Reissues
The tape music of Noah Creshevsky 1971-1992
Reissue of 8 pieces from 1971 to 1992, mainly tape collage, using instrumental (including disco dance music or rock music), vocal, and concrete sounds. "In Other Words..." features the voice of John Cage. Noah Creshevsky is a Julliard-educated composer with a sense of humor and fine taste in vests. "Since studying with Boulanger in Paris and with Berio at Juilliard, New York avant-garde-ist Noah Creshevsky has been director of the Center for Computer Music, professor of music at Brooklyn Colle…
Sounds Of The Indian Snake Charmer
Indian snake charmer`s music. The track is composed using very rare traditional double reed instrument called `Pungi` also called as `Been` that produces strange vibration of sounds that tranquilizes the cobras
Paura
N.A.D.M.A. was officially born between August and the beginning of September 1972 during time spent in a little village in the Tuscan-Emilian Apennines. The identity and musical orientation of the collective centered on the convergence of heterogeneous interests and sensibilities coming from avant-garde jazz experiences liberated by post-free currents, from classical studies, or from musicians also active as visual artists who had cultivated an instrumental practice utilizing spontaneous …
Bringing up baby
rare UK album from 1981. Musique Concret were an obscur London duo composed by Jim Friedman & Michael Mullen with a short lived musical history : their sole album 'bringing up baby' was originally released on Steven Stapleton's label United Dairies and there is also one short track on compilation. This is a great experimental power electronics works with the use of many delay and echo, tape recorder manipulations, collages, rhythms box, noise, and others studio trickery, naturally close to Nurse…
Leave The City
The music we find here is an extremely experimental form of electronic jazz which is not a million miles away from the styles of early German Krautrock bands such as Kraftwerk and Tangerine Dream. Originally issued in 1970. This was the second of 2 MEV albums to released by BYG in 1970, following The Sound Pool (which featured Alvin Curran, Richard Teitelbaum & Frederic Rzewski amongst others). It features floating, droning free music freakouts of the finest cosmic quality and this reissue is a …
Rome 1968
The original MEV (Allan Bryant, Alvin Curran, Frederic Rzewski, Joh Phetteplace), recorded in the spring of 1968 in Rome. "Vault find recordings of a MEV concert from Spring of 1968, featuring the original lineup of Allan Bryant (synthesizers), Alvin Curran (percussion, trumpet), Frederic Rzewski (percussion), and Jon Phetteplace (cello, percussion). Booklet reprints prime Bryant rants on church/state separation ('TH' 10 GRAETST AMERICNZ WR AGENST ORGANYZD RLIJN (OR)'), questionable medical prac…
Silver Pyramid
Matchless Recordings presents an historic recording. Eddie Prévost's Silver Pyramid performed by Music Now Ensemble directed by Keith Rowe in London in 1969. Includes Cornelius Cardew, Lou Gare, Keith Rowe and others. The music is continuous. Time codes have been inserted at intervals to assist retrieval. Pre-Scratch Orchestra Ensemble formed by / for the occasion of the four day 'Music Now' event at the Roundhouse, 1969. The motley crew perform Eddie Prévost's 'composition' 'Silver Pyramid'. En…
For Bunita Marcus
Morton Feldman (1926-1987) remains a legendary and key figure in modern American composition. A pioneer of aleatoric and indeterminate music, he was a master of minimal improvisation. Despite many thematic fluctuations in Feldman's compositional style throughout his career, a significant turning point took place in 1949, when he met John Cage, commencing an artistic association of crucial importance to music in America in the 1950s. Cage was instrumental in encouraging Feldman to have confidence…
Morton Feldman
Beautiful collection of Morton Feldman's earliest, shorter piano works from the early 50s, going through the late 70s
In Streams (Volume 2)
2001 release. Like Volume 1, this CD also contains excerpts from three concerts (all in London this time) and a studio piece. Morphogenesis plays a few concerts a year, almost always in London. Concerts have always yielded their most varied material, but until now, their CDs have mainly documented their studio work. Both volumes of In Streams redress this. Of the concerts; one is a whole piece from the Spitz concert organized by Eddie Prévost, then there is a short extract from the Red Rose whic…
In Streams (Volume 1)
This is the fifth CD release by Morphogenesis, and the first since 1998. Although Morphogenesis do not play live very often, it is certainly their preferred working situation, where the interaction between the space, the people present and the available equipment create a variety of different situations. Substantial extracts from nearly all of their recent concerts appear on this, and a second volume. There is also the inclusion of one studio recording per CD. Perhaps one reason for their infreq…
Charivari music
This third full-length by London improv collective Morphogenesis was released in 1996. Formed in 1985, Morphogenesis consisted of seven people at the time of recording, but for all the sessions, except the live track, the line-ups are amalgams of various members and instrumentation. All tracks are free improvisations that were recorded direct to two channels and later edited with no other post production. Recorded between 1993-1996. "Shorepoints" was recorded live at the LMC Festival 1994. Featu…
Gyromancy
Mnemonists eventually evolved into the incredible Biota band. Before they did they released a series of LPs, including the art work that surrounds and informs their approach to improvisation. As Mnemonists their work is darker and more ominous than that of Biota, but the process was still the same: post-processing live improvisation to construct larger works that stood on their own two feet as compositional pieces. Think AMM, Organum, Faust; Mnemonists embraced their strategies but created somet…
Horde
The 1981 electro-acoustic electronic classic by the group that morphed into Biota. Their 3rd album & their first true classic, which is a high-water mark of churning sonic storms. The first release by the Mnemonists to be reissued on CD & one of their finest works overall. Based in Fort Collins, CO, the Mnemonists gave modern American experimental music a good name in the early 80s as they dug themselves out of the trenches of post-industrial alignment. Ultra-detailed processing, beautiful graph…
Triptych of poisoners
2005 release. Milk From Cheltenham is the first in a series of Alga Marghen editions documenting the activities of the It's War Boys underground label, founded by Amos (of The Homosexuals fame) in the late 1970s. The original LP was issued in an edition limited to 300 copies. The material was recorded from 1979 to 1981 but wasn't released until 1983 due to problems with the silkscreened sleeve. The band only put out this record, a real hidden gem. Lepke said that he wanted it to sound like …
Maros at Ems (1970-1979)
Analog and computer-generated electroacoustic music and mixed pieces for voice, instruments and live-electronics, realized at EMS - the Stockholm Electronic Music Studio. (now the Stockholm Institute of Electroacoustic Music) 1970-1979. Miklós Maros was a composition teacher at the Stockholm secondary school of music in Stockholm, (1971-1973), teacher at the Electronic Music Studio in Stockholm (EMS) (1971-1978), and lecturer in electronic music at the College of Music in Stockholm (1976-1980…
Novum Organum / Liber Duodecim Portarum / La Nuit D'Hermès
Novum organum... commissioned by INA-GRM & composed in 1993. Liber Duodecim Portarum commissioned by INA-GRM & composed in 1983. La Nuit d'Hermès commissioned by Radio France. Italia prize 1981.
Appel D'Air
Desert sounds, assembled from concrete recordings in the Mojave. Draws you in - a kind of ultra-radical wallpaper music; sometimes extreme and always somehow on the point, never redundant. Like much of this music, a dark room opens a new ear. Also includes Pacific Tubular Waves.. the LP has this and another piece but not Deserts. And it comes with a 3-D cover and red-green glasses. On 'Appel' MR turns from water to the sounds of air - transformed.
l'Opera concret
Michel Chion's music concrete from 1971-1997, mostly inspired by classical forms. The compositions are 'Etude d'apres Beethoven' and excerpts from other works. Opera is the central theme. As Chion says, "With concrete music, we can create an 'opera for the ear' in which the composer, because he is working on a sound that is fixed, with its own time and space, finds himself with the possibility of providing the music, decors, lighting and also conducting and directing this theater of louspeakers.…
On n’arrête pas le regret
LAST COPIES, already out of print - Beatiful early compositions for the well known INA composer: 'Sambas pour un jour de pluie' (1985), 'La machine à passer le temps' (1972), 'On n'arrête pas le regret' (1975)