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"In the summer of 1966 I worked in the classical Electronic Music Studio at the University of Toronto for six weeks. The system I used to create No Mo and Something Else consisted of Layfette tone generators, noise source and tape delay. In the Fall of 1966 I was the newly appointed director of the Mills Tape Music Center formerly the San Francisco Tape Music Center and now the Center for Contemporary Music at Mills College. Bog Road was created at the Mills Tape Music Center in the Summer of 19…
Pauline Oliveros completed Beautiful Soop (1966) and Alien Bog (1967) utilizing the original Buchla Box 100 series created for the Tape Music Center by Don Buchla and her tape delay system. "I was deeply impressed by the sounds from the frog pond outside the studio window at Mills. I loved the accompaniment as I worked on my pieces. Though I never recorded the frogs I was of course influenced by their music."
One of our favourite "pure drone" album consisting of 3 amazing long tracks by Pauline Oliveros. I of IV was made in July 1966 at the University of Toronto Electronic Music Studio and was first released by CBS alongside works by 2 other young composers - 'Come out' by Steve Reich and 'Night music' by Richard Maxfield. It is really only in recent years (born out of the more radical elements of dance music, Electronica and ambient music) that music like this is being rediscovered by a growing numb…
2018 repress now packaged in a 6 panel digipak with heavy-duty stock and a matte finish. The Wanderer is based on a single modal scale (B C# D D# E F# G#) and rhythmic modes based on a meter consisting of 3/4 and 3/8. Part I, "Song," is intended to explore the unique resonant qualities of accordion reeds through long sounds. Subtle variations come about from differences in tuning and air pressure. Part II, "Dance," demonstrates the sharp accenting power of the accordion bellows in a mixture of c…
The long awaited soundtrack of the Ghostdance music and dance collaboration between Oliveros and Paula Josa-Jones, commissioned by Lincoln Center Out-of -Doors. "The Gkostdance collaboration with choreographer Paula Josa Jones began in Monterrey Mexico supported in turn by two month US/Mexico Exchange Fellowships from the National Endowment for the Arts and FONCA. Together with our host—composer/ ethnomusicologist Arturo Salinas—we attended El Dia de los muertos in Chalco to help inform our work…
Compositions for Euphonium and Trombone, recorded 1978-80. To make his third solo album, Rutherford went into a studio with both trombone and euphonium and used over-dubbing techniques to create unique pieces involving up to four brass instruments. The only completely solo performance features the euphonium. A couple of short tracks feature the trombone played back at double speed -- one of them accompanied by a howling dog (the only other performer involved). This CD also includes two superb so…
Back from a journey to Mexico Paul Panhuysen brought mexican jumping beans which are sold there as toys on the local markets. When in Eindhoven he began to experiment with these beans in different settings. As a result a cd with different recordings was published which used piezo discs as contact microfones, while beans are activated by lamps. The beans were jumping in eight containers made of various materials like plastic, aluminium or wood among others.
A sound recording never preserves quite what it claims to preserve. Aspects are missing and alien elements introduced. On this CD there are many voices (from old records & wax cylinders), but always the surrounding noises draw the attention. Paul DeMarinis is a sound engineer who collaborated with several avantgarde composers, and then became an avantgarde composer himself. His compositions for speech, processed and synthesized by computers, such as Beneath the Numbered Sky, are collected on Mu…
Digipack CD featuring two works by Patrick Ascione: "Primitive" (1995); "Espaces Paradoxes" (1987-89). RE: "Espaces-Paradoxes": "The first acousmatic work designed and projected in 16 real tracks, in full stereo. It deals with the question of writing a three dimensional space into the very act of studio composition. A continuum of singular spaces, real and suggested, give rhythm to the overall structure. The alternating of imagined spatial situations that oppose each other, answer each other or …
Long before the large audiences came to discover him in the middle of the Eighties, Pascal Comelade has always been an electronic and electro-acoustic music lover. Influenced by or having relationships with musicians like Richard Pinhas, Brian Eno, Robert Wyatt, Carla Bley or Michael Nyman, this French artist has been able to create a music often described as minimalist, made of concise melodic fragments and brief musical experimentations. Listening to Back To Schizo - 1975-1983 enables to measu…
cardboard digipack edition, 11-page booklet features recording details and discography. All the tracks had appeared on different compilations (from X / 1982 to VII / 1986) before they where restored and compiled during 1986 for Tiochor which was released II / 1987 as LP (Selektion SLP 013). Three bonus tracks (recorded 1987 - 1991 ; N° 16 - 18) have been added for this CD reissue
A collection of recent tracks, recorded by the Organum core of David Jackman, Michael Prime, Dinah Jane Rowe and Jim O'Rourke; further mastering of sound cluster presentation and development.
Selection of Korean classical music, performed by the Orchestra National Center for Korean Traditional Performing Arts. Cast your mind back to the 15th century. That is, of course, difficult if not impossible to do, but the major piece recorded on these CDs, Yomillak, 'Giving the People Joy', provides something of a sonic reference point: it was first performed in 1447. Y'millak is the most extended piece of orchestral court music surviving in Korea, and it has for many centuries been used for r…
'Olivia block's 'Heave To' is her fourth full release under her own name (her first two are on sedimental, the most recent on jason kahn's cut label) and marks both a new maturity in her compositional prowess and also a new confidence. 'Heave To', a composition in three movements, is an investigation into the deep structures of maelstroms. A roiling mixture of crashing waves and wind, jagged strings, clanging metal, complex electronic textures, and clusters of chamber instruments. In our opinion…
“Block is an electro-acoustic and modern instrumental composer whose recorded compositions combine layered, processed wind and string instruments with processed sounds from sections of field recordings she has collected from various natural landscapes. Her performances include minimalistic scored musical sections played live by a quintet accompanied by taped material , often sounds of field recordings, or the same quintet previously recorded and electronically manipulated. block herself “…
Though Homotopy To Marie is the fifth album by Nurse with Wound, Steve Stapleton has said that he considers it the band's true debut because it's the first one he created by himself. Slowly created over the course of a full year's worth of studio sessions (Stapleton having booked one six-hour block per week for 52 weeks), Homotopy To Marie is no less unnerving and experimental than Nurse with Wound's previous albums, but it's far less chaotic. Stapleton created the album's five songs (four on th…
The final document. Shipwreck Radio is a series of albums by Nurse With Wound documenting their residency in Lofoten, Norway during June and July of 2004. Invited to stay in the unofficial capital, fishing village Svolvær, Steven Stapleton and Colin Potter were commissioned to produce 3 radio broadcasts per week for local station Lofotradioen of music constructed from whatever they heard or could find around the island. The project was instigated by Anne Hilde Neset and Rob Young of The Wire and…
Volume 2. Eight enigmatic episodes from Utvær. A double CD in a full-colour 6-panel digipak. Between June & July 2004, as guests of Kunst I Nordland, Nurse With Wound broadcast twenty four unexpected radio transmissions from the Arctic Lofoten Islands. Seven of these transmissions are included on this double CD, packaged in a six-panel digipak. Bringing no instruments, they were left in the tiny fishing village of Svolvær with minimal equipment, and told to get out and make whatever they wanted,…
The latest nurse album finds Seven Stapleton and Colin Potter spending time on norway's lofoten Islands inside the arctic circle with no instruments and minimal equipment and sending regular broadcasts to resonance fm via lofotradioen local radio. This double disc on Potter's ICR label contains 7 of these broadcasts. Windswept field recordings, fishing trawlers, metallic dockside clanging, hallucinatory and grinding sounds mutated, mashed and re-configured as only the Nurse can, a superb collect…
nu creative Methods was formed by Pierre Bastien & Bernard Pruvost in the 70's. 500 copies of their first Lp, nu Jungle Dances, came out in 1978, on the D'Avantage label. A very few copies were actually sold, despite some excellent critics, and since then, this Lp has never been reissued. The music featured on nu Jungle Dances is improvised, played with Asian, African and Western instruments. To cut short a long story, let's say the result is human, exotic, and free. Because of the Lp musical qu…