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This is the premiere CD reissue of one of the rarest records by the Gruppo d’improvvisazione Nuova Consonanza, originally issued in 1973 by General Music and recently made available on a vinyl reissue by the American label Superior Viaduct. Il Gruppo perform their own compositions, transporting the listener to a dimension of obscure sounds and providing the “soundtrack” for a film that does not exist. The music evokes an Italian-style Giallo score, and it’s no coincidence that the group als…
Maestro Stelvio Cipriani is one of the most known and appreciated composers of Italian soundtracks, whose unmistakable style makes it one of the most appreciated and collected. "Rhythmical Movement" came out only as a promo-library LP for CAM records in 1980 and is therefore a very rare album pressed in limited quantity. But what impresses most is the high level content and, as explicitly expressed in the title, no rhythm decreases. After a jazz intro depart sequentially tunes full of funk, soul…
* in stock * Mario Molino, one of the few composers-guitarists in the fascinating world of library music, created this original soundtrack for a documentary movie produced by RAI, the Italian national TV, of sci-fi environment by blending its fuzz, distorted and psychedelic sound with hammond, clavinet and electronic effects played by himself to merge in symphonic epochal moments. Of 8 tracks that make up the album, many are cosmic krautrock moments.Inside was recorded in 1975 in the then renown…
* in stock * Original released in 1973 on RCA, this obscure library music was produced by Maestro Gianfranco Reverberi using the pseudonym of Ninety as previously done before for other records like Psycheground Group Library on Lupus and the 2 Underground Set. The style is different from the LP's mentioned and 'closest to the style of murky erotic cult soundtracks created for Renato Polselli (Delirio Caldo, Riti Magie e segrete orge nel Trecento, ecc) as “Fire Shadows in the sunset" with congas,…
* Out now * The niche occupied by libraries in the history of Italian music is full of amazing stories, such as Rotary Records’ one – actually one of the most interesting and peculiar. The label, created and led by renewed composer Amedeo Tommasi, released seven albums in just one year – between 1973 and 1974 – of material ranging from futuristic experimentations to classic and jazz (the latter being one of the biggest passions of Tommasi).
He wasn’t just the boss, but also played piano and elec…
LP version. Dennis Young is best known as the percussionist of the New York band Liquid Liquid, who are themselves known for their 1983 track "Cavern," sampled the same year by Grandmaster Flash for "White Lines." In parallel to his work with Liquid Liquid, Young produced his own solo work, including three cassettes released between 1985 and 1988 that form his tribute to the pioneers of electronic music. Wave: Electronic Music 1984-1988 contains the best pieces from these cassettes, as selected …
180 gram LP version. Bureau B reissues the eleventh solo album by German keyboardist Hans-Joachim Roedelius, originally released in 1986 on the small Norwegian label Cicada. If we can agree on 1969 as the year of Cluster's inception, then Roedelius needed a good 17 years to discover the aural qualities and musical beauty of the grand piano for his own compositions. More precisely, he must have become aware of the grand piano during the recording sessions for Jardin Au Fou (1979) andLustwandel (1…
LP version. On their second album Material, originally released on Sky Records in 1981, Moebius & Plank ventured far, far away from the double coordinates of the Harmonia world and pop music cosmos. Amazingly, they did not find themselves floating in space, but made an exemplary landing, avoiding getting caught between a rock and a hard place. Material saw them generate a form of genre-busting electronic music, more radical than anything one might have expected to come out of Germany, not even f…
1st release from the duo of Dieter Moebius & Conny Plank, originally released on Sky Records in 1980. As the title suggests, this album is heavily influenced by dug & reggae & those rhythms are incorporated into the ambient space-rock one would expect from these German pioneers of Kosmische musik.
This sequel to the acclaimed Cosmic Machine compilation released in 2013 is another fantastic journey through time and space. At the time musicians were trying to capture the sounds of meteorites entering the terrestrial atmosphere thanks to machines developed by NASA engineers, a new generation of analog synthesizers enabled electronic music composers to take over the charts. It seemed the machines were definitely made to serve a radical avant-garde, and many years later, we're glad to be able …
Deluxe edition on colored vinyl housed in a gatefold sleeve. Includes CD. This sequel to the acclaimed Cosmic Machine compilation released in 2013 is another fantastic journey through time and space. At the time musicians were trying to capture the sounds of meteorites entering the terrestrial atmosphere thanks to machines developed by NASA engineers, a new generation of analog synthesizers enabled electronic music composers to take over the charts. It seemed the machines were definitely made to…
A collection of Stockhausen’ s most important works from the 1950s, particularly “Gesang der Jünglinge” (“Song of the Youths”) 1955-56, probably the most iconic piece of electronic music ever written. Only because of Stockhausen’s complete understanding of electronic equipment, along with his creative genius, was he able to produce this masterwork, the first piece of music to unify vocals and electronics.
“Kontakte” (1959-60), Stockhausen’s first piece to use both electronics and traditional instruments together, marks a turning point in his career, when his music was beginning to show the influences of American avant-garde jazz and composers like John Cage. In “Kontakte” live musicians play alongside a tape recording of percussion sounds that have been altered by different electronic devices (i.e. a ring modulator or a reverberator). Stockhausen wanted the musicians to improvise over the prepare…
This sequel to the acclaimed Cosmic Machine compilation released in 2013 is another fantastic journey through time and space. At the time musicians were trying to capture the sounds of meteorites entering the terrestrial atmosphere thanks to machines developed by NASA engineers, a new generation of analog synthesizers enabled electronic music composers to take over the charts. It seemed the machines were definitely made to serve a radical avant-garde, and many years later, we're glad to be able …
With his 1978 album Ambient 1: Music for Airports, English musician/producer/conceptualist Brian Eno coined the terms “Discreet Music” and “Ambient” as “music designed to induce calm and space to think.” The album, comprised of four dissimilar yet completely cohesive movements, was created with simple keyboard melodies, serial tape loops and embedded voices. The effect is sheer weightlessness, the disc's soft ebb and flow of synthesized patterns imbued with live brass and strings. More than just…
Eno's solo debut, Here Come the Warm Jets, is a spirited, experimental collection of unabashed pop songs on which Eno mostly reprises his Roxy Music role as "sound manipulator," taking the lead vocals but leaving much of the instrumental work to various studio cohorts (including ex-Roxy matesPhil Manzanera and Andy Mackay, plus Robert Fripp and others). Eno's compositions are quirky, whimsical, and catchy, his lyrics bizarre and often free-associative, with a decidedly dark bent in their humor (…
Continuing the twisted pop explorations of Here Come the Warm Jets, Eno's sophomore album,Taking Tiger Mountain (By Strategy), is more subdued and cerebral, and a bit darker when he does cut loose, but it's no less thrilling once the music reveals itself. It's a loose concept album -- often inscrutable, but still playful -- about espionage, the Chinese Communist revolution, and dream associations, with the more stream-of-consciousness lyrics beginning to resemble the sorts of random connec…
Eno's first four solo albums are all among the most underrated releases of the 1970s. Experimental, catchy and genre-hopping releases similar to that of contemporary David Bowie over the same period. Before and After Science might even be the pick of the bunch, combining the best elements of Taking Tiger Mountain and Another Green World. Eno's slightly thin, hammy English vocals might be the only deterrent, but get past that, and you've a quartet of desert island discs. Quality, quality effort.
Another Green World is where Brian Eno creeps up behind me, and whispers how all pop music is about art, how all art is about life, and life is really a vessel for pop music. Where I forget what is a song and what is not a song, and where Eno realizes you can create something at once high art, low art, and not art at all. Most importantly, Eno discovers there is more beauty and worth in the discreet nuances of subtle sophistication than in all the blunted bluster in the world.
With Another Green…
“Feelings” is considered an absolute cult inside the library music panorama. As the same Torossi recently said, the album “was played only by studio musicians... the best we could find at the time, and the results show”. The album sees the participation of Sandro Brugnolini, Giancarlo Gazzani, Puccio Roelens and Stefano Torossi, famous songwriters in the field of soundtracks and library music. “Feelings” had been released for the first time in Italy by Carosello Records, under the pseudonyms of …