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**2022 stock "Funakakushi" [1]: This electronic work was composed for the opening ceremony of the hotel "Funakakushi-en" in Kagawa prefecture in 1963. It was realized as a sound installation and used many speakers inside a built-in stone sculpture. They were designed by sculptor Mitsu-aki Sora (b. 1933) and were arranged here and there in the main garden of the hotel. The sound was made from a modified Japanese traditional instrument, biwa, as well as from a sea wave sound [2]. The engineer Juno…
2013 Release. Kenichi Kanazawa held the exhibition "Oto no Kakera" ("Fragments of Sound') and "Workshop" at the Kawagoe City Museum between 2006 and 2010. At the fifth and final exhibition, he did a workshop and performance with Hiroyuki Ura and Shinjiro Yamaguchi. This performance consisted of some fragments, with Yamaguchi adding his own details. According to his explanation, he tried to capture an invisible figure of music through composition using simple rules and styles. Housed in a …
The Music for Piano series was written under John Cage's influence in his New York years. This CD is the premiere complete recording without simultaneous playing. The series was played and recorded by pianist Takuji Kawai at KEN in Tokyo in October 27, 2012. "Music for Piano No. 1-No. 7" was composed between 1959 and 1961. All the works were written using graphic notations (No. 1, No. 2, No. 5 and No. 6) and instructions (No. 3, No. 4 and No. 6). "This period of my compositions such as 'Music fo…
This is the eighth volume in Edition Omega Point's Experimental Music Of Japan series. Japanese composer and synthesizer artist Kazuo Uehara was born in Osaka in 1949. He studied composition in Tokyo and in New York and is a Professor of Music at the Osaka University of Arts, teaching composition, experimental music and also multi-media performance. His music has been performed in France, Germany, the U.S., and other countries and he has also performed his interactive live music and multi-media …
"Now the previously unreleased material recorded in El Cajon, California, 1991 is ready for release via Denmark's Cejero. The three pieces are among Turman's most hypnotic and sparse recordings. Layers of mystical tones wind in and out of each other in off-center patterns, creating a simple, yet spatial and truly unique atmosphere. No one but Robert Turman could have created this music." These three pieces are among Turman's most hypnotic and sparse recordings. Originally recorded with a 4…
1994 CD release, with some incredible early 70 (1973-1975) recording for Cello And Tape Delay (or Trombone and tape delay)... Gehlhaar is a pretty interesting cat ... long Stockhausen’s personal assistant he blossomed into a composer in his own right in the early 70’s and proceeded to experiment with “computer controlled interactive musical environment(s)” and the sort of computer-free tape-delay manipulation studies as featured on this disc ...(Mimaroglu)In this extended composition, veteran av…
1994 CD release, recorded Jan/Feb 1981 at Darlington College of the Arts, Totnes, Devon, UK. Fantastic recording of some very repetitive and zonked trombone-fueled electronics from this Phill Niblock affiliate, straddling the devide betwixt Stuart Dempster's cavernous echo patterns and terry riley's horn-tape meditations lyou can hear echoes of the same approach i used on ‘playthroughs’ very clearly on 'part iii'. which is pretty amazing as ive only just discovered this now ... another piece of …
Restocked! A double disc set featuring two live performances from Brooklyn's Issue Project Room in 2010 and 2012. This continues the series of recordings released over the past five years on Important Records of Wooley's long form electro-acoustic work and features, alongside the composer on trumpet and amplifier, such leading lights of the experimental music scene as: Chris Corsano, C. Spencer Yeh, Ben Vida, Ryan Sawyer, David Grubbs, Paul Lytton, Matt Moran, Chris Dingman, and the TILT Brass S…
Recorded from 1984 to 1986, The Impossible Humane is the sole album by The New Blockaders side project Mixed Band Philanthropist. Originally released on the German Selektion label in 1987 and impossible to find nowadays, Staubgold makes this rare gem of Industrial goes Musique Concrete available again in a strictly limited edition of 400 copies. Furthermore the reissue contains two bonus tracks taken from the 7 single The Man Who Mistook A Real Woman For His Muse And Acted Accordingly. The album…
2014 reissue. Of the Ra albums I've heard, this is by far the easiest to get into, and the only one I can recommend unreservedly. Attrition had brought the Arkestra down to a sextet, leaving more room for Ra's piano (the driving "Ankh") and the three remaining horns (all saxophones). When Marshall Allen isn't on sax, he's playing gorgeous piercing flute lines (in harmony with Gilmore on "The Bad And The Beautiful"). The one percussion showcase is rousing and joyful, with Ra adding Monk-like brit…
Peter Walker is an American original, as eclectic and enigmatic as the songs he writes. The legendary seventy-five year old raga/psychedelic/folk acoustic guitarist, who was schooled by masters such as Ravi Shankar, and Ali Akbar Khan, has been described by Larry Coryell as, “One of the most original practitioners of contemporary music” and proclaimed by the Beatles’ press agent Derek Taylor as “Perhaps the greatest guitarist in the world.” His music, celebrated by the late Jack Rose, James Blac…
Thrill Jockey seem to be snapping up lots of underground faves, Barn Owl, Eternal Tapestry, Wooden Shjips, Sun Araw, and now Tunnels. For several years, Tunnels has been the moniker for the solo output of Nicholas Bindeman. Over time Bindeman's sound has evolved from the slow, breathing landscapes of his earlier ambient/drone releases (Colour Seance, Vexations) to completely fried-out bedroom psych explorations (Astral Collage, In Between Dreams). The Blackout delves into a world of sound un…
Music From Computer is an exquisite repackaging of influential works from early computer music Jean-Claude Risset, spanning the years 1968 – 1985. It illuminates a fascinating intersection between old-world classicism, musique concrete, and synthesis. Recollection GRM presents computer works from French composer Jean-Claude Risset. "Sud" (1985): This work was commissioned by the French Ministry of Culture, from a project initiated by the GRM, where it was produced circa 1984-1985. The piece m…
2014 repress, Recollections GRM presents four "forgotten" and compelling electro-acoustic pieces from the institute's world famous archive. Recollection GRM, a label within the Editions Mego family of labels, offers a second selection from the vast archives of Groupe De Recherches Musicales (GRM). "The idea of the Traces series is to unearth from the GRM Archives short, forgotten, or ignored pieces of music. This second volume, which gathers works prior to 1976, features the 'early' works of f…
Another indispensable glimpse into the GRM archive courtesy of the mighty Editions Mego, 2014 repress. Beatriz Ferreyra's "L' Orvietan" (1970) is a work composed of two separate movements, the first drawing from electronic sounds, the second from concrète ones. These two sources do not meet, but tend equally towards sound antagonism and a complementarity of spirit. Philippe Carson Turmac's (1961) was created from machine-sounds from the Stuyvesant factories (Holland). Three movements foll…
Mountains re-release this excellent slab of organic electroacoustic drone on Thrill Jockey. Following on from his exceptional Type long-player, Field Rituals, Koen Holtkamp regroups with cohort Brendon Anderegg for a long-awaited new Mountains release. Previously encountered on the duo's own Brooklyn-based Apestaartje label, the Mountains sound proved to be one of the most organic and natural examples of how acoustic instrumentation and digital electronics might be merged together. Plugging guit…
This has gotta be a piece of history right here. These 12 songs comprise Alan Lomax's first recordings of the legendary Fred McDowell in an incredible, on-the-spot document of his soul-stomping, spirit-wrenching blues. Fred is joined by Miles Pratcher on second guitar for a number of songs, and accompanied by Annie Mae McDowell's vocals and Fanny Davis on hair comb, running through a repetoire of spirituals and original songs. We're by no means Blues experts, but you don't need to know jack sh*t…
2014 new reissue. Having sat through two full cd’s of some of the most sublime, drifting piano based variations I’ve ever heard im not quite sure how to go about putting the experience into words. Whilst 'archival' may bring to mind dusty stacks in library basements, there's a slew of old material being reissued by labels at the moment that might just serve to extinguish this semantic connection. A digital reappraisal is American composer William Basinksi, whose extensive 'Variations: A Movement…
Composed in 1979 and inspired by James Elaine's painting of the same name. First released on Three Poplars on LP in 2003. Cover picture: A Red Score In Tile (L'Apocalyse des Animaux), detail, James Elaine, 1979. Canvas, acrylic paint, taxidermied animals. 112" x 120". Title on disc and inner face of back insert: "a red score in tile (1979)".
CD version, housed in a digipack sleeve including a booklet with in-depth, informative liner-notes and pictures. Subtitled 'The Early Works by Bo Anders Persson 1965-1967"' these works by Bo Anders Persson presented on this record were written between 1965 and 1967, before he started the experimental rock band Pärson Sound. All but one track is previously-unreleased. What is the origin of this strange, un-place-able music? What is its place in history, in the unfolding of important conceptual id…