Reissues
Chissà Perché… Capitano Tutte A Me
Beat Records and Digitmovies are pleased to release for the absolute first time on CD the complete edition of the brilliant soundtrack by Guido & Maurizio De Angelis for the sci-fi comedy “Chissà perché… capitano tutte a me” (aka Everything Happens to Me) directed in 1980 by Michele Lupo and a cast starring Bud Spencer, Cary Guffey, Ferruccio Amendola, John Bartha, Giancarlo Bastianoni, Paolo Figlia, Lorenzo Fineschi, Giovanni Gianfriglia, Robert Hundar, Clayton Landey, Amedeo Leorini, Ottaviano…
Moon Set, Moon Rise
Two old souls creating music not of this plane, taking you to a dream world...
In Europe
"In Europe gives a fine glimpse at the power and intensity of Harper's compositions and his tremendous abilities as an improviser... Highly recommended music for post-bop and free jazz appreciators." - Allmusic
Cochin Moon
Pressed on Opaque Yellow Wax. Remastered form the original analog master tapes. One of the holy grails of fourth-world avant-ambient synthesis, and believe it or not, this was a Record Store Day release in Japan this year. Originally released a few months after Haruomi Hosono’s 1978 Paraiso LP — famous for featuring the first trio grouping of the band that would become Yellow Magic Orchestra — Hosono’s Cochin Moon, an album credited to himself and famed graphic artist Tadanori Yokoo, who provid…
Milk Time
*2024 stock* Gatefold cover. Vinyl reissue of incredible 1970 debut album from Japanese keyboardist featuring a heavy psychedelic jazzy progressive sound alternating between heavy jamming, atmospheric dreamy sounds and jazzy guitar and organ workouts. With Kimio Mizutani providing the heavy guitar. Hiro also played with legends like Apryl Fool, Food Brain, Love Live Life + One and Shinki Chen. Nice gatefold cover reissue
Ha Ha Laughing Record
James Twig Harper Johnston's tribute to the legendary Okeh laughing record. (if ya don't know...look it up!) It's funny (pun intended), I get a message from Harper saying he's working on a "Laughing Record" lathe... I'm like.. "Woah, I was just working on some "giggle loops" myself... I'll send em over!", "Perfect!" . A few more giggles from our friend Nora and he's in monkey business! He mixes those w/ some classic canned laugh tracks and sends em thru his new computerized "Anti-System" and get…
Svart/Hvitt
*2024 stock* "Put on the circuit via Oslo / Norway-based imprint Conrad Sound on December 4th, 2k20 is "Svart / Hvitt", the sophomore album effort created by the multi-membered group named The Touchables which includes a plethora of artists from the countries Jazz and Contemporary Music scene with at least one of its members - Martin Taxt - being a household name to readers of these pages for his deep explorations of microtonal tuba performances. Split in four subsequently numbered, unnamed part…
Live At Pit-Inn Tokyo, Japan, 8, 8, 1988
Sun Ra Arkestra, Live in Japan! Recorded at Shinjuku Pit Inn on August 8, 1988, this recording has undergone fresh remastering from the master tape, marking the first reissue in 36 years
Trancedance
Black Truffle is pleased to announce the first vinyl reissue of Trancedance, a wild slice of Swedish Afro-fusion from Christer Bothén, originally released in 1984. A major figure in Swedish jazz and improvised music since the 1970s, often heard on bass clarinet and tenor sax, Bothen studied doso n’koni (the large six-stringed ‘hunter’s harp’ of the Wasulu) in Mali in 1971-2 before turning to the guinbri (the three-stringed lute of the Gnawa/Gnauoua) in Marakesh later in the decade. In between, h…
All My People
Tip! Revised eight track re-issue of Maria Somerville's much lauded debut album. This new edition features an additional cut 'Lakes' - a 5+ minute blown out instrumental recorded live on tour in 2019. "Stirring and beautiful songs, with a consistent optimism underlying even the murkiest of moments." Recorded in Connemara and Dublin. Mixed by Brendan Jenkinson. Mastered by The Bastard.
House In The Tall Grass
Kikagaku Moyo 3rd album "House in the Tall Grass". Like a long journey this record unfolds itself through many layers. Fans of Kikagaku Moyo will be comforted by the soft vocals harmonies and warm Sitar but what sets this release apart is the refinement of the band’s songwriting and their delicate execution. Side A begins with a pair of travelling songs where the interplay between the vocals, guitar, and sitar lift and suspend you on an unexpected journey.The patient listener is rewarded by trac…
International Popular Group
* Italian Language Edition * 2024 Stock * An anthology of the songs that best stand the passage of years in Area's repertoire, from Return from Workuta to the live version of L'Internazionale. Twelve unmissable pieces and in the enclosed booklet the entire history of the band album by album from the words of Patrizio Fariselli in conversation with Claudio Chianura.
Per un concetto allargato di musica (Book)
* Italian Language Edition * 2024 Stock * “Il concetto di musica sul quale mi baso non è certamente quello convenzionale, stretto, dove la musica resta circoscritta ai fenomeni sonori, ma il «concetto allargato di musica» come si trova nella teoria musicale antica, medioevale o cinese, secondo cui il termine «musica» può designare l’interazione fra praticamente tutti i cicli a bassa frequenza – quelli che si trovano al di sotto del limite superiore di udibilità e comprendono dunque le oscillazio…
Telmegiddo / Bacterihabitat (CDr + LP, Blue)
*2024 stock. *Signed By The Artist* 50 copies limited edition* "LP by Maurizio Bianchi and a CDR by M.B., and that's why a book is such a great idea. Why is that? 'Telmegiddo' (CD) is 'the last cassette tape decomposition' and was previously released as 'Extreme Man 2'. The two pieces on 'Bacterihabitat' (CDR) are from May 1982 and previously released as 'Extreme Man 1' - both of the releases actually released without permission. Its hard to say what the differences would be between both works, …
Inception
*2024 stock* "This album gives listeners the chance to hear what a very young Tyner sounded like outside the confines of the classic John Coltrane quartet of the early '60s; it reveals a lyrical approach to jazz piano that seems a far cry from Tyner's mature style" - Alexander Gelfand
Look Out!
*2024 stock* "Although he is best known for his bluesy soul-jazz outings, tenor saxophonist Stanley Turrentine's first Blue Note session as a leader was a much more traditional bop affair, and the resulting album... shows as much artful restraint as it does groove. Not that this is a bad thing, since it allows Turrentine's big, clear tone to shine through in all its muscular sweetness, giving Look Out! a wonderful and flowing coherence" - Steve Leggett
Django
*2024 stock* "Classic jazz in construction and execution. The place to begin appreciating the many and great virtues of one of jazz's finest aggregates" - Douglas Payne
"In terms of seminal Modern Jazz Quartet entries, it is hard to exceed the variety of styles and performances gathered on Django." - Lindsay Planer
Soul Station
*2024 stock* Besides being one of the best tenor saxophonists of his time, Henry (Hank) Mobley (1930-1986) is widely recognized as one of the great composersof the hard-bop era, with interesting chord changes and room for soloists to stretch out (this LP includes four of his compositions). Soul Station, which features him as the only horn in a quartet format with an all-star rhythm section consisting of Wynton Kelly at the piano, Paul Chambers at the bass, and Art Blakey at the drums, is general…
Ahmad's Blues
*2024 stock* "Someone at the prestigious Verve jazz record company had an idea last summer: to re-release a compilation of recordings by legend jazz pianist Ahmad Jamal’s trio at the clubs of Chicago in 1958, it was a very good idea!
Ahmad’s Blues is a must have for Ahmad Jamal fans and all Jazz fans for that matter. Throughout his long and storied career, Ahmad has demonstrated both technical virtuosity and amazing style and creativity, this early live recording is no exception. With a title tr…
New Soil
*2024 stock* It was Charles Mingus who, in the mid-1950s, first tried to alter Jackie McLean’s playing style, which was fully entrenched in Charlie Parker’s sound at the time. “I never really sounded like Bird, but that was my mission”, said McLean during a WBGO radiointerview. “I didn’t care if people said that I copied him; I loved Bird’s playing so much. But Mingus was the one that really pushed me away from the idea and forced me into thinking about having an individual sound and concept.” M…