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Nazoranai comprises three gentleman, three friends and three fans of each other's creative output. The Most Painful Time Happens Only Once Has It Arrived Already..? is the second release from Nazoranai, a power proposition made up of three sound/song heavyweights: Keiji Haino, Oren Ambarchi and Stephen O'Malley (no introductions necessary, intimidation checked in at the door). Recorded by Chris Fullard at CCSO, Birmingham, July 9th 2013, The Most Painful Time... expands the trio's devastating ex…
As a long-time fixture at the far end of collectors Euro electronic shelf this Gallic magnetic conceptual synth-pop classic has been in risky disc-jockey orbit waiting over thirty years for the right time to touchdown on planet earth to refuel. With the recent critical resurrection of Jodorowsky’s un-made version of Herbert’s sci-fi blast masterpiece and more and more electronic music fans veering from dance music into the sub-genres of PINA and dark ambient the eve of the original novel’s fift…
Sharing social circles and spiritual ideologies with artists such as Iasos, Connie Demby and Deuter, whilst splitting label release schedules with Laraaji, Laurie Spiegel and Wendy Carlos, the unique Florida raised soul mate duo known as Emerald Web released their privately pressed debut LP at an axis where post-prog rock met proto-new age and ambient electronic music. Notes by Kat Epple When originally released, one music reviewer described Whispered Visions as: “A cosmic tapestry of sound, wov…
Cross-pollinating the wants lists of art/jazz/print and architecture enthusiasts this seldom sighted 45 single is regarded as the rarest “lost” recording by American jazz trumpeter and global communal music missionary Don Cherry as he collaborates with French piano improv genius François Tusques. A missing link in the pre-formative years of improvised jazz this mythical private pressing unites two of the key exponents of both American and French free jazz – two entirely independent musical art f…
A full-length overview of the avant-garde piano repertoire of Nelly (aka Pétro) van Doesburg, performed at various De Stijl, Dada and Bauhaus events in Europe between 1920 and 1925.
Born in the Netherlands in 1899, Nelly met De Stijl founder Theo van Doesburg in 1920. Over the next decade the couple lived in Wiemar, where Theo was an associate of the influential Bauhaus art and architecture school, and then Paris. A conservatory-trained pianist, Nelly often accompanied her husband's lectures wit…
Musique de la Rose + Croix is a double disc set of solo piano music collecting Satie's enigmatic Rosicrucian pieces (1891-1894), together with an instrumental version of his ballet score Uspud (1892) and the meditative works collected as Pages Mystiques (1893).
For a short period Erik Satie was appointed official composer for the esoteric Ordre de la Rose-Croix Catholique du Temple et du Graal, founded in Paris by the flamboyant mystic 'Sar' Joséphin Péladan. The first Salon de la Rose-Croi…
This full-length archive CD explores the highly influential Bauhaus school of art and architecture, which operated in Germany between 1919 and 1933.
The spoken word element centres on a revealing talk by Walter Gropius, the architect and theoretician who founded the Bauhaus in 1919. The album also includes contributions from the school's third and final director, architect Ludwig Mies van der Rohe, as well as teacher Josef Albers. All interviews are in the English language.
The musical con…
Surrealism Reviewed is a collection of spoken word recordings by Surrealist artists, writers and poets. Made between 1929 and 1963, these historic audio recordings include poetry readings, interviews, lectures and manifestos. Most are in the English language, though some are in French (marked FR below). The remarkable contributions by Robert Desnos and Herbert Read were feared lost for several decades, unheard since they were cut onto acetate discs in the 1930s.
Running for 74 minutes, wit…
Written by eccentric French composer Erik Satie in 1893, the extraordinary score for Vexations is just three lines long, yet a complete performance (840 repetitions) may last for anything between 14 and 28 hours. First performed by John Cage in 1963, this enigmatic, surreal work is today recognized as a musical milestone in the avant-garde canon.
This meditative 69 minute recording features 40 repetitions of the motif, performed by Alan Marks on piano in 1987.
The celebrated L'Album des Six of 1920 may represent only a small landmark in 20th century modern music. Nevertheless the artful relationship between the young French composers of 'Les Six' and their mentors Erik Satie and Jean Cocteau forms an important cornerstone of the inter-war avant-garde.
As well as the L'Album des Six, this generous 74 minute anthology also includes music composed by Satie and Les Six for spectacles staged by Cocteau between 1917 and 1920, as well as Arthur Honegger…
Musica Futurista is a comprehensive collection of music and spoken word from the Italian Futurist movement 1909-1935, including original recordings made by Filipo Tommaso Marinetti and Luigi Russolo. As well as vintage free-verse readings by Futurist founder Marinetti, this popular primer includes recordings of the celebrated intonarumori (noise intoners) devised by Russolo, including a fragment from his lost landmark work The Awakening of a City.
As well as restored archive recordings, the …
A unique anthology of piano music directly linked to the Dada avant-garde art movement in Paris between 1920 and 1923, Festival Dada Paris is based on the piano repertoire performed at two landmark Dada events in Paris, namely the Festival Dada on 26 May 1920, and the infamous Soirée du Coeur â Barbe on 6 July 1923, an event disrupted by violent confrontation between Tristan Tzara's Dada faction and the Surrealist vanguard lead by Andre Breton.
Music from the 1920 event includes two pieces by Ge…
Limited repress LP edition. Originally published in 1979 by the legendary Gianni Sassi's Cramps Records label, as part of a series curated by Franco Battiato, the long-awaited "Prati Bagnati del Monte Analogo" has finally made available by Die Schachtel in a repackaged deluxe edition (both LP and CD), fully remastered (by Giuseppe Ielasi) from the original Cramps tapes, and complete with 3 extra tracks (in the CD edition) dug from Francesco Messina's archives.
Produced by Franco Battiato…
Sold out at source, few copies availeble. Duo recordings by the late Toshiro Mimaki (percussion) and Kiyohiro Takada (bass and electronics). Both were part of the legendary Les Rallizes Dénudés and the abstract electronics, hypnotic percussion and two-note bass riffs remind one of their earlier band, though the overall atmosphere is far more abstract and echoes weird dark vibes in the depths of space. The lp comes with a bonus 7” documenting the only known recordings by Oz Band, the duo’s band p…
Cubist Works presents four works composed by Erik Satie between 1913 and 1924 for his collaborations with Pablo Picasso. These include piano and orchestral versions of his scores for the celebrated 'Cubist' ballets Parade (1917) and Mercure (1924), as well as a seldom-heard organ 'diversion', The Statue Found (1923).
The 60 minute anthology also includes The Puppets are Dancing, written for the French Futurist dancer and poet Valentine de Saint-Point in 1913, and the ludic Trois valses distin…
This acclaimed recording of Erik Satie's symphonic drama Socrate is performed by Music Projects London, and was originally released on Factory Classical. Completed in the spring of 1918, Socrate is a typically eccentric piece from avant-garde composer Erik Satie. Written in three movements for voice (four sopranos) and small orchestra (or piano), the text is extracted from three Platonic dialogues and depicts the last days of the Greek philosopher Socrates, condemned to death for corrupting the …
A collection of Dada-related works by French avant-garde composer Erik Satie (1866-1925) including music used by Francis Picabia, Tristan Tzara, Kurt Schwitters and René Clair. An enthusiastic Dada activist in Paris between 1920 and 1924, Satie collaborated extensively with Tzara, Man Ray, Pablo Picasso and Jean Cocteau, wrote often in Picabia's journal 391, and became a sworn enemy of the Surrealist faction lead by André Breton.
Performed on piano by Bojan Gorisek, this unique selection include…
Avant-Dernières Pensées collects together several of Erik Satie's best known compositions, including the famously poised Trois Gymnopédies, all six haunting Gnossiennes, and Je te Veux. Also included are more experimental pieces such as Descriptions Automatiques and Sports et Divertissements, an extraordinary collection of 21 miniatures from 1914 with illustrations by Charles Martin.
The album also finds space for Satie's single-act, neo-Dada lyric comedy Le Piège de Médusa, comprising 'seven ti…
This 74 minute album offers four spoken word extracts by Marcel Duchamp (in the English language), including The Creative Act, a fascinating lecture delivered in Houston in 1957, as well as a lengthy interview recorded in 1959. The remainder of the album explores Duchamp's remarkable musical experiments.
Devised in 1913, the Musical Erratum for piano forms part of the sequence of notes and projects which led to his celebrated artwork, La Mariée mise à nu par ses célibataires, même (The Bride …
This 160 minute anthology features selected piano and orchestral works by Les Six composed between 1915 and 1945, including collaborations with Jean Cocteau, Guillaume Apollinaire, Max Jacob, Marcelle Meyer and Denise Duval. Highlights include a digitally remastered cast recording of the Surrealistic opera Les Mamelles de Tirésias, co-created by Francis Poulenc and Apollinaire, and new recordings of Dada-related works performed by Peter Beijersbergen van Henegouwen.
All selections were re…