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Beautiful, floating-above-Earth photos from a Nasa space mission adorn this sharp looking digi-pak from Nepless, an Italian label bent on reissuing some of the most lovely of the long lost electro-acoustic pieces. Edgardo Canton was a member of the GRM from 1959 to 1965, and an independent composer who worked there until 1973. This CD collects three of his principal works from the 1960s and another from 1984. “Animal Animal” (1962) is comprised of very quiet and empty deep space floatation produ…
Compositions for the Hyperion ensemble by Dumitrescu, Avram, Hodgkinson and Cutler recorded at the Nancy-Vanoeuvre festival. Contents: New Meteors and Pulsars (Dumitrescu, 1982). For Tape and Percussion. Tape by Iancu Dumitrescu, Soloist, Chris Cutler. Nouvelle Axe (Avram, 1988) Hyperion Ensemble. Life On Earth (Cutler, 1998) Hyperion Ensemble with Ana Maria Avram, Prepared Piano and Tim Hodgkinson, Clarinet and Bass Clarinet. Black Death and Errors in Construction (Hodgkinson, 1988) Hyperion En…
Croatian composer and pianist Dubravko Detoni is a name barely familiar to even the most hardened and fanatical followers of avant-garde composition. Although he has managed to consistently escape almost all forms of wider public recognition, Detoni has, since 1970 -- both in the solo context and with his Acezantez ensemble -- doggedly pursued a singular and unique musical path. Drawing on the conventions and traditions of modern composition, avant-garde electronics, musique concrète and group a…
Tape music fans pay attention now, this re-issue of Dutch tape-pioneer Dick Raaijmakers’ complete tape work is about as crucial as it gets. Basta has long been making a name for itself issuing shockingly well-presented boxsets of the early electronic music of Raymond Scott among others, but this triple disc package is a real revelation. Dick Raaijmakers may not be a household name to many of you; he didn’t have the profile of Iannis Xenakis or Karlheinz Stockhausen or the semi-mainstream pull of…
All of the music from the 1975 Wigmore Hall (London) concert by this duo then nearing the mid-point of their twenty years of work together. On CD for the first time. Reissue of Incus LP 16 plus 31 minutes of extra material.
Jamie Muir, percussion; Derek Bailey, guitar. Carminative (08.48), I soon learned to know this flower better (07.14), Jara (07.49), Dart drug (25.50). Recorded at Crane Grove, London in August 1981. Cover photograph (reproduced above) by Jamie Muir. CD is a re-issue of the LP issue which is no longer available.
Recorded live at Verity's 1972, this CD represents possibly the finest duo performance of Derek Bailey and Han Bennink. Reissue of the rare LP on Incus
In an allusion to Michel Chion’s ‘Dix études de musique concrète’, this collection of acousmatic moments represents a meditative opportunity for Denis Dufour. Sorting through his repertoire, it aims to seek out and identify characteristics and easily recognizable expressive habits whose clarity brings them close to the art of melody in an approach borne of entomological specimen classification and playful staging at the same time. Neither text nor theatrical contexts. Twelve short pieces; melodi…
In Bocalises, Denis Dufour explored with virtuosity the sound possibilities of a sole sound source, glass jars broken, crushed and mixed to themselves to infinity. Fifteen years later, he takes up the material and, with digital tools, presents a retouched and recoloured version to give a new power and poetic richness to the initial energy.
"Stratosfera" offre in cd tutta la sua produzione per la Cramps con ben cinque album raccolti in uno splenido box deluxe ["Cantare la voce", "Metrodora", "Le milleuna", "Recitarcantando" e "Concerto Dell'Elfo"] Awesome deluxe 5 CD box set documenting one of the most important artists in Italian musical history. As lead singer for prog art terrorists Area, the Greek-born Stratos used his voice as an instrument in ways never heard before or since. Some of the weirdest purely vocal music ever made …
A collaborative project of the Deep Listening Band and the Long String Instrument Band, featuring new works by Pauline Oliveros and Ellen Fullman. Both works were composed specifically for this ensemble. The instrumentation included Fullman’s Long String Instrument, Oliveros’s expanded accordion, and Dempster’s virtuoso trombone and didjeridu as well as David Gamper’s voice, spatial distribution, manipulation and sound design, timbral transformation, and technical coordination. A performance tou…
This historic release of a simultaneous performance by David Tudor and John Cage of Rainforest II and Mureau, recorded live by Radio Bremen on May 5, 1972, preserves the only surviving performance of the second of Tudor’s “Rainforest” series. In addition, it documents one of the precious few recorded collaborations between these two visionaries.In 1970 Cage composed the piece called Mureau, in which phrases from Thoreau’s journals (in particular, passages which touch on the subject of music) are…
Douvle CD set with recordings by the legendary 20th century avantgarde pianist performing compositions by (and with) John Cage, Sylvano Bussotti, Morton Feldman, Christian Wolff.
1995 release. Neural Synthesis Nos. 6-9 combines the art of music, the engineering of electronics, and the inspiration of biology. In it, David Tudor orchestrates electronic sound in ways analogous to our biological bodies' orchestration of consciousness. The performance originates from a neural-network synthesizer conceived and built especially for Tudor. He surrounds this synthesizer with his own unique collection of electronic devices, and in the recording on this CD made for headphone playba…
Originally released on Lovely Music as Pulsers / Untitled in 1984. This re-release includes an additional piece from David Tudor, Phonemes. Pulsers explores the world of rhythms created electronically by analog, rather than digital, circuitry. With analog circuitry, the time-base common to the rhythms can be varied in many different ways by a performer, and can eventually become unstable. Untitled is a part of a series of works composed in the 1970s that were developed through experiments in gen…
This CD of early works by David Tudor, available also as the CD insert to Volume 14 of Leonardo Music Journal, presents three previously unreleased works. 'Anima Pepsi' (1970), which combines sounds of animals, insects, and other like sounds with electronic processing, was composed for the EAT (Experiments in Art and Technology) pavilion at the World's Fair in Osaka, Japan, in 1970. 'Toneburst' (1975), a classic, commissioned by the Merce Cunningham Dance Company, is based on pure electronic fee…
David Rosenboom (b. 1947) has been widely acclaimed as a pioneer in American experimental music since the 1960's. He is a composer, performer, conductor, interdisciplinary artist, author, and educator having explored ideas in his work about the spontaneous evolution of forms, languages for improvisation, new techniques for ensembles, cross-cultural collaborations, performance art, computer music systems, interactive multi-media, compositional algorithms, and the structure of the brain and nervou…
CD reissue of biofeedback/brainwave music masterpieces from 1971 to 1974, using analog synthesizers, piano, and text. Includes a bonus track, a previously-unreleased 2001 piece featuring biofeedback-driven computer synthesis, violin and oboe. With original cover art. Listed in Alan Licht's "Minimalism Top 10 Pt. 3": "The sidelong 'Portable Gold and Philosopher's Stones (Music from Brains in Fours)' uses brain waves to trigger synths. A spiraling, oozing piece, it's the best analog synth mi…
"Two first recordings of Morton Feldman's music in themselves make this CD a notable event. And then, David Felder's music puts it over the line. The music bridges two generations and two distinct personalities. Feldman, with John Cage, Earle Brown, David Tudor, and Christian Wolff, was a seminal member of the New York School in the 1950s, and his work is known for the beauty and delicacy of its orchestral colors, its 'painterly' surface, its static and quiet structure, its contemplative charact…
"David Behrman has been active as a composer and artist since the 1960s. Over the years he has made sound and multimedia installations for gallery spaces as well as musical compositions. Sam Behrman and Siegfried Sassoon met in 1920, when Behrman, then a young writer working at The New York Times, was sent to interview Sassoon at the start of the English poet's postwar American lecture tour. In that tour Sassoon was billed as 'England's Soldier-Poet.' He had a reputation both as a war hero and …