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While Creel Pone has done a bang-up job at documenting non-Subotnick alternatives such as Michael Czajkowski's "People the Sky," Douglas Leedy's "Entropical Paradise", etc. there's, simply, not a lot of music out there made on the early Buchla systems; which makes this hiterhto undiscussed collection of pieces by the composer Carter Thomas, all recorded between 1971 & 1977, then issued in 1985, something of a unheralded gem.
Starting with "800th Lifetime" - an 11-minute suite for Buchla 100 & 20…
Here’s a fine set of pieces, each showcasing the Buchla electric music box. Daria Semegen’s harmonic-series-rich “Arc” - composed at SUNY Stonybrook’s electronic music studio, established by mr. Arel in 1971 - at times recalls other era electronic “Spectralists” like Daniel Arfib, yet works across a more spare iterative space, often recycling short micro-melodies cut with the unmistakable thwack of the Buchla’s vactrol-based gates. It’s an incredible, patient piece of music that begs the questio…
After something of a break, Creel Pone returns, borne anew, with this reproduction of an obscure 1975 Standard Library offering (#ESL-133), dovetailing tracks by the BBC Radiophonic Workshop / White Noise member Brian Hodgson & previous Creel Pone "graduate" John Lewis (whose lengthy collaboration with composer John Keliehor, "Schizophrenia" closes out the otherwise all-Dubravko Detoni "Avantgarde" volume from Studio G, issued the previous year) - both founders of Electrophon studios & the lone …
After a short break - during which we all celebrated Creel Pone's 10th year of existence in style & the PTB worked quite hard at keeping the program's core largely available for a stretch - here's a reproduction of an unheard-of 1981 set of Electronic Music by the Chicagoland Composer Beverly De Fries D'Albert privately issued via the Columbus, OH pressing-plant / private imprint Coronet. Subtitled "Electronic Music Album Number 1," the album is split between three shorter pieces recorded at the…
Long one of my all-time Holy Grail cannot-find-a-copy titles is the LP in question here; the 1969 EMI-label Arlette Sibon-Simonovitch recital / vehicle “Espaces Sonores Nº 1”, offering a side of specially-commissioned pieces each by spanish composer Josep(h)-Maria Mestres-Quadreny & INA-GRM heavy Bernard Parmegiani.Just the idea that Parmegiani had composed a tape piece using only Sibon-Simonovitch’s virtuoso Ondes Martenot playing was enough to make me sweat; that it ended up being one of his f…
Augustyn Bloch was a Polish Organist & Composer largely known in these circles for his extended tenure chairing the "Warszawska Jesień," or "Warsaw Autumn" International Festival of Contemporary Music - you've likely come across one of the myriad "Yearly" Polskie Nagrania Muza compilations bearing the names of the Polish late 20th Century Avant Garde's elite - Włodzimierz Kotoński, Bohdan Mazurek, Andrzej Dobrowolski, Zygmunt Krauze, Bogusław Schaeffer, etc.Working comfortably across different d…
Privately pressed on his Sandy Springs-based Horizons label in 1974, this is the sole release of Georgian home-studio Electronic Music maestro Tom Behrens. Hiding behind a glorious op-art sleeve, the music contained here is an inspired blend of noisy, free-synth filigree & the kind of anthemic, rising chord shapes more attuned to something like doom metal than the tried & true "Berlin School" methods which are often the launching-off point.
Aesthetically similar to Lorq Damon's "Journey to the …
Ever since the Creel-production of Douglas Leedy’s “Entropical Paradise,” I’ve been wondering about the existence of any other “Automatic Electronic Music” released during the “Classic Era.” Lo & behold, Mr. P.C. C.P. has unearthed this “Private-ly” released chestnut from 1980, covering four of obscure Belgian composer Arnold Aard’s experiments with self-generating electronic music systems. The results fall somewhere between Leedy’s elegant side-long tonality studies & the oddly miscreantic cree…
While we're knocking off personal Holy Grail titles, here's an absolute corker; Ann Southam's 1973 Electronic Realization of the poet sean o huigin's "Sky-Sails." A continuous melding of o huigin's recitation against a coterie of keening, upper-register tweeter-zap electronics - theoretically largely c/o the Moog equipment installed in the University of Toronto's UTEMS - this floats on atonal clusters before erupting into "Persona" -esque thunderclaps of Ring-Modulated & Envelope-Followed voice …
Issued in 1982 as a pair of separate lp’s by Hemis Ferio, this set covers the bulk of Spanish composer Andrés Lewin Richter’s Electro-Acoustic music (as opposed to his Library work - issued by Cam as a one-two-three punch of masterful mood-pieces under the “Space Electronics” moniker in 1977) segregated by his work with vocalist Anna Ricci (the first LP) and without (the second.)Incorporating a wide range of source materials (aside from Ricci’s operatic & at times psychedelic splendour, we’re tr…
The Brussels-based Igloo label was one of the main hotbeds of Belgian Avant-Garde music in the late 70s & early 80s, issuing canonic work(s) by Godfried Willem Raes (& his Logos Duo w/ Moniek Darge), Jacques Bekaert, Henri Chopin, Léo Küpper, Artur Petronio, Henri Pousseur, and many others, including this slept-on set by electronic music composer Andre Stordeur (whose only other issued work prior to this were a pair of pieces used to score a 1973 documentary on the artist Gordon Matta-Clark) exe…
Perfectly timed replication of the other - ref: “Kosmos,” issued 30 or so ‘Pones back - great André Almuró LP, initially issued by the oft-cited Boîte a Musique - aka Disques Bam or just BAM - imprint at the tail-end of the 1960s.Almuró started out with Pierre Schaeffer, producing radio plays for the Club D’Essai in the late 40s before joining the GRM in 1958. He proceeded to produce dark, chilling Musique Concrète backings to recitations of work by authors such as Jean Genet & Antonin Artaud, b…
Creel Pone here kicking off the 2007 season with a reproduction of this ludicrously hard-to-find 1969 LP on the Ades label containing four pieces composed at the tail-end of the Psychedelic era by Artaud / Breton / Genet collaborator and Pierre Schaeffer student André Almuró. This music has been whispered about in closed circles for close to 40 years yet seldom heard - it’s some of the finest Musique Concrète in the “Underwater Vibrations” category: tons of mutated / processed percussion-sound…
In the 1960s Osamu Tezuka’s Mushi Productions was one of the leading producers of TV animation in Japan. Three of his Mushi series had been sold to American children’s television: Astro Boy (1963), Kimba the White Lion (1965), and The Amazing 3 (1966). In addition, Tezuka was the author of Ambassador Magma in 1965, intended as a TV cartoon series, but when it failed to sell, Tezuka sold the story to P Productions to become a live-action TV series. It became a U.S. children’s series known …
Restocked, reduced price. Song Cycle offers another remarkable addition to the canon of early sound art experimentalism, with this legendary collection of Fluxus audio works compiled by Italian conceptual artist and publisher Maurizio Nannucci. Founded in 1960 by the Lithuanian/American artist George Maciunas, Fluxus began as a small but international network of artists and composers who challenged accepted ideas about what art is. It characterised itself as a shared attitude rather than a movem…
Another legendary album which was issued on LP by Multhipla label, "The Entire Musical Work of " Marcel Duchamp realized by Petr Kotik and S.E.M Ensemble. Work planned and composed in 1913, based on chance operation. Recorded 7 May, 1976. B2 is a track for player piano, recorded in Buffalo, New York on a Steinway player piano. In the turbulent years from 1912 to 1915, Marcel Duchamp worked with musical ideas. He composed two works of music and a conceptual piece -- a note suggesting a musical ha…
Restocked, reduced price. Legendary debut from sound artists Christina Kubisch and Fabrizio Plessi mixing sound and visual elements, a seminal LP record originally published on the hugely influential Multhipla, run by Gianni Sassi (also founder of Cramps Records) in conjunction with Fluxus collector and editor Gino Di Maggio. Two And Two was a live performance for two performers (Kubisch and Plessi), two video cameramen, a wall of monitors and uncommon objects and instruments. Throughout the per…
At long last, La Monte Young and Marian Zazeela reissue this seminal, hugely influential album on their Just Dream imprint, the legendary recording from 1968 India of Pandit Pran Nath titled 'Ragas Of Morning & Night'. The original studio session was produced in New Delhi, February 1968, by Jimi Hendrix associate Alan Douglas, it features recordings of "Raga Todi" and "Darbari", which showcase Pran Nath at his prime. Pran Nath's exquisite control between microscopically fine degrees of pitch ca…
Consists of the whole of the LP previously issued as Re/arc and most of "The Golddiggers". Featuring Lindsay Cooper, Sally Potter, Phil Minton, Georgie Born, Fred Frith, Chris Cutler, Marilyn Mazur, Kate Westbrook, Collette Lafont, Eleanor Sloan, Lol Coxhill and Dave Holland. Explores the song form as so many of the early post Henry Cow records by ex alumni did. With a full book of texts and pictures (74+ minutes).
This essential piece of history at last reissued, redesigned and repackaged. Keystone works from the various streams of musique concrete, electronic music, soundscape, electroacoustics and plunderphonics - including two masterworks from Eastern Europe, a territory traditionally overlooked in collections of this medium. It comprises: John Oswald's 'Parade', a complex work drawn and extended from Satie's celebrated ballet composition of 1917; Georg Katzer's monumental 'Aide Memoire' ('7 nig…