Reissues
Preludes a la vie
LAST COPIES, already out of print: Préludes à la vie (Preludes to Life) combines pieces from 1972 to 1991 in two electronic operas. In Le prisonnier du son (The Prisoner of Sound) a single human voice tells the story of a lone character trapped in a world of manipulated sounds. The title piece is a series of technical exercises in the possibilities of musique concrète.
This second album on empreintes DIGITALes, as with the first one, consists of very different works which are quite separated in …
TU
BROCOLI is proud to release Michel chion's masterpiece, his concrete melodrama TU. Composed in 1977 and reworked in 1996, it is now available for the first time on record for Mozart Year 2006! Indeed, TU's Franco-German libretto is based both on the spoken scenes of Mozart's famous opera Die Zauberflöte (The Magic Flute) and on verses from French poet Robert Desnos (taken from his Corps et Biens). This dense text is sometimes declaimed, at other times roared or murmured by 15 interpreters, inclu…
Michael von Biel
An astonishing CD with the usual RZ deluxe touch by the well-known fluxus related cellist. Michael von Biel (born 30 June 1939 in Hamburg) a German composer, cellist, and graphic artist. Von Biel studied piano, theory, and composition in Toronto (1956–57), Vienna (1958–60), New York (1960, with Morton Feldman, amongst others), London (1960, with Cornelius Cardew), and Cologne (with Karlheinz Stockhausen). From 1961 to 1963 he attended the Darmstadt Vacation Courses for New Music. In 1964 he rec…
Cellomusiken 1970-71
'Deutsche Landschaften' (1970). 'Cellokonzert' (1971). Michael von Biel (violoncello).Booklet languages: English, German (16 pages in total with digipak).
3 phases
Michael Snow - 3 phases is thus a three cds set, presenting piano works from this extraordinary artist, accompanied by a 48-page booklet including a text by Raymond Gervais commissionned specially for this publication. A milestone."Vancouver-based painter, piano player and conceptualist Michael Snow is celebrated in this eclectic three CD box set of solo piano divided into three separate phases: piano antique; piano biologique; and piano mécaniq…
Lorca
a five stars masterpiece - continuing his jazz explorations, Buckley created the most 'out' album of his career. The 5/4 time signature title track is strikingly weird with haunted house pipe organ and two faster-paced numbers, the mellow contemplative love song 'I Had A Talk With My Woman' and the slightly funky blues-based 'Nobody Walkin',' are even fun. The band is Lee Underwood, John Balkin (bass, haunted house pipe organ on 'Lorca'), and Carter Collins (congas)
Zyklus - Four Realizations By Max Neuhaus
2004 release. Four previously unreleased realizations of Karlheinz Stockhausen's "Zylus" (different recordings than the one featured on the Columbia LP Electronics and Percussion -- Five Realizations. Recorded 1959-68. The term "New York School" refers to a circle of composers. "Zyklus" was written in 1959 and is one of the first solo pieces to utilize such a large number of percussion instruments (twenty-one). When Max Neuhaus first started to play this piece there were only three percussi…
The New York school. Nine realizations of Cage, Feldman, Brown
2004 release. Previously-unreleased recordings, made 1964-1968. Different realizations than those featured on the Columbia LP Electronics and Percussion -- Five Realizations from '68. The term "New York School" refers to a circle of composers in the 1950s who orbited around John Cage: Morton Feldman, Earle Brown, Christian Wolff and David Tudor, above all. Their music paralleled the music and events of the Fluxus group, and drew its name from the New York School of mostly Abstract Expressioni…
Fontana mix-feed
Rare and now long out of print LP, originally released on Mass Art, performed and realized by Max Neuhaus. Technically, this LP consists of four realizations of John Cage’s 1958 Fontana Mix, an indeterminate graphic score originally intended to be used for a tape piece, with or without additional instruments. To say that, though, is not really to capture the unique nature of this music, or the unique nature of percussionist and electronic music pioneer Max Neuhaus’ take on Cage’s material.…
Genocidio 20
Italian composer maurizio bianchi (1955) produced his first tapes of noise in the early 1980s, at the peak of the industrial scene, but his chaotic dissonant orgies harked back to the musique concrete of the 1950s, despite similarities with Nocturnal Emissions, Metabolist, Whitehouse, early Throbbing Gristle.
Morendo
1990 release. Six compositions by the German composer Mathias Spahlinger: ("Morendo" for orchestra), ("Yon Hier" for string quartet), ("Vier Stücke"), ("Entlöschend"), ("Storung" -- electronic music), ("Sotto Voce" -- choral work).Mathias Spahlinger is a composer. His compositions play out in the area of tension encompassing the most diverse musical influences and style directions: Spahlinger’s works portray conflicts for which there are no defined models as such, between Renaissance and jazz…
Complete "La Grima"
"La Grima (Tears) was performed on August 14, 1971, at the Genyasai festival in Sanrizuka, Japan. The first six minutes or so of this performance can be heard on the omnibus LP Genya (released on CD in 2004). This CD presents the complete, unedited version of the performance.As if to slash through the audience's scornful, jeering reaction to Takayanagi's opening remarks, the group launched into a fiercely convulsive performance. Despite having a variety of objects thrown at them, Takayanagi and …
Live independence
Another previously unreleased archive release from Takayanagi, the premier Japanese free-guitar stylist. Recorded live in 1970, waves of trademark feedback abound, but also some more serene segments with flute, freedom atmospherics, etc. Not as overwhelmingly brain-bombing as his previous release on the label (PSF 41), but definitely another important piece in the crucial documentation of Takayanagi's career.
Call in the question
Takayanagi is the premier free-guitarist legend in the Japanese underground story. This CD features unreleased material by the master, from 1970. The sound is heavy improv, with Takayangi's explosive feedback wail in prominent display. As fine an introduction to his music as you could hope for (most of his albums from the '60s & '70s are impossible to track down)
Eclipse
Originally released in 1975 as an LP on Iskra Records (ISKRA-001). 'First session 1: Gradually Projection'. 'First session 2: Gradually Projection'. 'Second session: Mass Projection'. New Direction Unit are Masayuki Takayanagi: electric guitar. Kenji Mori: alto saxophone, flute, recorder. Nobuyoshi Ino: bass. Hiroshi Yamazaki: drums, percussion. Recorded by Mikio Aoki in Tokyo, March 14, 1975. Includes liner notes in English by Alan Cummings.
Axis another revolvable thing. Vol.2
Originally released in 1976 as an LP on Offbeat Records (ORLP-1009). Masayuki takayanagi New Direction Unit. Masayuki takayanagi: guitar. Kenji Mori: reeds. Nobuyoshi Ino: bass, cello. Hiroshi Yamazaki: percussion. Recorded live at Yasuda Seimei Hall, Tokyo, September 5, 1975. Remastered by Tsutomu Suto. 'Fragment I: Gradually Projection'. 'Fragment IV: Mass Projection'. 'Fragment V: Mass Projection'. All compositions by Masayuki takayanagi. Includes liner notes by Teruto Soejima in Japanese an…
Axis another revolvable thing
restocked! Originally released in 1975 as an LP on Offbeat Records (ORLP-1005). 'Fragment II: Gradually Projection'. 'Fragment III: Percussion Solo'. 'Fragment VI: Mass Projection'. All compositions by Masayuki takayanagi. Masayuki takayanagi New Direction Unit: Masayuki takayanagi: guitar. Kenji Mori: reeds. Nobuyoshi Ino: bass, cello. Hiroshi Yamazaki: percussion. Recorded live at Yasuda Seimei Hall, Tokyo, September 5, 1975. Remastered by Tsutomu Suto. 'One begins to see--and hear--each sound…
Cartridge Music, Cifre, Four Systems
Works performed and arranged by Italian composer and Nuova Consonanza member Mario Bertoncini in 1970. Includes pieces by Cage ("Cartridge Music" for amplified "small sounds"), Earl Brown ("Four Systems" for prepared piano), and Bertoncini ("Cifre" for two or more pianos).
Erratum musical
the principle of musical erratum is simple: you choose a keyboard - any keyboard - you draw each note at random - no note can be struck twice, but all are struck - the resulting whole is played without any particular modulation, "a uniformity de rhythm, anaccentuation" says Duchamp.tThe premises of minimal and aleatory art are thus expressed in "the green box", published in 1934 (although the writings date back to 1912-15). to do this, we chose to use a piano (a bösendorfer)7 VARIATIONS ON A DRA…
The seasons: Vermont
The Seasons: Vermont is a soundscape of Vermont as charted through the changes of its yearly soundings. It is a composition in four parts (Summer, Autumn, Winter, Spring) for magnetic tape collage with an unspecified live instrumental/vocal ensemble. Though the actual composing of the music was completed between 1980 and 1982, it is the realization of a ten-year composition project. Goldstein listened closely and became attuned to what was the particular sound quality of each season in Vermont. …