Reissues
Delired Cameleon Family
The original LP was released as a sound track on EMI 1975. Improvisation studio recording with LSD and Hashish. Recording member: CYRILLE VERDEAUX, TIM BLAKE (GONG), GILBERT ARTMAN (LARD FREE, URBAN SAX)...etc. Reissue with elaborate miniature paper sleeve of the original LP. 2008 digital remaster version, limited 1,000 copies!
Februari - April '81
On a rainy night in November 1980 Truus went to see Rhys Chatham's band in her Hometown of Eindhoven. Never suspecting that this evening would change the course of her life ! She met David Linton who played the drums with Rhys. They struck up a whirlwind friendship. Upon their farewell, David mentioned 'come see me in New York'. Fast forward two months later and Truus was in New York. Armed with backing track tapes, David and Truus started jamming around in his loft. Soon his roommate Lee …
For Bunita Marcus
For Bunita Marcus has an aura like that which emanates off Rothko’s greatest paintings, an aura that makes the experience, no less than the creation, more than an act of will, an act of devotion. — Art Lange
Neither
Neither has been identified by some as an opera (it was commissioned by the Rome Opera) but it makes use of none of the conventions of traditional opera. There is no story, no mise-en-scene. The intensity results from emotional/aesthetic tension, not plot manipulation or character confrontation. The music does not attempt to accompany or depict the text in the usual fashion; instead Feldman has created a kind of musical equivalent to the environment that Beckett's words suggest, invoking …
Zummo with an X
Arthur Russell, amplified cello and voice; Bill Ruyle, tabla, marimba; Peter Zummo, trombone; Rik Albani, trumpet; Guy Klucevsek, accordion; Mustafa Ahmed, percussion. with accuracy and humor, peter zummo (born 1948) often describes his unique music as 'minimalism plus a whole lot more.' he is an important exponent of the american contemporary classical tradition whose compositions explore the methodologies of not just minimalism, but also jazz, world music, and rock, while seeking to cre…
Whisper Not / The Wrong Holiday
This latest release on the excellent Forced Nostalgia imprint is by some distance its most illuminating release to date - a split LP that features an astonishing rediscovery from the early 1980's synth-pop era. That album is 'Whisper Not' by Vazz - a duo consisting of Anna Howson & Hugh Small, and is redolent of so much classic, deeply cherished music from around the same period (think Crépuscules, Antena, early Cocteau Twins on the one hand, and The Cure's 'Seventeen Seconds' on the othe…
Voices Of Packaged Souls
Debut release on this new imprint brought to you by FInders Keepers, Pre-Cert Home Entertainment and Boomkat, "Voices Of Packaged Souls" was the first album recorded by Suzanne Ciani, originally pressed up as a private edition of just 50 copies and now available in this limited run of just 1000 housed in screenprinted silver foil sleeves faithful to the original pressing** Dead-Cert is a brand new reissue venture with a focus on genuinely rare archival curiosities of early computer music, …
Heliograms
Much needed reissue of this early computer music classic, recorded between 1977 and 1980 and one of the first albums to feature music produced almost entirely with digital synthesizers. Remastered from the original tapes and cut to vinyl at D&M Berlin - made in an edition of 700 copies only, initial copies come on strictly limited white vinyl* Digitalis dig deep to unearth and reissue one of the first albums to be produced almost exclusively on digital synthesizers. The work of Canadian composer…
Freedom Of Speech
The second album of the Phantom Band is quite different to the predecessor. The line-up features the spoken word performer Sheldon Ancel on the microphone instead of bass player Rosko Gee. Whilst the debut album revealed many Caribbean or African influences and a generally positive frame of mind, "Freedom of Speech" is a somewhat darker avant-garde rock manifesto, interspersed with individual dub or reggae pieces. All they have in common are Jaki Liebezeit's inimitable monotone polyrhythm…
Phantom Band
The first band of Can drummer Jaki Liebezeit after Can split up in 1979. The first line-up (1980) included top musicians such as Helmut Zerlett (e.g. Dunkelziffer, Unknown Cases), Rosko Gee (Traffic, Can), Dominik von Senger (e.g. Damo Suzuki Band, Dunkelziffer), Olek Gelba, and Holger Czukay (Can) as guest musician. The Phantom Band mixes Can-style monotonic polyrhythms with afrobeat, funk, jazz, disco, reggae, and dub. A nearly forgotten exciting musical experience! Release date: March …
Inland
Pyrolator is the co-founder of the legendary German label and publisher Ata Tak, was a member of various seminal post-punk bands such as D.A.F. and Der Plan and released solo albums under his artist name from 1979 onwards until today. His debut album "Inland" from 1979 features cold, urbane, disconcerting synthesizer sounds and aural collages, imbued with the post-punk/industrial zeitgeist as the seventies segued into the eighties. Yet sounding so fresh, it might have been recorded …
Ausland
Just two years separate Pyrolator's 1979 debut Inland and the 1981 album Ausland. Nevertheless, they could hardly be more different from one another. If Inland reflects the industrial decay and politically-explosive atmosphere of 1977 and the years thereafter in the Federal Republic of Germany, then Ausland is a buoyant, playful and yet groundbreaking pop album. There had been some significant developments since 1979. The Ata Tak label, which Pyrolator had co-founded, had hit a rich vein of…
Heartbreaker / Look At The People
Initially conceived in Louisville in 1978 from the ashes of two local punk bands by Tony Pinotti, Bruce Witsiepe (coming from No Fun) and Rik and Dave Letendre (coming from I-Holes), the band Circle X moved to New York soon after. They encountered there a young german painter, Ralph Neun, linked to the art school of Darmstadt. Ralph Neun was living in NYC for about a year, and decided to record a song evoking the city: Rolling Stones' 'Doo Doo Doo Doo Doo (Heartbreaker)'. Ralph Neun booked…
Rot
LP version on 180 gram vinyl. There was a particular type of artist who could only have emerged in the legendary early 1970s. Few musicians fit the bill better than Conrad Schnitzler (Tangerine Dream, Kluster). Revolution, pop art and Fluxus created a climate which engendered unbridled artistic and social development. Radical utopias, excessive experimentation with drugs, ruthless (in a positive way) transgression of aesthetic frontiers were characteristic of the period. The magic words were "su…
At Huseyin's
Rare music from a legendary trio – one who cut two studio albums in the 70s, and reunited for this smoking live date in the early 90s! The lineup is heavy on percussion from Huseyn Ertunc – and from both Phil Musra and Michael Cosmic – although both of those players handle plenty of reeds as well – making for a performance that's really incredible – as the musicians shift effortlessly between instruments, often with this sense of urgency to find new expressions – a creative free play that…
Beyond Unknown Pleasures
In 1987, the legendary Aquilifer Sodality label released a totally unique vinyl LP by one of the best Power Electronics projects of the 80s (certainly at the same level of Whitehouse, Mauthausen Orchestra and a few others) The Sodality. The album, titled ‘'Beyond Unknown Pleasures'', developed through unprecedented psychosexual disorders, hysterical screaming, razor-like electronics , filthy noise and provocative lyrics, torturing the listener to the most extreme, tolerable limit. This album is…
Armageddon
Yet another masterpiece from the archives of Phil Cohran. Armageddon was conceived in 1958 and written down in 1963. After performing with Sun Ra and benefiting from the teachings of the Honorable Elijah Muhammad, Phil Cohran's compositions changed decidedly, and he began to focus on cosmology and culture. This particular performance was recorded live at the Afro Arts Theater at 3900 S. Drexel in Chicago on February 11th, 1968. It has never been released and practically unheard in over 40 years.…
The Spanish Suite
"The Spanish Suite was written to magnify the contribution that Moorish Spain made on the European Renaissance. The relationship of music to cosmic rhythms and harmony was altered from the original state of Spanish music and eventually distorted down to the 12 tone equi-temperment system of tuning. The Artistic Heritage Ensemble was taught to play outside of the 12-tone system and to recognize natural tone relationships. The musicians had to be dedicated to music for life in order to reac…
The Naked Truth
LP version with bonus 7". Every once in a while, a record presents itself so defiant in its refusal of categorization that it becomes the bane of those poor vinyl archaeologists whose business it is to file and classify. The aptly-named The Naked Truth (1975) is one such artifact; a wayfaring stray of an album that weaves its insouciant magic through the edgelands of sound. The musical provenance is palpable -- an electric blend of spiritual jazz, rhythmic black psychedelia and far-out ex…
Our Prayer
Another previously-unreleased gem from South African pianist/composer Chris McGregor and his cohorts in '60s UK free jazz. Our Prayer was culled from the same sessions that produced the also never-released Up To Earth in 1969 and was produced by Joe Boyd and engineered by John Wood at Sound Techniques studio. The previous year they had signed to Joe Boyd's illustrious Witchseason production company alongside Fairport Convention, John and Beverley Martyn, Nick Drake and the Incredible String Ba…