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Outstanding reissue, part of Sub Rosa's Early Electronics series. During the 1950s and 1960s, Roberto Gerhard gathered a significant magnetic tape collection in his home studio, creating a major repository of early electronic sound recordings of his own works. The pieces on this record present a complex set of challenges for audio restoration, requiring a complete understanding of his compositional process and allowing the spirit and vitality of his electronic work to speak clearly to the l…
New repress of 500 copies - double picture disc - heavy duty PVC gatefold sleeve with sticker. A holy grail of electronic music reissued on vinyl for the first time in 30 years, beautiful pressing housed in a deluxe gatefold edition limited to just 300 copies for the world* 'Monotonprodukt 07' has certified holy grail status in the world of electronic music. Originally issued by Konrad Becker aka Monoton in 1982 on a then-tiny run of 500 copies, it has been marked out as a genuine milestone…
Fully re-mastered from the original tapes by Matt Colton.« Although Monoton dried up in 1992, its entire output consisting of a handful of mini-albums and limited-run EPs, its minimalist electronica appears increasingly ahead of its time. The sole work of Austria's Konrad Becker, it was a key influence on the brand of Eurotronica found on labels from Kompakt to Mego. Becker began hooking up analogue rhythm boxes and tone generators in late '70s Vienna, churning out a terse music of bleeps, …
About a week after September 11, 2001 I flew into New York City to be a grant panelist for the Rockefeller Foundation's arts program. Flying into New York the aftermath of the destruction of the Twin Towers could still be seen as an eerie cloud and haze that embraced the site of the attacks. Walking through the streets there were flyers posted everywhere that detailed the names and descriptions of the missing and dead. I sat in a room for the arts panel that gave me a birds eye view of the…
Apocalyptic echo-sounds, originally decomposed at Mectpyo Studio in February 1983. Telmegiddo was the last tape-decomposition by Maurizio Bianchi and was recorded after the Armaghedon LP. Marbled grey vinyl with black labels and black polylined inner sleeves. Edition of 100 numbered copies with paste-on cover. Cover image is a 1981 original M.B. artwork.
Apocalyptic echo-sounds, originally decomposed at Mectpyo Studio in February 1983. Telmegiddo was the last tape-decomposition by Maurizio Bian…
Reissue on black vinyl, strictly limited to 90 copies, hand numbered, contains the original cover from the first edition plus the score, also numbered. Limited quantities available! "Symphony Natura op.170" (1985) is a long collage of electronic drones and animal sounds, recorded at the Zoo in Rome in 1985. "First of all, I think of Bruckner's great symphonies modelled after nature, from the days of flourishing orchestral culture, great feelings and gazing into the soundscape. Which was always t…
After its introduction to the public 40 years ago, the compact cassette (aka audio cassette or cassette tape) quickly became the most popular medium for copying music, allowing consumers to record directly from radio or record player to tape. soon the record industry started to worry about a decline in record sales, which led to the notorious "home taping is killing music" campaign. as a side effect, the medium has produced an independent and distinctive underground music scene in the early 1980…
A limited vinyl-only collection of 11 love songs by Family Fodder that have never before been released on vinyl. Alig Fodder says: "We collected all the love songs together without all the annoying instrumentals, dubs and solos. Lou Reed
once sang: 'No kinds of love are better than others.' I think he meant
something else. The 'kinds of love' here include: the love for a child,
nostalgic love and imaginary journeys, love renewed and shared, love of
animals, love of music, nostalgia, love in …
REAL LIFE Magazine: Selected Writings and Projects 1979-1994 highlights a selection of writings and artists’ projects from REAL LIFE magazine, which was originally edited by artist, writer, and curator, Thomas Lawson and writer, Susan Morgan. Published in twenty-three issues from 1979-1994 as an intermittent black and white magazine, REAL LIFE featured artists and art historians writing on art, media and popular culture interspersed with pictorial contributions. The development of the magazine t…
It is an astonishing gift of fate when a creative artist, known to the world for a particular achievement, is suddenly shown in a quite different light thanks to the existence of a single document that has somehow escaped the ruthless culling mechanisms of time. Harry Partch's Bitter Music is such a document, a “diary of eight months spent in transient shelters and camps, hobo jungles, basement rooms, and on the open road”. This long-lost journal of Harry Partch's wanderings during the Great Dep…
Antimonument was recorded in 1986 and shows a large use of loop based material and a great deal of harsh metal noise sounds in all its analogic greatness! Antimonument was originally issued by ZSF produkt in 1986 in an edition of 225 copies picture discs LP. Copies of the original are now very rare and very expensive. This re-issue was remastered in 2014 by Masami Akita and contains extra material for a total of 61:55 in lenght.
Swastika Kommando was Pietro Mazzocchin from Bassano del Grappa, Italy. In the early 80s Pietro Mazzocchin was very active in the industrial/noise scene. He put out several cassettes under different moniker: Swastika Kommando, The New Sadism, Observation Clinique and also as Lyoto Music togheter with Pierpaolo Zoppo of the legendary Mauthausen Orchestra. Some of his tapes were published by Broken Flag (UK), Recloose Organisation (UK) and Aquilifer Sodality (Italy). Many tapes were also self rele…
Svezia, Inferno e Paradiso is one of the most important scores in Piero Umiliani's lengthy career. He was an eclectic and internationally attentive artist, capable of genial expressions through jazz (I Soliti Ignoti), pop-funk (Baba Yaga, La Ragazza Fuoristrada), Western (Crisantemi Per Un Branco di carogne) and even electronic experimentation (such as his score for the unknown TV serial Il Mondo dei Romani, 1972).Director Luigi Scattini, whose partnership with Piero Umiliani was also a friendsh…
Restocked, few copies available of this superbly sinister musical score by Gino Marinuzzi Jr. fans of early electronic should appreciate this excellent release. "It was one of the eeriest film scores of its period, utilizing the composer's considerable skills within both the orchestral and electronic idioms. Marinuzzi's music features striking orchestral passages, written in an atonal mode but fully accessible -- strings and percussion instruments shimmer and swell, and wind, reed, and horn…
Taint is known to be one of the most powerful and pervert act in the power electronics scene. A kind of juiced up, Taint squared a brutal stew of screaming high-end feedback, crushing distorted scrape and corrosive furious vocals that are overlaid with sheets of white noise.’’Justmeat’’, that was released on Slaughter Production (SPT 40) in 1995, showed Taint at his best. Fucking brutal!
The record has been pressed on 140 gr black vinyl with black label and black inner sleeve and comes …
John Balistreri and his project Slogun are perfectly known to those interested in industrial subculture. ‘’A Breed Apart’’ was originally released on cassette by Slaughter Productions (SPT 86) in 1996, and it was packaged in a beautifully designed, oversized sleeve with a vellum overlay with a cult serial killer photo from one of the victims of Harvey Glattman. Mass murders and crimes have been used to finely illustrate uncompromising tracks full of hatred against society, the sound of wh…
In 1994 the activity of the Slaughter Productions becomes more and more frantic, releasing countless tapes. In the same year, leaving four important works of Atrax Morgue on cassette, the first of which is ‘’Collection In Formaldeide’’. The tape, limited to only thirty copies, is accompanied by a syringe needle attached with scotch, signifying that this music would be ‘’an injection of death’’. All this is packaged in a transparent box for VHS, containing a pair of white latex gloves, two…
American composer Philip Corner likes Satie too well not to object to how he is played. From the time of his participation in the first performance of Erik Satie's "Vexations" he realized that here was, lurking under the travesties of the 1st Gymnopédie, one of the greats of this or any other century... a "secret genius" who masked with humility and seeming conformity a profoundly innovative thorough-going critique of the limitations and pretensions of our High Culture as it has come down to us.…
Special price, limited stock. Originally released in 1970. Claudio Rocchi was the original bass guitarist of Stormy Six, and played on their first album Le idee di oggi per la musica di domani, leaving the band soon after the album release for a solo career that started in 1970 with the first album, Viaggio, mainly acoustic and with good flute, with a large use of reverb, feedback and sound experiments
Special price, limited stock. Always influenced by eastern doctrines (he later became a Hare Krishna), Rocchi was also active in anti-war movements and always present at various italian pop festivals during the early 70's. His second album, released in 1971 and titled "Volo magico n.1", is usually considered as his best effort, in much the same style as Alan Sorrenti's "Aria" with a side-long title track and softer tracks on the other side. "Volo Magico n.1" features a 18 minute long title…