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My Cat Is An Alien also share a split CD with Turntable-manipulator Christian Marclay and cellist Okkyung Lee, and it is their live collaboration “Rubbing” that opens the album. Full of disjointed sounds, scratches and stabs of cello, the piece is a rollercoaster of sonic experimentation, the two players complementing each other to create a wonderfully playful piece of music. After A tentative sounding opening “Beyond The Limit Of The Stars/Beyond The Limit Of The Grooves” Slowly begins to becom…
Aidan Baker is one of the most important emergent artist of the last years...! Probably this is the most important "musical" Aidan Baker release..., in fact here the sound is comparable to the best (obscure) psychedelic post-rock releases including great droning, hypnotic and honeiric atmospheres. Spontaneously composed by Aidan, who plays guitar (electric & acoustic), bass, tapeloops, drum machine and percussion in his droning 'fashion soup'. In this album Aidan uses (as usual) his guitar but a…
Here it is, the Mosaic’s awesome Anthony Braxton set, The Complete Arista Recordings, is a long-awaited dream-come-true for fans of the jazz avant-garde. The set’s liner notes were written by musician and scholar Mike Heffley, who gave Mosaic a draft that was twice as long as what they were able to use. Anthony Braxton is the sort of artist who triggers those heated “Is it jazz?” debates; whatever his music is, it is brilliant. By the time he signed with Arista Records in 1974 at the age of 29, …
A fantastic album by this enigmatic French singer -- one of her first truly experimental albums! The record differs from some of her other albums quite a bit -- and has a very strange mix of styles that go from straight ahead (only a track or two), to wildly experimental. Although longtime partner Areski did contribute to this album, the record also features work by Saravah labelmate Jacques Higelin, plus French jazz players like Georges Arvanitas and Philippe Mate. Great stuff all 'round, and t…
The debt that modern guitarist composers owe to the late Robbie Basho can hardly be overstated. Though Fahey invented the genre and Kottke proved its marketability, it was Basho's technique, vision, and self-image that resonated most strongly with Will Ackerman and the so-called New Age guitar movement he founded. It's a crime Basho's music hasn't been available on record for many years. Now older guitar fans can welcome back an old friend and newer ones can learn where it all came from on this …
Though America was released in 1971 as a single LP, finger-style guitarist John Fahey conceived it as a double album. This CD finally allows Fahey's full vision to be heard (an additional nine tracks are included here for the first time). It's a true treat for Fahey lovers. The title track features the guitarist on the 12-string guitar, sounding more resonant than ever on the seven-minute composition. "Dvorak" is based on the composer's Eighth Symphony, which Fahey tackles in fine fashion. Fahey…
Now Available on Special Edition CD & DVD Set* Living in a media-saturated era where an artist can go from utter obscurity to 'the greatest' within a matter of mere months, it really does pay to look backwards and dig-out genuine gems that have shouldered the weight of a few decades and seem all the fitter for it. 'It's So Hard To Tell Who's Going To Love You The Best' from the late Karen Dalton is one such record. The subject of fevered crate-digging by those in-the-know for years, 'It's So Har…
...Cassette Culture D.I.Y.: 1979-1982 (Volume 1). An introduction to the D.I.Y. cassette scene 1979-84. The U.K.'s original cassette-scene hosted some of the most inept shambling in the history of recorded music, but there was no shortage of musical genius, either (be that accidental or otherwise). From endless bedrooms filled with home-made gadgets, Woolworths guitars, Casios and soldering fumes, came sounds both stunningly simple and sophisticated -- and vastly more varied than anything on vin…
This CD collects the first Smegma long-player, Glamour Girl 1941, originally released on the LAFMS label in 1979, the Pigface Chant 7" released that same year and recorded five years earlier, and even adds in four bonus recordings from that same era. These early recordings of this long-running group of noise anarchists show an extremely primitive but non-conformist take on the musical world, even more so than, say, the Krautrock band Faust, as Smegma adds a messier element of chaos to its sound.…
Aidan Baker's I Wish Too, To Be Absorbed is a 2-disc compilation of tracks from various out-of-print, limited edition releases spanning the last 10 years of Baker's output, ranging from his very first release to material that was featured on the soundtrack to a book of his poetry. Toronto based composer Aidan Baker works under his own name, under the name Nadja along with bassist Leah Buckareff and also with the trio ARC. Hailing from the Great White North, Baker incorporates guitar, drums, bass…
In 1987, Loren Mazzacane Connors first played with his future wife, Suzzane Langille. Together they performed Langille-adapted traditional and gospel standards, slowing them 'down to a crawl'. Two albums were released on his own St. Joan label under the moniker Guitar Roberts with Suzanne Langille, entitled Bluesmaster 1 and Bluesmaster 2. This album represents the best of their material as a duo from those two records, plus the one song they performed as a duo from Loren's 1989 In Pittsburgh fu…
Six months in the making, The Spectrum Between reflects the changes brought on by David's relocation from Chicago, a home of ten years, to Crooklyn. No longer able to easily draw upon the musical associations built up over years spent in the midwest, David progressed slowly with the new material. Eventually, a worldwide pool of collaborators were drawn into the project -- including Noel Akchote, and others from the Rectangle records collective, Swedish reed sensation Mats Gustafsson, and the omn…
Long awaited reissue of this historic pre-FMP album by Peter Brotzmann. Known to many for it's placement on "The List" (T. Moore's Top Ten list of free jazz artifacts as published in Grand Royal of course), this is one of the most desirable and completely unseen albums in the genre of modern improvisation. Recorded April 18/24, 1969 and released on the Calig-Verlag label. Simply put, Nipples is one of the rarest and most influential European energy jazz recordings of all time. The incendiary Sex…
Documents the early recordings of Glenn Branca within the realm of his legendary no-wave ensembles The Static & Theoretical Girls. Contains all the recordings from both singles by these groups, plus "outrageous and inspired home cassette recordings from the time." Crucial no-wave-into-the-eighties reference point, and some extremely influential music.
For the first time ever, this book wolfgang voigt – gas presents the visual aspect of the comprehensive gas project. it is not meant to be a monolithic retrospective of his visual work, but it features a broad spectrum of photographic images taken between 1995 and 1998 showing many different moods and perspectives of wolfgang voigt’s cosmos. what they all have in common, however, is the mystical focus and seemingly, the blurring of boundaries between lightness and darkness, happiness and depress…
Sub Rosa presents Pauline Oliveros' early and definitive tape and electronic music of the late fifties and sixties -- all released for the first time ever! Born in Texas in 1932, Pauline Oliveros is more than ever an important American composer. Her accomplishments speak to an array of disciplines: her pieces for accordion; the creation of the Deep Listening Institute, a center dedicated to fostering artistic creativity through workshops, performances, and new technologies; her approach to impro…
Generazioni del Cielo is a contemporary musical work in the form of oratory; it is born from a development of matured musical language across polyvalent experiences, that range from classical composition to the production of music widely listened to. The subject originates from the will to tell a story that is not usual, a story without real events but with real and felt emotions, drawing from contemporary literature and also taking cues from sacred texts. In the production, the music, which is…
This is Ryoji Ikeda's fifth solo CD and his third for Touch, following the highly acclaimed +/- [1996] and 0*C [1998]. He previously released 1000 Fragments on his own cci recordings, and Time and Space, a double 3” CD, for Staalplaat. Ryoji is constantly touring as part of the Japanese performance group Dumb Type, who are shortly to undertake a tour of Japan, and also as a solo artist.
Fluxus & Happening Friends was presented at L'Autre Caserne on the evening of October 21st 1998 in Limoilou, Quebec. The selection of artists and the choice of fluxus scores had been entrusted to Larry Miller, who also served as Master of Ceremony on that occasion. The actual documentation is an historic testimony of the Action Art as conceived and performed by fluxus. Alos, Dick Higgins made his last public appearence that night since he died shortly after. Scores by: Ay-O, Georges brecht, Al H…
3 CDs and a booklet of 70 pages (English and Spanish) for an anthology of the Mexican Electroacoustic Music from 1960 to 2007 under the direction of Manuel Rocha Iturbide. Composers from the first generation: Carlos Jiménez Mabarak, Manuel Enríquez, Manuel de Elías, Mario Lavista, Julio Estrada, Francisco Núñez, Héctor Quintanar. Composers from the second generation: Javier Álvarez, Roberto Morales Manzanares, Vicente Rojo Cama, Antonio Russek, Manuel Rocha Iturbide, Guillermo Galindo, Antonio F…