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FAT and the Masters of Haha is a 73-minute release of FAT's recording with the southern Moroccan Berber group Aouad Mia, master rebab player Rais Lahcen Benlamouden, and other Berber singers and percussionists. It was recorded in Agadir, Morocco, in 1991 after development during FAT's numerous visits to Morocco over the previous three years. Aouad Mia's music is improvised but extremely tight and crisp, and combined with FAT, the music ranges from ferocious looped attacks through complex melodic…
**2016 restock, very last copy. CD reissue for this obscure mid-70s Italian gem, limited to 300 copies only** An incredible lost chapter of the small but essential canon of spacy avant prog from the as-yet-unnamed Italian trajectory that includes Franco Battiato, Pierrot Lunaire, Franco Leprino, Arturo Stalteri and a handful of other like-minded cosmonauts. To that list of stunners, now add Francesco Curra. Sure, an understanding of the Italian language would aid quite a bit given the large help…
2015 repress, originally reissued in 2001. Better sit down now, Euro-jazz fans. Here's a partial lineup from these two brilliant, previously unreleased German National Radio sessions from the dawn of the era: Gunter Hampel, Gerd Dudek,Willem Breuker, Peter Brötzmann, Manfred Schoof, Albert Mangelsdorff, Alexander von Schlippenbach, Buschi Niebergall, Peter Kowald, Jaki Liebezeit, Mani Neumeier,Sven-Åke Johansson, Evan Parker, Paul Rutherford, Arjen Gorter, Derek Bailey, Han Bennink, Paul Lovens.…
2015 repress, originally reissued in 1992. Atavistic has quietly erected the near complete recorded works of Glenn Branca, whose vision of guitar-generated power-symphonic sound is, in simple terms, one of the most exhilarating and important musical gestures of the contemporary era. First issue of this '82 performance; 10 guitars (including Thurston Moore & Lee Ranaldo on special Branca-engineered "mallet guitars"), plus the massive force of Zev's bass drum & metal
The music of Christian Wolff has long occupied the fertile borderland between composition and improvisation, as both are usually understood. More a set of suggestions than a writ of prescriptions, his scores can take the form of graphic symbols floating freely against a white background—as in 1968’s Edges—or of pitches notated and other parameters left unspecified, as in the Exercises. He is on record as having said that a score is only a means to an end, the latter consisting of the performance…
Double bassist Stefano Scodanibbio was a superlatively inspirational figure not only in the world of the double bass, but in the larger world of new music as well. Even three years after his premature death of ALS this sense of inspiration hasn’t dissipated but rather continues to come through whether in the work being done by those directly influenced by his example—the fine Norwegian bassist Hakon Thelin comes immediately to mind—or in the underlying warmth that seems to pervade the recordings…
Finally reissued, legendary Afro-drum insanity by this unique/sensational drummer.."The story of Chaino is something between truth and fiction, you can read on the linear notes, it remembers Tarzan! Originally released in 1959 contains nine unique tracks: tremendously energetic, absolutely mind-blowing to this day and – here comes the intrinsic twist – glaringly sexualized and suggestive, if not via their track titles, then because of the moaning females and groaning male chants. This tribal…
This 8 track acoustic guitar album is a big change for the experimental musician Maurizio Abate. After many years of psychedelic albums in which improvisation was combined with a creative recording process, he composed an entire album based on a more traditional method: acoustic guitar solo.During winter 2014 he organized a series of italian screenings preview of the documentary “ In Search of Blind Joe Death: The Saga of John Fahey” and that occasion encouraged Maurizio to experience the guitar…
Vol. II in a five-disc series of 1928 Balinese recordings features Balinese vocal music, the first release of these recordings since they were first pressed to 78 rpm discs in 1929, the only commercially released recordings of music made in Bali before World War II. Originally recorded by a team from the German labels Odeon and Beka on a 1928-29 expedition to Bali and intended for a Balinese public that lacked any discs of its own music, many of these records have been reduced to single r…
Vol. IV of the Bali 1928 recordings includes kebyar with sung poetry, gambuh dance-drama, ancient ritual angklung, and solo flute. All lyrics receive English translations in the liner notes, with an extensive text by Edward Herbst included as a PDF (accessed by computer) and hosted online by World Arbiter. Performances by Gamelan Gong Kebyar Belaluan, Denpasar; Gambuh of Sésétan, Denpasar; Gamelan Angklung Kléntangan of Sidan, Gianyar; Gamelan Angklung of Pemogan, Denpasar; Gamelan Angklung o…
Vol. III of the complete 1928 Balinese recordings, the first republication since 1928 of lost shellac recordings, opens with the only known recordings of a lost gamelan. Heard in three tracks, Gamelan Semar Pagulingan, an ensemble known as "Gamelan of Love in the Bedchamber," played instruments that no longer exist, originally performed just outside the private residence of a raja during meals, times of leisure, and when the raja was otherwise engaged in pleasure with one of his wives. The…
Subtitled: Belaluan, Pangkung, Busungbiu. World Arbiter presents historic gamelan recordings made in 1928 as part of a collection of the first and only commercially-released recordings of music made in Bali prior to World War II, the first ever to document pre-War genres. The compositions heard on volume 1 are untraditional, avant-garde experiments that later evolved into familiar forms, new music captured close to the time of its inception. After five years of research and field work, Ed…
"Amazing archival retrieval (with extra material on the download) of the first release by long-running human zoo known as Sunburned. Forged in the heat of Kristin Anderson's Charlestown loft, the group more or less descended straight from the corpse of Shit Spangled Banner, although they did not assume the band name until 1997 (two years after the first protean jams had started). The material on the album was recorded in 1997 & '98, often deep in the grip of acid flashes, and it really shows. Ov…
The legendary 1981 LP is back!! "The moral of this work is: the past punishment is the inevitable blindness of the present. Death camps were established through the process of dehumanized engineering, to destroy the will of the individual, and to create industrialisation of death. The modern parallel is to override the individual human choice through mass-media that established the city of death, in which marketing has become synonymous with mass destruction. A pathetic symphony for both i…
**in stock, very last ones** This double LP, released by NERO magazine and Shady Lane Productions, gathers selected materials, both texts and audio recordings, from Phil Collins's project of the same name, for which Collins collaborated with guests of Gulliver, a self-described "survival station for the homeless" in Cologne, Germany. There, Collins installed a phone booth for free and unlimited local and international calls, on the condition that the conversations would be recorded and ano…
This single by New Zealand's most overly-prolific trio is taken from the sessions for their upcoming double LP on Ba Da Bing. Forthcoming non-selections recorded live in an empty bar in Port Chalmers, and produced by the band as all their records are. Nothing much changes in the Dead C's world, it just all happens again and again in the same way. Who could ask for more?
Two prime cuts of intense noise bliss from Rodger Stella, sort of in the vein of some One Dark Eye stuff with a psychedelic twist slightly reminiscent of C.C.C.C. Stuff flies out of everywhere.
200 copies. Black vinyl, white cardboard sleeve with postcard attached, stamped white labels, insert. Plays at 33 1/3rpm.
Kostis Kilymis is a sound artist based in London, UK. This 7" contains new material following two cassette releases for Mazurka Editions and Hideous Replica. Two tracks recorded at home and outside in 2014 using circuits, pulses and wind noise - one a bit rhythmic, the other less so.
Mastered by A.F. Jones at Laminal Audio. 200 copies. Black vinyl, white cardboard sleeve with postcard attached, stamped white labels, insert. Plays at 33 1/3rpm.
Lea Bertucci - Light Silence, Dark Speech 7"
€7.00
Lea Bertucci's debut album Resonance Shapes LP from 2013 is an overlooked gem that caused a small stir at the IDDB office. On this much more stripped down affair the New York-based artist changed her bass clarinet for an old alto sax and the two cuts delivered here are somewhat different, but just as intimate and perplexing. 10 mesmerizing minutes that owes just as much to free jazz skronk as it does to contemporary sound art.
"L…
** restocked, last copies around ** Multi-talented, autodidact musician and devoted painter Leon Lowman became interested in synthesizers when he heard ELP’s Lucky Man in 1970. At that time Leon was working for various recording studios and sound companies in California and with his first paycheck he took a down-payment for the ARP 2600-Sythesizer (as well as a Mediamix Joystick for pitch bending) which he still uses until today. Ever since he used whatever money he could spare towar…