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1986 Release, original copy. Rolf Enström can look back on a fifteen year period as a composer. His list of works includes a number of very carefully crafted compositions of high artistic quality. Several of his works have become classics; one thinks especially of Directions (1979) and Final Curses (1981). Rolf Enström is a composer who unceasingly seeks new artistic paths and new means of expression and this is something which has led him to combine music with other art forms, primarily t…
1982 original release. Tamas Ungvary is a conductor and computer music composer. Since 1972, Ungvary's many compositions have been performed at the majority of the European and American festivals. Ungvary has held numerous workshops and seminars both in Europe and in the United States. Melos No. 3, Interactions No. 2, Traum des Einsamen, Ite, missa est. Torsten Nilsson, organ. Rimma Gotzkozik, violin
Original LP from 1982. "Since 1979, the Swedish Radio Company and the Stockholm Electronic Music Studio (EMS) have arranged an annual 3-day Stockholm Electonic Musik Festival. It's purpose is to present a sample of the electronic music being composed in different parts of the world. This record contains four works from the 1980 festival - two are Swedish and two are international; two are for tape and two combine tape with live performance." Lars-Gunnar Bodin: Epilogue; rhapsodie de la seconde r…
**original copies from the 70s** Produced in 1977. Lars-Gunnar Bodin, Swedish composer and graphic artist, was one of those who during the first half of the 60's tried to integrate elements of different fields of art in his works: instrumental music, tapes, texts, actions, projections etc. In Clouds (1972-76) he developed an advanced form of musical drama involving electronic music in 8 channels, singers, dancers and slide and film projections on five screens. The music on this record is a short…
**Original copies fromm the 70s** Excellent minimal electronic album of this Swedish avantgarde composer. Since Sven-Erik Back's début in the 1940′s he has been regarded as a radical avantgardist, his compositions are kept together by a never failing formal imagination and an intuitive sensitivity to sound qualities. Electronic Music was released on vinyl by Fylkingen Records (FYLP 1021) in 1978.
1983 original copy! This is Fylkingen's contribution to the celebration of John Cage's 70th birthday. The album presents works - all commissioned by Fylkingen on this special occasion - by composers from the 1960«s generation and shows their relations to an important percursor. Lars-Gunnar Bodin For Jon III, Leo Nilsson Early Ear, Folke Rabe To the Barbender, Sten Hanson The Flight of the Bumble Bee, Arne Mellns 31 Variations on CAGE.
Definitive remastered edition with extensive liner notes* 'In C' is one of Terry Riley's best-known and loved compositions, and essentially the first ever "minimalist" composition. It's a semi-aleatoric work - basically open-ended - written by Riley in 1964, and here performed in 1967 by the composer, and leader on saxophone, with members of the Center of the Creative and Performing Arts in the State University of New York at Buffalo, featuring Jon Hassell and Margaret among other notables in th…
Recorded on 11 May 1974 without interrupting the course of the music. Features two long brooding electronic pieces that reminds early Kluster, with doning voices add some uniqueness on first track, while the 2nd has some nice touch guitar amongst the usual dark electronic moods. Composed by Gregor Cürten & Anselm Rogmans.Initially released in 1974 as a private press LP, this is the first official reissue of Planes, produced in close collaboration with Gregor Cürten. Remastered from the original …
This release then of three short pieces under ten minutes by the Pole; Autograph (1980), Rondo (1984) and Zertstreutes Hinausschauen (1971) clearly holds some emotional resonance for Tilbury as he reflects on the music of his deceased old friend, and he then adds a fourth track here, a thirteen minute long improvisation in Sikorski's memory. The composed pieces here are each a nice listen, with the opening Autograph possibly the pick, as small flurries of melodic fragment are rotated, so …
A serie of duet with André Jaume and another musician, recorded in 1980 and 1983 by Jean Roché, Jean-Marc Foussat, Daniel Deshays. Raymond Boni, electric guitar. Hervé Bourde, flute. André Jaume, saxophones, bass clarinet. Jean-Marc Montera, acoustic guitare. François Mechali, doublebass. Fred Ramanonjiarisoa, piano. Gérard Siracusa, percussions.
Limited to 300 copies. All music by Will Long and Danielle Baquet-Long. Recorded in 2005-2006 at home in Huntington Beach, California. Originally self-released as a limited, handmade edition. new master by m.a.tolosa, Madrid 2011.
De Brassers are one of the most notorious bands in the Belgian new wave/punk history. With their no nonsense attitude they scared the shit out of the local catholic community of Hamont. De Brassers were a local mixture of the Sex Pistols (in the lowest gear) and Joy Division (they always performed a cover version of Joy Division’s Shadowplay), combining a criticism of bureaucracy and politics with experiences of psychological and existential tensions. The doomed sound they produced tells a lo…
Composed in 1979 and edited on LP in 1984 by Amaryllis. Reissue on cd by Oral, 2008. Contrary to an electronic music delighting itself in soaring above reality in self abstraction, the concrete music of Bernard Bonnier has a down on earth hearing, and a dancing too, altough now and then out of beat. Bernard Bonnier has defined chameleon-music as: '...a mime* trying to beat its parth through the puzzle (casse-tête: literally 'head-breaker') of soliciting madness, sundowns, violence, science, love…
Oral label can be quite proud: they dug up all the works by Austria's Monoton, the baby of Konrad Becker and released them before on CD. Monoton's music was its time ahead: minimalist pulses based on analogue synthesizers, thus predating techno, glitch, clicks & cuts, and what's better: it still sounds good. The two previous releases were officially released back then, but the eight pieces were never released, save for two on an EP and a compilation. The pieces were recorded between 1981 a…
CD release of the blau vinyl written and produced by Monoton in 1980. Re-mastered in 2006. It also contains 3 unreleased tracks from that period. Since the late 70's, early 1980's, Monotonprodukt and the "Institut für wissenschaftliche Sensation" (Institute for Scientific Sensations) have been working on the transposition of metamathematical structures, natural constants and resonance patterns in models of "bionic" psycho-active automat music. Publications, installations and long-ter…
Considered to be Becker's masterpiece, the second album (1982) is the more subterranean, moodier one, and it's also the one that I personally prefer. Not to stress the Suicide connection, but at times the tracks really have a gentle Suicide feel softened with a Kraut expansiveness (slowly ever-shifting) that doesn't completely erase the angst underneath. "Water" has an undulating bass synth melody that is later connected to a higher pitched, repeating chirp and some distant, dubbed-out, spoken, …
Hans-Joachim Roedelius and Christopher Chaplin first met in 2010 at the "Gugginger Irritationen 2" festival near Vienna, dedicated to Art Brut. In 2011, Roedelius was invited to play a live piano set for the BBC, which would be recorded and remixed by a musician of his choice, but with whom he had never worked before. Roedelius chose Christopher Chaplin for the task. The result was broadcast on BBC Radio 3's "Late Junction Sessions" program in June 2011. Roedelius then asked Christopher t…
37 solo text-pieces, phonetic poems and poetry duets (with Monika Lichtenfeld) written and composed between 1952 and 2010. Recorded 2011 at Piethopraxis Tonstudio, Cologne by Marcus Schmickler. Comes with 24 page booklet with liner notes by Gerhard Rühm in english & german.You can listen here to "Gebet" (Prayer), 1954, is an example of vocal constellation. The succession of vowels "a, e, i, o, u" repeated in this order is wrapped up in consonants to the point of producing syllabic coordinations.…