be considered "Berlin School" Electronic Music music, conjured by the core duo of Walter Heinisch & Karl Kronfeld - with Gerhard Lisy participating only in the former - released in 1980 & 1984, respectively, on (oddly) CBS Austria, and the pair's own Synoptik imprint.
Coming from an aesthetic waypoint far closer to Seeselberg's "Synthetik-1" than anything from the cosmos-gazing Schülze / TD canon, the (burnt) offerings herein, …
Creelpolation 1
To celebrate the 50th Creel Pone release - damn; that blew right by us, didn't it?! - Mr. P.C. C.P. has prepared for us this extremely attractive & quite special triple-disc compilation, which reproduces scads of early-electronic seven inch single records (Disc 1), individual pieces from otherwise non-Creel-Pone worthy LP records (Disc 2), and full LP sides (Disc 3).Looking at the tracklisting, it's clear that someone has done his homework - inside we get obscure pieces by Michael Adamis, André …
Luna Cinese
Creel Pone rendition of this elusive 1975 Cramps Nova Musicha series (N.7) LP by the Romanian Composer Costin Miereanu, “put on the map” (so to speak) by its inclusion in the infamous Nurse With Wound list. I've always found it baffling that; of all of the Cramps titles reissued and re-reissued over the past few years, this piece, considered by many followers of the “Dark Side-long Aleatoric Electro-Acoustic Collage” aesthetic - see Dub Taylor, Luis De Pablo, Jean Claude Eloy, et.al - to be one …
The Complete Badger Recordings
OK, this one takes a little bit of explaining - on the surface, yes, another set of Moogsploitation joints, but closer in fact to the Holy Grail of said. Released in 1972 & 1975, this pair of obscure, self-released LPs issues some of the first “Pop” music ever made on the Moog Synthesizer by one of the first people to own a system - famously, choreographer Alwin Nikolais got the first off the line, but library music composer Eric Siday & the subject here were among Moog’s initial customers - Jaz…
Reflecting On The First Watch ...
Once again, leave it to Mr. P.C. C.P. to unearth yet another recording that not only haven’t I heard; I hadn’t even heard of it until the faithful Thursday afternoon box from Reykjavik. Originally released in 1978 on the Northfield, Vermont based Green Mountain records, “Cellutron & the Invisible” is (apparently) the brain-child of one Robert S. Greely. I’ve tried my usual sources for more information, but all i get are dead links and references to the LP itself.In my mind, this is right up ther…
Les Sons Électroniques
Creel Pone here returning from a two-month hiatus with this superb collection of minimal bleepery from noted library music composer Cecil Leuter - aka Roger Roger - originally issued by the Neuilly label in 1971. This isn't exactly the funk & bleep fest of Leuter's recently reissued "Pop Électronique," instead a set of short, thematic pieces consisting of abstract electronics, gated vocals, rudimentary rhythm-box studies, and some inspired Sun Ra / Cecil Taylor lineage keyboard abuse.Impressivel…
Aguas Territoriales, Caballos
First Creel Pone double-artist twofer - odd, considering how many opportunities to handle things this way have arisen over the years - topically linked by the label that initially released them, Empresa Grabaciones R E M, or EGREM's Areito, and the topic & time-period in question; Electro-Acoustic Music in Cuba, early 80s edition.
First up is Carlos Fariñas' "Aguas Territoriales" - two side-length pieces for errant electronics & Concrète sounds. While the A-side's minimal, misted "Madrigal" cove…